Rave On: FoolMoon 2017 in moving pictures



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It's hard to believe FoolMoon 2017 took place a few weeks ago; we're still glowing from the April 7 event and it has nothing to do with the neon paint we still can't get off our bodies.

To keep the FoolMoon vibes illuminated a bit longer, our talented photographer and videographer Tom Smith combined some images from the event with the techno track "bland western charm" from the album chromedecay tracks pt. 2: 2001-2005 by Bill Van Loo. (The Ypsilanti-based Van Loo also did one of our Tools Crew Live performances; check out the videos here.)

As the FoolMoon afterglow begins to fade, keep this page bookmarked for emergency illumination.


Christopher Porter is a library technician and the editor of Pulp.

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Terence Davies' film "A Quiet Passion" covers the life of poet Emily Dickinson


At first listen, Terence Davies' voice seemingly betrays his 71 years. Even with his charming British accent, the Englishman sounds gravelly, like he can't get as much air into his lungs as he might like. But then it takes about 30 seconds of hearing his words to understand age might not explain this condition as well as a literally breathless enthusiasm for whatever topic he's discussing.

I spoke with Davies about his latest film, A Quiet Passion, a biopic about Emily Dickinson that details her complicated family relationships, her unconventional religious beliefs, and her own self-esteem issues in order to celebrate a unique life and illuminate her poetry. The film opens at the Michigan Theater on Friday, April 21.

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Michigan native and "Narcos" co-creator Doug Miro talks about the art of screenwriting

Doug Miro, Narcos

Michigan native Doug Miro is more than happy to come home to talk about his hit Netflix series, Narcos.

When I talked to him on the phone recently, Michigan native Doug Miro was driving around Bogotá, Colombia, looking for a good coffee shop. He was shooting a few episodes for season three of the Netflix show Narcos, which he and collaborator Carlo Bernard created along with their partner and showrunner Eric Newman. Miro and Bernard, along with a team of writers, pen the scripts, and the two take turns filming episodes in Colombia and California.

Miro and Bernard have worked together for years now, writing screenplays for Steven Spielberg, Harvey Weinstein, and Jerry Bruckheimer, scripting films such as Prince of Persia (which starred Jake Gyllenhaal), The Wall (starring Matt Damon), Tintin, The Uninvited, and the television series Narcos, which Miro describes as more of a “20-hour movie."

Miro will give a free talk at the Museum of Contemporary Art Detroit (MOCAD) on Wednesday, April 19, at 7 pm. The event is co-presented by the MOCAD and the University of Michigan's Penny Stamps Distinguished Speaker Series.

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The Great Eight: Banff Mountain Film Festival at the Michigan Theater


It’s been over 20 years since the Banff Mountain Film Festival launched its “world tour,” bringing various films from the competition to over 40 countries and hundreds of cities around the world. Ann Arbor has been lucky enough to be a stop on the tour for more than a decade.

The film festival, which takes place at Banff National Park in Alberta, Canada each fall, features short films and documentaries about outdoor recreation of all sorts. Eight of the best films from the festival were shown at the Michigan Theater this past Tuesday evening.

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Tusk Talk: Catching up with the Bristle Mammoth at U-M Museum of Natural History



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There was a lot of media coverage on the Bristle Mammoth when its remains were found on Lima Township farm in October 2015 and when the University of Michigan Museum of Natural History opened its exhibit in November 2016. But we were curious if there were any developments since the hoopla died down -- plus, we had a few questions of our own -- so we talked to Dr. Daniel Fisher, who led the excavation and heads the research team. Check out our interview in the video above.

More videos about the mammoth excavation:

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All the Way In: Diving into the Ann Arbor Film Festival for the first time



hashtag by Sherlonya Turner

Confession: Despite living in the greater Ann Arbor area for nearly 20 years, I have never attended any part of the Ann Arbor Film Festival.

The poster caught my attention. I’m a sucker for bright colors.

Seduced by the orange, pink, and yellow in this year's AAFF poster, I thought, "Wouldn’t it be funny if I watched as many episodes of Dallas as I can before the film festival and then went to the screening of Hotel Dallas?," which documents Romania's strange fascination with the TV show that ran from 1978 to 1991.

