Review: Elks Pratt Lodge's DEEP FREEZE


Fred Thomas & Mike Dykehouse were two of the DJs at this year's Elks Pratt Lodge Deep Freeze

Fred Thomas & Mike Dykehouse were two of the DJs at this year's Elks Pratt Lodge Deep Freeze

The majestic Elks Pratt Lodge looms over Ann Arbor from its perch at the top of a grassy (or sometimes by the time of DEEP FREEZE, snowy!) hill on Sunset Road. Nestled in Water Hill neighborhood, the Elks members made the decision in the late 2000s to allow the community to book events there that are open to the public. Since then, various live music and DJed concerts and dance nights have been held over the years, as well as barbecues and social justice events. Minimal décor and a cash-only bar keep events there simple, but a typically eclectic crowd is unfailingly enthusiastic for whatever is going on.

On Saturday, December 12, Elk members and the public attended DEEP FREEZE, a winter dance night featuring prominent local DJs and other special guests. Fred Thomas, the frontman of indie pop band Saturday Looks Good to Me, was one of these DJs. He just released a new album this past year, All Are Saved, which fans loved and even Pitchfork reviewed favorably! Mike Dykehouse, another prominent local artist who achieved wide acclaim after playing at the first ever Detroit Electronic Music Festival, was also one of the DJs that performed at the Elks Lodge on the 12th. Dykehouse played on Ann Arbor-based Ghostly International’s summer 2002 tour, and even has ties to the Ann Arbor District Library; he DJed at our Mini-Moog fest this past July. His 2004 full-length debut album is titled Midrange. DJs Chuck Sipperley, who’s performed at Top of the Park, Mittenfest and many other local events in the past, and Jason Lymangrover, were also there for DEEP FREEZE.

One of those most fun things about events at the Elks Lodge is the way that the building is lit up. Strings of lights are hung on the porch and from the rooftop, making the mansion a sort of beacon as you approach it from any direction. Upon entering through the back of the lodge, guests are ushered downstairs to the bar, and nearby, the dance floor. A lot of the music was dance mixes of 80s and 90s tracks, which suited the crowd of twenty and thirty-somethings perfectly. The dance floor was fun, friendly and active for much of the night, and when people weren’t dancing, groups still enjoyed the music in the deep booths that surround the floor. With so many DJs, there was never a break in music and guests trickled in and out, enjoying the unseasonably warm night on the porch of the Lodge, and then wandering back in to dance more or grab another drink.

Elizabeth Pearce is a Library Technician at the Ann Arbor District Library.

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Preview: Winter Dance Sharing


Dance out the winter blues with the Winter Dance Sharing

Dance out the winter blues with the Winter Dance Sharing

Let the music move you! If you enjoy meeting performers and interacting with them, this event is designed with you in mind. To kick off the Winter Dance Sharing, Christina Sears-Etter (Artistic Director for the People Dancing Company) will teach a sample SOMAdance class in a workshop format. SOMAdance helps dancers use their bodies to express imagery, which can be enhanced by increasing mind body integration. You do not need prior dance training to enjoy and benefit from this workshop. SOMAdance is designed for teenagers and older. On-site childcare will be provided during the workshop with advance reservations.

Following the SOMAdance workshop, you can enjoy live performances in the studio with works choreographed by Sears-Etter and Abigayle Cryderman.


Heide Otto Basinger is on the Board of People Dancing.


Winter Dance Sharing will take place on Saturday, December 19, 2015, from 4:30-7:30 pm at the Arts in Motion Dance Studio (6175 Jackson Rd., Suite B). The suggested donation is $8.

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I'm Dreaming of a Stockingful of Holiday Stuff

Dash through the snow (dirt?) to these holiday events!

Dash through the snow (dirt?) to these holiday events!

December is upon us and, like the giant rolling boulder in that one Indiana Jones movie, the holidays are rumbling ever closer.

