In Lynda Cole’s hands, North is not only a primer in the emotional power of abstract art—it’s ultimately as much a state of mind.
Granted by this local artist’s definition, “north” is a psychological place, but when seen at downtown Ann Arbor’s WSG Gallery, North is as much a time as it is a place. And it’s in this fusing of time and space—both melding a particular state of mind—where “north” resides.
“My future travel will have to have ice in it,” Cole says in her gallery statement. “Where ice is found I encounter stillness, a beautiful quality of light, large horizons of the sea and sky and the color and purity of the ice. These things contribute to a feeling of tranquility I don’t find in most other places.
“On a recent trip to the Arctic during the midnight sun,” continues Cole, “early one particular morning, I looked out over the Arctic Ocean and felt as if I was Alice falling down the rabbit hole. The sea was entirely still with bits of ice in it.
“The light quality of the sky was a pale palette, striped and moody. It felt unlike Earth.”
This moodiness is reasonable as what Cole seems to mean is that “north” is as much an expressive place as it is physical location. But as a depiction of emotion, it might not also be much of a stretch to say it’s rather a way of life: A durable outlook that’s as much equal part exaltation as it is seclusion.
Solitude gets short shrift today. The pace of contemporary life so often hurries our sense of self, the mere act of checking one’s perception of the environment can seem more of a burden than did the leisurely appreciation of the sublime in prior eras not so long ago. And although the exhibit is much more; if nothing else, North encourages a leisurely appreciation of the sublime.
“The paintings in this exhibition are painted with beeswax, Damar resin and dry colored pigments on various substrates,” says Cole of her work’s technical expertise. “Many layers of wax are painted on the substrate and heated with a torch to fuse them to layers below. It’s an ancient technique which has enjoyed a certain revival during the past 50 years or so.”
A certain revival, indeed—fusing her layers of wax with heat to bond her working surface to a high gloss luminosity, Cole’s wax is sculpted and combined with collage material to create swaths of incandescent facture whose flaring textures reflect a subdued solemnity. But it’s also a solemnity with purpose.
The title work illustrates the stunning effect Cole can craft with her materials. “North”—36” x 48” with an impressive two-inch depth—is a meticulous masterwork whose frosty pigments compete with beeswax to create a moody visage of abstracted ice and air. The work’s upper and lower irregular grids flank, yet do not quite contain, a center of competing blue fields whose incandescent depth pull the viewer’s eyes into the composition more by suggestion than articulation.
Not quite improvisation, for Cole’s command of her materials is far too controlled for this laxity, yet loosely enough crafted to allow for nonrepresentational inventiveness, “North” instead reflects an emotional timbre whose resonance strikes a firm expressive state. What’s outwardly rigid in its appearance is also nuanced in its form. For “North” is a kind of painting that requires a contemplative deliberation and willingness to explore the infinity of its surface.
It’s also a call for a thoughtful appreciation of our environs—here and elsewhere.
One of six other such considered paintings on display, North like the rest of Cole’s latest offerings at WSG follows in the unhurried continuum of her art. Her work is a reminder that art nature (like nature) often unfolds meditatively in its own time and in its own manner. We must merely follow in the imaginative manner of our forebears to appreciate splendor on its own terms.
John Carlos Cantú has written extensively on our community's visual arts in a number of different periodicals.
North will run at the WSG Gallery, 306 S. Main Street, through December 6, 2015. The WSG Gallery is open Tuesday-Wednesday, noon–6 pm; Thursday, noon-9 pm; Friday-Saturday, noon-10 pm; and Sunday 12-5 pm. For information, call 734-761-2287.
You’ve seen it all before. A magical kingdom. A fair maiden locked in a tower guarded by a fiery dragon. A valiant hero and his trusty steed on a quest to free oppressed subjects from a hateful despot. Yes, all this and more can be found in Shrek, the Musical. Er, sort of….
In this song-filled take on William Steig’s classic children’s book, our hero is a crabby, flatulating ogre and his steed is a smart-alecky and annoying donkey. The maiden's also not quite what she appears to be and the oppressed subjects are familiar fairy tale characters led by a Pinocchio even Papa Geppetto would be hard-pressed to love.
Details … details. Be all that as it may, Shrek, the Musical, is a lot of fun and Young People’s Theater always puts on a really big show.
Amy Cantú is a Production Librarian at the Ann Arbor District Library.
Shrek runs Thursday, November 19 - Sunday, November 22, at the Lydia Mendelssohn Theatre on the University of Michigan's Central Campus. For tickets, call 734-763-TKTS. $15 adults; $10 children, students, and Seniors 65+. For more information, visit Young People's Theater's website.
He flew us into Los “Angeleez”, then to the City of New Orleans, on to Stockbridge Massachusetts (where the Massacree occurred) and then to Woodstock. It was family night for Arlo and the Guthries, and the capacity crowd at the Michigan Theater loved every minute of music and stories.
