America's librarian, Nancy Pearl, penned her own novel for the stacks


Nancy Pearl

NPR regular Nancy Pearl wrote her debut novel after longing for the "perfect thing to read."

Nancy Pearl -- coming to Nicola’s Books on Wednesday, October 4 at 7 pm to talk about her new novel, George & Lizzie -- may be the only person in America who could be referred to as a “celebrity librarian.”

For she’s regularly featured on NPR, where she recommends and discusses books; and she was the model for a librarian action figure that boasts “amazing shushing action!”

But locals who’ve heard Pearl on the radio may not realize that she has deep local roots. Though she now calls Seattle home, Pearl grew up in Detroit and studied library science at the University of Michigan.

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After cancelled flights, Darlingside hit the road to sing harmonies for The Ark


Darlingside

Real-close harmonies. Photo of Darlingside at The Ark by Andy Rogers.

In order to play at The Ark’s nearly sold-out fall fundraiser on Sunday night, Darlingside had to skedaddle out of Kansas City after a show on Saturday night. The Boston-based quartet packed into a minivan with its sound engineer and drove through much of the night.

This hadn’t been the original plan, but the sudden appearance of a 200-mile-wide storm system meant that Darlingside's flights, scheduled several months earlier, weren’t going to happen. “So we arrived in Ann Arbor this morning, badly in need of a shower,” confessed cellist/guitarist Harris Paseltiner.

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Warm, interactive "Every Brilliant Thing" addresses depression and its fallout


Every Brilliant Thing

Every Brilliant Thing takes an openly candid --and frequently humorous -- approach to addressing depression.

There’s a moment in Duncan Macmillan’s play Every Brilliant Thing -- a University Musical Society presentation of the U.K.’s Paines Plough and Pentabus Theatre Company production -- that straight-up gave me chills.

For actor/comedian Jonny Donahoe, playing the son of a woman struggling mightily with depression, briefly discusses how suicide tends to beget more suicide, and that the year after Marilyn Monroe killed herself, the rate of suicide in the U.S. rose by 12 percent.

Why did this pronouncement split the air in the Arthur Miller Theatre like a lightning bolt?

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A2CT's “Seussical, the Musical” will transport viewers to a magic kingdom


Ann Arbor Civic Theatre presents Seussical, the Musical

Rob Roy and Eric VanWasshnova in SeussicalM, which takes aesthetic inspiration from a Disney Cruise restaurant. Photo: Lisa Gavan | Gavan Photo

The fanciful world of Dr. Seuss will come to life on the Mendelssohn Theater stage this weekend when Ann Arbor Civic Theatre presents Seussical, the Musical

“We were looking for a family fare kind of show,” said director Denyse Clayton. “Most every show for families is a ‘feel good’ show, but in the particular political climate we’re living in now, I think that to buy a ticket and go someplace magical to escape it all for a while feels particularly good.”

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Leave the Kids at Home: Grown Folks Story Time at BookBound


Grown Folks Story Time

Clockwise from the upper left: Ken MacGregor, Patti F. Smith, and David Pratt will kick off the first Grown Folks Story Time on August 24.

As adults, we often forget how pleasurable it can be shut everything off, stop talking for a while, and just listen to someone read a story out loud.

But Ann Arbor educator -- and frequent Pulp contributor -- Patti F. Smith remembered that childhood joy while skimming local event listings.

“There were all these different storytimes for children, and I thought about how much I loved story time as a kid when I was in school,” she said, adding that she then noticed that a group of young Detroiters “had an event that had interesting people reading interesting things. I went to it, and a woman -- not an author -- brought a book she just really liked, a memoir, and read some quick little lines from it. There was a brunch with mimosas, and it was just a lovely event. It wasn’t political, it wasn’t deep, it only lasted about an hour, but it just made me remember that it’s really, really nice to be read to. So I thought, well, why not have something in Ann Arbor?”

With this in mind, Smith has planned Grown Folks Story Time at BookBound on Thursday, August 24, at 7 pm. The theme is “childhood,” since the three participants will read from books they loved as kids.

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Ann Arbor in Concert’s "Spring Awakening" was lovely and heartbreaking


Ira Glass

Spring Awakening rehearsal photos by John McCarthy.