If you need some tips to help you celebrate the season, here's a handy list of festive holiday things going on in the area:

Dickens: An A Capella Carol
Friday, November 27th - Sunday, December 20th
Performance Network Theater - Ann Arbor, MI

National Theatre of Scotland: A Christmas Carol
Thursday, December 17th - Sunday, January 3rd
Power Center for Performing Arts - Ann Arbor, MI

Ypsilanti Community Choir's Annual Holiday Concert
Thursday, December 17th
Washtenaw Community College - Ann Arbor, MI

Gifts of Art presents Holiday Harmonies with Counterpoint
Thursday, December 17th
University Hospitals - Ann Arbor, MI

Home for the Holidays! with the Detroit Symphony Orchestra
Friday, December 18th - Sunday, December 20th
Detroit Symphony Orchestra - Detroit, MI

The Corner Christmas! (Not Your Family's Christmas Party) at the Corner Brewery
Saturday, December 19th
Arbor Brewing Company Microbrewery - Ypsilanti, MI

Krampus Costume Ball
Saturday, December 19th
The Dreamland Theater - Ypsilanti, MI

Scones and Shopping at the Eyrie
Saturday, December 19th
The Eyrie - Ypsilanti, MI

X'mas Explosion 4 feat. Archimime, Meridians, Scapegoat and The Path Of Exile
Saturday, December 19th
The Maidstone Theater - Ypsilanti, MI

Museum of Natural History Planetarium: Season of Light
December 19th-20th, 27-30th
University of Michigan Museum of Natural History - Ann Arbor, MI

Winter Solstice Celebration
Tuesday, December 22nd
Cultivate Coffee and Taphouse - Ypsilanti, MI

Gifts of Art presents Sweet Sounds of the Season with Wanda Degen
Thursday, December 24th
University Hospitals - Ann Arbor, MI

Black Christmas Feat. The Suicide Machines, The Black Dahlia Murder, BIGWIG, Mustard Plug, Koffin Kats
Saturday, December 26th
The Majestic - Detroit, MI

Mittenfest X
Tuesday, December 29th - Saturday, January 2nd
Bona Sera Cafe - Ypsilanti, MI


Nicole Williams is a Production Librarian at the Ann Arbor District Library and she's been listening to Christmas music since July.


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Review: Henry IV, Part I, University of Michigan School of Music, Theatre & Dance


UMSMTD gives the devil his due in their production of Henry IV

UMSMTD gives the devil his due in their production of Henry IV

Shakespeare's Henry IV, Part I isn't really about King Henry IV. It's about the rivalry between Henry's son, Prince Hal, the future Henry V, and the heroic and headstrong Harry "Hotspur" Percy.

The play is full of jolly roistering and clashing swords, but its theme of delayed maturity seems to fit well for a university production. And the University of Michigan School of Music, Theatre & Dance offers a perceptive and action-packed production.

The heir to a much-disputed crown is happier in a tavern than on a battlefield and his father worries that Hal will never assume his proper role. Meanwhile, the son of one of his allies, Hotspur, has won acclaim for his daring. Hotspur and his father and aunt (a change of gender for the role) will soon change allegiance and lead a rebellion. Will Hal meet the challenge?

Not if an old, soused knight named Falstaff has any say in the matter. Falstaff is of course one of Shakespeare's great creations. He's a lecher, a drunk, a buffoon, a coward, and a great party animal. He's a "bad influence" but closer to Hal than his own father and something of a modern day cynic.

Director Priscilla Lindsay pulls all these elements together in a rousing, traditional staging of one of the Bard's most popular works. The production moves smoothly from the bawdy confines of the Boar's Head Inn to the royal court to the bloody fields of battle. Shakespeare's language is a challenge for young actors and the clarity of some of the actors is less than it should be. But Lindsay gets some excellent work from her three major actors.

Robert M. O'Brien is a handsome, charming, and playful Hal. He speaks the language well, he moves gracefully and, crucially, he makes a convincing move from party boy to a leader of men. He conveys some of the sadness and loss that that move will cause him.

The plum role in any production of this play and its sequel is of course Sir John Falstaff. Graham Techler may need padding to fill the obese profile, but he is a superb Falstaff. He handles both the rapid verbal wit and the complex physical comedy excellently. He's hilarious, but in his famous comments on "honor," he also conveys a deeper understanding of what he's saying.

But, the real find here is Caleb Foote. His Hotspur is a raging revelation. He is fierce, rapid-tongued, and physically athletic and on-edge. Foote's command of Shakespeare's language is amazing. He understands perfectly that the best approach is to speak it naturally as your own and in this case he even gives it a rough north English accent. When he is on stage, he commands the stage. He bears himself like a young Jimmy Cagney, which is perfect for the reckless if honorable warrior he plays.

Key roles are played by Larissa Marten as Hotspur's ambitious aunt, Matthew Provenza as the title character, Elyakeem Avraham as a Welsh lord and Jesse Aronson, Samuel Bell-Gurwitz, and Sten Eikrem as Hal's Boar's Head companions.