I snagged a last-minute single ticket among the few left from everyone’s favorite online ticket marketer (who shall, like Voldemort, remain nameless), and headed up to balcony right for a seat at the rail with perfect sight lines to the stage. What a spectacular and rich venue the Michigan is. I secretly hoped that the mighty Barton organ would provide a processional as we were seated – it did not.
The evening began with Sarah Lee Guthrie who joined her dad’s tour a few weeks ago as an opener. Growing up in her father’s musical world (as Arlo did with his dad Woody) Sarah appeared on Arlo’s work as both a toddler and an adolescent, and has today established a solid singer-songwriter-storyteller reputation of her own since she began recording in 2001. She channeled her dad’s stories on stage, and her grand-dad’s lyrics and music to provide a delightful introduction to a Guthrie generational anthology that was told through the rest of the evening.
The three generations have all written songs especially for children, and Sarah has made a specialty of it in recent years. She delighted the crowd with a spirited sing-along "Go Waggaloo" from Woody’s catalog. She played lovely standards in her own style such as Tim Hardin’s "If I Were A Carpenter", followed with one of her grandfather’s most loved songs "I’ve Got to Know" and finished her portion of the evening with her own "Circle of Souls".
To be clear, Sarah can hold her own, on her own, in any roots, folk, or Americana venue. There’s no need for her to borrow from that legacy to make her performance powerful. She is proud to sing her heritage on stage, and you can see that same family pride in the face of Arlo’s son Abe as he leads the band with keyboard and provides supporting vocals. The rest of the band that supported Sarah and Arlo features drummer Terry Hall, guitarist and vocalist Bobby Sweet, and guitarist Darren Todd.
As Sarah left the stage, the ornately vaulted Michigan Theater did not brighten as it would for intermission. A large screen flickered to life at the rear of the stage as we heard the first chords of "The Motorcycle Song" accompanied by a stop-motion animated short created almost 40 years ago entitled No, No, Pickle. What a delightful way to bring out a vital and still funny-as-hell songwriter, Arlo Guthrie.
Displaying youthful energy and a slightly raw throat strained by touring – Arlo Guthrie hammered out a classics-studded evening of music and stories that kept the capacity crowd laughing and singing along all evening. He first measured the crowd’s age: “For those of you who heard about this concert and asked, ‘isn’t he dead?’… well, I’m workin’ on it.”
While prefacing a story about Woodstock, he quipped, “Well, I remember getting there…” and then told the story of his history-making appearance in front of “more people than I knew I would ever see again in my entire life” while in a significantly altered state of consciousness. It was just what we wanted to hear from an icon of the era, and he kept all generations in the audience enthralled with story and song.
Arlo Guthrie Set List – November 9, 2015 – Michigan Theater
1. The Motorcycle Song
2. Chilling of the Evening
3. St. James Infirmary (Joe Primrose)
4. Ballad of Me and My Goose
5. Pig Meat Blues (Leadbelly)
6. Coming Into Los Angeles
7. Alice's Restaurant Massacree
8. I Hear You Sing Again (Janis Ian)
9. City of New Orleans (Steve Goodman)
10. Highway in the Wind
11. This Land Is Your Land (Woody Guthrie)
12. My Peace (Woody Guthrie)
The crowd lit up for the most memorable tunes, including a rousing back-to-the-60s rendition of Coming into Los Angeles to close the first set. The story of the infamous “massacree” – the namesake of Guthrie’s 50th Anniversary Tour – top-lined the second set, and you could tell the audience had not gotten tired of the telling. Somehow, Arlo told the story as though for the first time – so that those listening for the first time would not be short-changed. “If I’d known the song would be so popular, I wouldn’t have made it so long.”
According to Arlo, Steve Goodman gave him a song he had just written, "City of New Orleans", to hand off to Johnny Cash. Arlo recounted that Johnny was concerned that one more train song might pigeon-hole him…to Arlo’s eternal benefit. The words to Arlo’s greatest ballad were on almost everyone’s lips in the audience. Mr. Guthrie also presented himself as an accomplished musician throughout the evening, brandishing a number of acoustic and electric guitars and a keyboard. Most enticing was the blue-to-black Rainsong 12-string acoustic as it jangled its carbon-fiber sound across the theater as if on its own dedicated speakers.
Arlo rolled up the evening with more of his own stuff like "Highway in the Wind", a lesser-known but no-less-special cut from his 1967 breakout album, Alice’s Restaurant. He included a sweet cover of Woody & Janis Ian’s "I Hear You Sing Again" as if he was singing of his own family, and then explained that he lost his wife of 43 years, Jackie, to cancer in 2012. Arlo may still be grieving, but remains wistfully positive on stage. He spoke of their meeting in 1968, and how Jackie knew she would marry Arlo the moment she saw him. You can see the result of their love on the stage with Arlo in Sarah and Abe.