An experience was born, but instead of diving into Dallas, I decided to steep myself in the Ann Arbor Film Festival experience.

First, I had to learn about the thing, so I did some light research on the festival’s founder, George Manupelli. I stumbled upon a memorial blog for him and read the whole thing click-after-click on my phone. Suddenly, I wanted nothing more than to create for myself the experience that this man would have appreciated.

I like to imagine that he’d approve of my plan to jump right in.

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AAFF 2017 | A Guide to the 55th Ann Arbor Film Festival


When the Ann Arbor Film Festival (AAFF) put together the printed edition of its 2017 program, the organization did it the usual way: listing the dates and the movies underneath. Throw in the "Off the Screen" events and after parties, et voila: the program calendar for the 55th edition of this Ann Arbor mainstay.

But when AAFF was putting together its website, the staff noticed a theme -- or several.

"We did set the [film] programs first," said Executive Director Leslie Raymond to Pulp in this recent interview. "Later when we looked back at them, we recognized some recurring themes and some things people would be interested in that we could pull together -- a few different film programs. People have told us that it's great and it can really help them to figure out what they want to do at the festival."

It made a lot of sense to us, too. Film festivals often group their movies by themes, which helps viewers hone in on their primary interests rather than root through a calendar to see what movies match their tastes on a specific day.

With Raymond's guidance, we identified the 55th Ann Arbor Film Festival's major film tracks as listed on its website, reviewed the primary movies or collections within them, and previewed the rest of the screenings or events in the series. Below is a list of our theme-based coverage for AAFF 2017:

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AAFF 2017 | Amazing Stories: "Following Seas" & more



Following Seas
Amazing Stories | Features in Competition
My dad often bemoans the lack of color in today’s movies. Back in the day, he says, the colors were more vibrant and jumped out at you from the screen. The reds were deeper, the yellows brighter, and the blues like the color of the ocean. If Dad was not in Florida enjoying a well-deserved retirement, I would insist that he come to the screening of Following Seas. Filmed by the Griffith family on their epic around the world adventures in the '60s and '70s, the ocean blue smacks you in the face and you are happy to let it do so.

Bob and Nancy Griffith met while on their respective boats in Honolulu Harbor. A successful veterinarian, Bob retired early to fulfill a lifelong dream of sailing the world. He and Nancy fell in love, married, and set out on the adventure of a lifetime all the while shooting film and still pictures to document their travels.

The Following Seas documentary by Tyler Kelley and Araby Williams highlights the family's voyages with their young child on the Ahwahnee boat.

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AAFF 2017 | Asian Focus: "Axes of Dwelling: The Video Art of Yuan Goangming" & more



"Axes of Dwelling: The Video Art of Yuan Goangming"
Asian Focus | New Media | Short Films
We've all seen countless homes, city streets, and natural landscapes in our lifetimes -- but never seen them quite the way Yuan Goangming does. The Taiwanese video artist's work is full of such commonplace imagery, but through innovative presentation and perspective, Yuan imbues familiar sights with surprising new feelings of both wonderment and unease. A wide variety of his works will be shown during the career retrospective "Axes of Dwelling," for which Yuan will appear and participate in a discussion with University of Michigan professor of Asian cinema Markus Nornes.

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AAFF 2017 | Music Focus: "Tony Conrad: Completely in the Present" & more


Tony Conrad: Completely in the Present
Feature in Competition | Music
For a man who was a paragon for expanding the paradigms of what constitutes art, music, and film, the subject of Tyler Hubby’s documentary Tony Conrad: Completely in the Present looks like any other rumpled khakis-and-button-down-shirt-wearing older professor. But when Conrad opens his mouth and the words begin to tumble out, his flowing imagination, sense of mischief, and singular view of the world make him anything but a tenured bore.

After graduating with a degree in mathematics from Harvard in 1962 and working as a computer programmer for a year, Conrad spent the rest of his life rebelling against anything as structured as those disciplines.

“He’s definitely got issues with authority,” says Tony Oursler, an artist and frequent Conrad collaborator.

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