The complex battle scenes are excellently staged by fight director Robert Najarian. Costume designer Christianne Myers helps define the players by putting the king's men in golds and tans and the rebels in silver and gray.

The production concluded Sunday at the the Power Center on the central UM campus.


Hugh Gallagher has written theater and film reviews over a 40-year newspaper career and was most recently managing editor of the Observer & Eccentric Newspapers in suburban Detroit.

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Preview: National Theatre of Scotland: A Christmas Carol


The puppets of Christmas past, present, and future visit Scrooge in the National Theatre of Scotland's A Christmas Carol

The puppets of Christmas past, present, and future visit Scrooge in the National Theatre of Scotland's A Christmas Carol

Every year, at this time, audiences can choose from countless stage and screen versions of A Christmas Carol. Tiny Tim, Scrooge, and the Ghost of Christmas Past--characters created by Charles Dickens in 1843--are part of our shared holiday heritage. With so many professional and amateur productions each year, what new can be brought to this timeless and familiar classic?

With uniquely intimate staging, the National Theatre of Scotland brings its acclaimed version of A Christmas Carol to The University Music Society (UMS) for the holiday season. Using a mixture of puppets and actors, live music and a set that forces the audience into the action, director Graham McLaren mounted a theatrical experience that has Dicken’s original text at its core and will “challenge all notions of sentimental stage and screen adaptations.”

The Daily Telegraph raved that “every aspect of the piece contributes perfectly to its irresistibly magical atmosphere” and that the National Theatre of Scotland’s A Christmas Carol “deserves to be remembered as one of the classiest pieces of theatre to have been staged in Scotland, not only in the winter season, but at any time of year.”

Only 125 audience members will be seated at each staging, so it is best to get seats early.


Tim Grimes is manager of Community Relations & Marketing at the Ann Arbor District Library and co-founder of Redbud Productions.


Performances of A Christmas Carol will run from Thursday, December 17 through Sunday, January 3 at The Power Center, 121 Fletcher St., Ann Arbor. For ticket information, visit ums.org.

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Preview: The Three Musketeers, Young Actors Guild (YAG)


All for one and one for all with YAG's The Three Musketeers

All for one and one for all with YAG's The Three Musketeers

Ann Arbor’s Young Actor’s Guild (YAG) presents The Three Musketeers, based on Alexandre Dumas’ classic historical novel chronicling the adventures of D’Artagnan and the Musketeers of the Guard in 17th century France. On the road to adventure, young D’Artagnan finds more than he bargains for with fellow swashbuckling musketeers Athos, Porthos, and Aramis as they slice their way through considerable court intrigue in an attempt to thwart the scheming and powerful Cardinal Richelieu.

YAG’s performance is teeming with fight choreography led by trainer Melissa Freilich, a teacher of the Alexander Technique and advanced actor combatant with the Society of American Fight Directors.


Amy Cantú is a Production Librarian at the Ann Arbor District Library.


Performances of The Three Musketeers are Friday, December 18, 7:30 pm; Saturday, December 19, 2 pm and 7:30 pm; and Sunday, December 20, 2:30 pm, at the Lydia Mendelssohn Theatre, University of Michigan campus, 911 N. University Ave. Tickets are $5.00 students, $10 adults ($15.00 for any two performances). Additional ticket information available at the YAG website.

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Review: The Light in the Piazza, University of Michigan School of Music, Theatre and Dance


A talented cast brightens the stage in The Light in the Piazza

A talented cast brightens the stage in The Light in the Piazza / Photo by Peter Smith

The University of Michigan School of Music, Theatre, and Dance loves to boast about the many graduates who are making a name for themselves on Broadway and in regional theaters across the country.

A new production of The Light in the Piazza at the Arthur Miller Theatre on the UM North Campus just might add significantly to that list. An uniformly outstanding cast gives life to a musically challenging work that is at times comic, romantic, and richly melodramatic.

The musical with book by Craig Lucas and music and lyrics by Adam Guettel is base on a 1959 novella by Elizabeth Spencer about a mother and daughter trip to Italy. The time and lush setting suggest the romantic, Technicolor movie melodramas of the 1950s in which a family secret creates a tension that can only be resolved through love.