For a few moments during Ann Arbor in Concert’s production of Spring Awakening on Saturday night at the Power Center, all the heightened hormonal chaos, longing, joy, freedom, and frustration of adolescence was on resplendent display.

The number, which I’ll politely refer to “Totally F-ed,” arrives late in the Tony-winning stage musical, and in the words of Rohit Gopal (who played Moritz) during the talkback, “It’s a banger.” The entire cast embodies revolt through song, and at one point Christopher Campbell’s deft choreography clearly dictates that each performer “rock out on your own as the spirit moves you.”

And boy, does the overall effect work.

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Controversy and Comedy: Michigan Shakespeare Festival 2017


Michigan Shakespeare Festival, The Taming of the Shrew

Michigan Shakespeare Festival's The Taming of the Shrew deals with the play's misogny without major script changes.

The Michigan Shakespeare Festival’s board votes on the plays for a specific season -- pitched by MSF’s Producing Artistic Director Janice L. Blixt -- 18 months in advance of the curtain being raised.

So in early 2016, when MSF’s board voted to approve Taming of the Shrew, Julius Caesar, and Chekhov’s The Seagull for 2017 (the season kicks off in Jackson on July 6), the company had no idea that it would be staging Caesar shortly after New York Public Theater’s production of the play (which depicted Caesar as Donald Trump) made national headlines and drew protestors.

“I expected Shrew to be the controversial show, where I’d be fielding questions like, ‘How are you dealing with the misogyny?’” said Blixt.

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Things I Learned From Ira Glass


Ira Glass

His American life: Ira Glass talked about some of the things he's learned during 22 years of being on the radio.

A sold out crowd flocked to see National Public Radio star Ira Glass, host of This American Life, at the Power Center Saturday night, where he presented a show titled 7 Things I’ve Learned as part of the Ann Arbor Summer Festival’s main stage series.

Using film and audio clips, and armed with nothing more than a tablet, Glass -- wearing a tailored silver suit with a white shirt -- shared what turned out to be 10 things he’s learned since getting involved with public radio at age 19, and launching TAL in Chicago in 1995.

“But they’re not the only seven things I’ve learned,” Glass emphasized during his intro, saying the lessons he’d be focusing on weren’t even the seven most important things he’s learned. (He’d tried, as an exercise, to determine those, too, but he quickly realized that that’s “the most stoner question ever. Like, chewing and swallowing, maybe?”)

Instead, the highlighted “things” were various bits of knowledge related to Glass’ work, and a quietly moving personal epiphany involving musicals. Here’s a taste of what he shared.

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Off-the-Cuff Comedy: Brad Sherwood and Colin Mochrie


Brad Sherwood and Colin Mochrie

Hand jive: Brad Sherwood and Colin Mochrie are always trying to crack each other up.

Whose Line is It Anyway? stars Brad Sherwood and Colin Mochrie -- appearing Saturday night at the Power Center as part of the Ann Arbor Summer Festival -- have been doing improv comedy together since they met in the early '90s, so they have a long-established, familiar rapport with each other.

“There’s almost a sibling rivalry that happens backstage and on stage, and that becomes part of the show, watching us try to outdo each other,” said Mochrie.

Sherwood, meanwhile, confessed that he’s always looking for the chance to make his improv partner laugh on-stage. “It’s hard, because (Mochrie’s) the most stoic of all of us,” said Sherwood. “He’s granite. … If I actually say something that makes him laugh, I’ll hear, under his breath, an involuntary spasm for half a second. But that’s about it.”

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Red Scare: Glenn Frankel's "High Noon: The Hollywood Blacklist and the Making of an American Classic"

Glenn Frankel, High Noon

Glenn Frankel's book recounts the Red Scare surrounding High Noon.

Each year we hear about how political the Oscars are, but this may have never been truer than in 1953 when High Noon scored big with critics and moviegoers the year before (and earned seven nominations), but also found itself in the crosshairs of the House Un-American Activities Committee.

“There was a campaign to make sure (High Noon screenwriter Carl Foreman) didn’t win, because that would be too embarrassing,” said Pulitzer Prize-winning journalist Glenn Frankel, who just published High Noon: The Hollywood Blacklist and the Making of an American Classic.

Frankel will talk about his latest book at the Westgate branch of the Ann Arbor District Library on Friday, June 23 from 7-8:30 pm.

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