The UM production on the intimate Miller stage leaves the splendor of Florence, Italy, to the audience's imagination (for how could it ever be presented on a stage). The stage is bare except for chairs, a table and, in one key scene, a bed. These are moved about fluidly by the ensemble cast who remain on stage as a chorus of Florentines. The small orchestra is also on stage. Up front a common story plays out. Mother and daughter go to Italy, where once upon a time the mother and her husband had a carefree holiday before the realities of business and life intruded. The pretty but fragile daughter finds romance with a passionate young suitor from an equally passionate Italian family.

The "secret" is a childhood injury that has left the young girl mildly developmentally impaired. But this is the 1950s, and her parents want to protect her, or is it control her. A mother-daughter struggle ensues.

This is not your typical musical comedy. The music is rich and varied, moving from the lift of a jazz combo to the complex drama of grand opera. Music director Catherine A. Walker leads a five member orchestra through the score superbly. Walker also plays beautiful piano from boogie-woogie to rising romantic flourishes. This is not the kind of show in which you leave whistling a tune, but the songs musically and lyrically capture the range of emotions that are at the heart of the show.

The cast is challenged in unusual ways. The songs are in English and Italian. Some cast members must sing and speak in Italian and in the halting English we associate with Italian immigrants. They must also move easily from operatic passion to quietly tender emotion to joyful humor. Guest director Brian Hill makes it all work seamlessly. He has his young cast performing beyond their years and capturing every nuance of a richly nuanced play.

Christina Maxwell plays the delicate, charming daughter Clara. She perfectly captures the sweet innocent early on and the fierce young woman trying to make a life of her own as the story develops. He voice is sweet but, even in the tight confines of the Miller, needs more projection.

The Naccarelli family are a joy, even as they embody a variety of well-worn Italian stereotypes. Luke Steinhauer as Fabrizio, the suitor, is magnificently over the top in love. His "Il Mondo Era Vuoto" is at once passionate but outrageous and the reactions of his more knowing brother and father are hilarious. Ben Bogen is the philandering brother Giuseppe, quick and lively, who distracts his brother with a little jazz. Liesl Collazo is Giuseppe's tart-tongued, jealous but passionate wife and family translator, who also believes in love. David Barnes is suave and precise as the family patriarch who falls to the charms of Clara's mother and has a sweet duet with her. Kalia Medeiros brings spark to a giddy scene where she provides an explanation for what's going on when a family argument ensues in raucously rapid Italian.

But in this uniformly fine cast, one member stands out. Kaity Paschetto gives a star performance as Margaret, Clara's caring but tense mother. Paschetto resembles a young Angela Lansbury and seems to move as easily from comedy to drama to musical expression as that esteemed actress does. Her singing voice is bright, expressive, and emotional. She expresses excellent comic timing in her efforts to put off the suitor without causing a scene. But her best scenes are her sad encounters with her angry daughter and her long-distance conversations with an estranged husband (Charlie Patterson).


Hugh Gallagher has written theater and film reviews over a 40-year newspaper career and was most recently managing editor of the Observer & Eccentric Newspapers in suburban Detroit.

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I'm Dreaming of Mortality

Joseph Keckler

Performance Artist and Vocalist Joseph Keckler / Photo by M. Sharkey

If you’re growing weary of all the holly jolly happenings that this time of year has to offer, then it might be time to take a break to contemplate mortality. I mean really take some time, like four hours worth, and spend it observing a classically trained vocalist perform operatic death after operatic death.

In Let Me Die, Joseph Keckler ties together and performs hundreds of deaths from the history of tragic opera. The project also involves a series of videos, incorporating operatic fragments into stories and images of contemporary life, realized in conjunction with Holly Hughes' Interarts class. Performance and video will be shown, surrounded by an environmental installation that sparsely combines operatic set elements. Audience members are welcome to come and go as they please during the four hour performance. Seating is limited and available on a first-come, first-served basis. MOCAD galleries and Cafe 78 will be open during the performance.

Joseph Keckler has spent the last few months as Witt Artist in Residence at the University of Michigan working with students to create music videos and to delve deeply into the world of the tragic. He has spent endless hours researching operatic deaths and has expertly categorized them under such headings as “the Stabbies,” "the Sickies,” and “the Poison People.” You can read more about his process in this great interview by M. Starkey.

Still not convinced? Then watch this video as a preview of the greatness that you will witness. Keckler sings Schubert to a cat. Need I say more?

Death is, quite simply, what gives meaning to life. Shakespeare understood this well as he wrote in King Richard II,
“O, but they say the tongues of dying men enforce attention like deep harmony.” Go to MOCAD this Saturday and face your mortal anxieties straight on.


Anne Drozd is a Production Librarian at the Ann Arbor District Library and is mortal.


Joseph Keckler performs Let Me Die Saturday, December 12, from 1 – 5 pm at MOCAD, 4454 Woodward Ave, Detroit, MI 48201. In partnership with the Penny Stamps Speaker Series , the Museum of Contemporary Art Detroit (MOCAD), and the Roman J. Witt Artist in Residence Program. This event is free of charge and open to the public.

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We're Dreaming of a Handmade Christmas


Get your wallets and your Nice list ready for this weekend's craft fair extravaganza

Get your wallets and your Nice list ready for this weekend's craft fair extravaganza

It's that time of year when it seems like there's a cool craft fair to attend every weekend. It’s especially going to seem that way during the weekend of December 12-13, when no fewer than four events will be hopping with handmade shopping in both Ann Arbor and Ypsilanti.

Saturday, December 12 marks the sixth annual Tiny Expo Indie Holiday Art & Craft Fair. The fair will be held at the Downtown location of the Ann Arbor District Library again this year. This is the second year that the show will be hosted at AADL, after bouncing around to different locations in its early years, and Tiny Expo is now happy to call AADL home.

The juried craft fair has grown a bit: this year it will feature 45 artists and crafters offering handmade wonders of all kinds. The event will also include a kid-friendly snow globe making workshop, a letterpress demo, and AADL’s new Secret Lab will be open and unveiling secrets.

Just down the road in Ypsilanti, the DIYpsi Holiday Market will take place on December 12-13 at the Riverside Arts Center. DIYpsi will feature 80 artists, and in addition will offer artisan food and beverages for sale. This is also the 6th year for the DIYpsi Holiday Market, which came into being after Ypsilanti’s Shadow Art Fair decided to no longer host a holiday fair.

A group of artists in Ann Arbor and Ypsilanti independently desired to fill the gap and offer an opportunity for artists to sell their work and for shoppers to buy local and handmade. From this came Tiny Expo and DIYpsi and a MEGA craft fair weekend! Many shoppers make a weekend of it and hit up both fairs to browse an assortment of unique, quality handmade goods and have a good time.

To make the weekend even merrier, there are a few more events happening in Ypsilanti both Saturday and Sunday, just a hop, skip, and a jump from DIYpsi. Wares on Washington is in pop-up store format and is a community fundraiser for 826Michigan.

There is also Ypsi Alloy Studios, hosting their first annual Open Studio & Holiday Market. Visitors can check out the studio space where visual artists can make, create, and collaborate. The market will feature fine art and handmade gifts by a small group of artists, as well as a cash bar and a gift wrapping station.

More and more indie craft fairs pop up across Michigan each year, giving shoppers opportunities to shop local and buy handmade. It’s a great way to support local artists, keep the cash in our local economy, and have a unique, fun shopping experience outside the big box stores. And let’s face it, craft fairs usually have a better soundtrack and tastier drinks.

So if you’re looking for the coziest scarf ever, soap that smells like raspberry s’mores, a uterus-shaped brooch, a necklace made from graffiti found in Ann Arbor and Detroit, a piece of art to frame, or your new favorite ceramic mug, these creativity-filled craft fairs have you covered.


Amanda Schott is a Library Technician at AADL and readily admits to her craft fair addiction.


Tiny Expo takes place at the Downtown Ann Arbor District Library Saturday, December 12 from 11 am-5:30 pm. Free admission.

DIYpsi takes place at the Riverside Arts Center Saturday December 12 from 11 am-7 pm and Sunday, December 13 from Noon-6 pm. Admission is $1.

Wares on Washington takes place at Chin-Azzaro Studio Saturday December 12 from 10 am-6 pm and Sunday, December 13 from 11 am-4 pm. Free admission.

Ypsi Alloy Studios Open Studio & Holiday Market takes place at Ypsi Alloy Studios Saturday December 12 and Sunday December 13 from Noon-6 pm both days. Free admission.

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Preview: Ebird and Friends Holiday Show


Ebird and Santa

Ebird and Friends bring their Holiday Show to the Ark

The annual Ebird and Friends Holiday Show may not have quite the legacy of the University Musical Society’s annual presentation of Handel’s Messiah. But in its eighth year the revue-style concert has quickly joined the ranks of Ann Arbor’s holiday traditions. The show’s moniker originates from the nickname of its creator, Ann Arbor musician Erin Zindle, best known as the frontwoman of folk group the Ragbirds. Zindle organized the first Ebird and Friends show in 2008 at Hartland Music Hall, and she has fronted the show’s backing band in each subsequent year. The show’s lineup features a diverse range of local artists presenting unique takes on classic Christmas songs, as well as original holiday tunes. This year local audiences will have three opportunities to see the show: Dec. 11 and 12 at the Ark, and Dec. 13 at Hartland High School’s auditorium. Pulp chatted with Zindle about the origins of Ebird and Friends, why Christmas music is so special to her and what we should be looking forward to at this year’s show.

Q: How did the first Ebird and Friends show come together?
A: My dad has lots of brothers and sisters, so the only time of year the whole family would gather consistently was on Christmas Eve. And my favorite part of that gathering was singing. We would do food and gifts and I would kind of rush through that stuff because I really, honestly, even just as a young child, just was so excited about singing in harmony together with my family. It was such a special thing to me growing up, and as I got older we just stopped doing that. I realized how much that impacted me as a young musician. It was the first time I acknowledged music as a community experience–as a community-building experience, even, and I just really longed for that. I live far away from my family now, but I have this wonderful musical family in Michigan, in Ann Arbor. It was a pretty natural extension of that to try to start that here. The first year I just called all my musician friends and just was like, “We all love each other and all say how much we want to band together. Well, let’s make it happen.”

Q: How do you select the artists for the show? Do you try to balance various genres or musical styles, or is it mostly just based on bringing in as many folks as are available?
A: It’s a really selective process. There are so many amazing artists that I honestly call friends and just love and respect so much in this area that there’s too many to pick from. I always have a way bigger list to start with than who I can actually involve in the show. It’s a really hard choice. But I usually don’t have the same artists more than two years in the show, just to keep changing it up. I try to find somebody who can hold down the funk and somebody who’s got old-timey-style folk and somebody who’s a little more jazzy and somebody who’s just a local dynamo that can blow everybody away. So I’ve got certain spots I’m trying to fill, in a way.

Q: How do you go about rehearsing for something like this? Do you make time when you can to rehearse with each act individually, or do you usually pull the whole group together to run through it?
A: We have a horn sectional and a string sectional. The harmony girls will get together and work out their parts individually. We’ll do one rehearsal with just the house band, and then we all get together just once. So many of the musicians have just that one rehearsal, where we’re just jumping in and trying to get through everything in one night. It’s a marathon rehearsal and it’s a big party and it’s awesome.

Q: Christmas music can get kind of a bad rap, but such a diverse range of artists from around our community seem to really embrace it in this show. What do you enjoy about performing Christmas music and why do you think it holds such an appeal for your fellow performers in this show?
A: I think that many of the songs have a message of getting together and peace on earth and celebrating joy and light and happiness. There’s a positive message to most Christmas songs, even though some are totally cheesy about that. There’s something about having a body of work in our collective culture that we all know. We can all sing “Jingle Bells” together. We all know it, no matter where we grew up or how we were raised or what our culture is, even our religion. We all know it. And I just think it’s a good starting place as far as getting artists to come together and be creative around a theme. It’s really a perfect choice in that way.

Q: What are you particularly excited about with regards to this year’s show?
A: The Accidentals have a brand-new original tune they’re going to be debuting. Olivia Millerschin is a really cool, fresh, young artist on the scene. She was one of my songwriting students up at Interlochen and she’s really been making waves with her career. I’m excited to have her as part of the show this year, also doing an original song. I could go on and on because there’s a lot of cool things in store, but I don’t want to give it away.


Patrick Dunn is an Ann Arbor-based freelance writer whose work appears regularly in the Detroit News, the Ann Arbor Observer, and other local publications. He can be heard most Friday mornings at 8:40 am on the Martin Bandyke morning program on Ann Arbor's 107one.


Ebird and Friends will be at the Ark on Friday, December 11th and Saturday, December 12th – Doors 7:30 pm, Show at 8:00 pm. Sunday, December 13th at the Hartland High School Auditorium – Doors 3:30 pm, Show at 4:00 pm. Tickets are $20. Information about where to purchase tickets can be found on the Ragbird's site.

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