The whole family took the stage for the Guthrie past patriarch’s masterpiece "This Land Is our Land", and Arlo spoke of the song: "as though in the multitudes of re-singing by so many millions of people, the song has now acquired its own spirit and weight in the universe. He bade us goodbye by passing his peace to us – My Peace – from he and his family to the audience".
Arlo and his family are an extraordinary example of the age-old practice of passing on passion and skills from one generation to another. They don’t just want to sing their father’s – and his father’s – songs. It’s not just good folk music or good money or good politics. They must sing them. It’s a family thing.
Many, many thanks to The Ark and to the Michigan Theater for bringing the Guthrie family back to Ann Arbor.
A very similar audio version of this great live event is available on Spotify. Check it out.
Don Alles is a marketing consultant, house concert host, and musical wannabee living in and loving his recently adopted home, Ann Arbor.
Current Magazine presents the 2015 Poetry and Fiction Contest Party on Wednesday, November 18 at 6:30 pm at the Arbor Brewing Company. The event is an evening of celebrating local writers with food and friends. The winners of the contest, hosted annually by Current, had their work published in the November issue of the magazine, available all over the Ann Arbor/Ypsilanti area now.
Winners will be reading from their published work in an informal, relaxed atmosphere. Come for an evening of beer and food and help to support our local writers!
Contributor Saul Jacobs is Digital Media Manager for Adams Street Publishing, publisher of Current Magazine.
Community High School’s Community Ensemble Theatre (CET) will take on the highly ambitious, experimental play-of-many-plays, Too Much Light Makes the Baby Go Blind starting this weekend. This challenging interactive production, adapted for teenage performers from the Chicago production that debuted in 1988 - currently the city’s longest-running play at 25 years - is built around 30 two-minute “plays” in a 60-minute speed format.
In his 2010 review of the Chicago production, Chicago Theater Beat critic Keith Ecker described Too Much Light - then in its 21st year and still selling out every show - as “a complete and utter oddity,” citing its ideological kinship with the 20th century Italian Futurism movement.
CET director Quinn Strassel recently said, “This show is funny, edgy, and at times highly emotional. Most importantly, the unorthodox structure allows us to feature dozens of kids in lead roles."
“It's ambitious," adds Strassel, “but I think the kids are excited about taking on the challenge.”
Hardly your typical high school theater fare, Too Much Light... has only recently been made available to educational theatre companies, so Ann Arbor is finally getting its chance to see what all the fuss is about.
Amy Cantú is a Production Librarian at the Ann Arbor District Library.
Too Much Light Makes the Baby Go Blind will be performed in the Craft Theater at Community High School on November 12 & 13 at 7:30 pm, November 14 at 1 pm and at 7:30 pm, and November 15 at 2 pm. Tickets are $12.50 for adults and $9 for students and seniors, and are available online.
Having built a hometown following with My Dear Disco, and then as a solo artist, Theo Katzmann’s name is a familiar one around Ann Arbor. Although Brooklyn has been his more recent home base, he's swinging through A2 this week.
Katzman and his Vulfpeck took a creative approach to streaming/Spotify last year, and just dropped a new record last month. He also contributed his production and songwriting chops to Michelle Chamuel's 2015 pop album Face the Fire.
This time around, however, his Blind Pig date is billed as a solo affair — with a few of the 'peck backing him up.
Mariah Cherem is a Production Librarian at the Ann Arbor District Library.
We don’t know who told the first story. Was it a cavewoman telling her cavechildren a ghost story? Was it a hunter telling others of the one that got away? Was it two people around a lonely campfire trying to pass the time? We will never know how it began, but we do know that storytelling as an art has existed for millennia. People from all over the world love a good story, and luckily for us, there is plenty of storytelling right here in Ann Arbor!
The Ann Arbor Storytellers' Guild is presenting its 24th annual Tellabration on Friday, November 13th and Sunday, November 15th. The Friday event is geared towards adults (ages 14+), while the Sunday event is especially for children and families. Tellabration is an international event celebrating the art of storytelling. Forty states and nine countries will participate in this event. The goal is to build community support for storytelling. According to local teller Lyn Davidge, expect to hear some history, some mystery, some legend, some comic relief, and even some social commentary at the event.
Davidge adds, “I love Tellabration and the Guild, with their emphasis on keeping the ancient art of traditional storytelling alive, relevant, and entertaining in the 21st century. The audience is an integral part of the storytelling experience, each person relating to the teller and the story according to his or her own unique life experiences. In a seemingly disconnected world, we find connection and common ground through story.”
In addition to Tellabration, the local guild also hosts a monthly storytelling event at Crazy Wisdom Bookstore and Tea Room on the second Thursday of the month. You may hear a story about chivalrous knights from medieval times, a turtle’s journey in a sunny backyard, or how a teacher grew to love being “most improved”. The guild’s monthly meetings are open to the public and are held at Nicola’s Books on the fourth Sunday of most months. Guild members are also invited to attend member-only events such as story swaps and house concerts.
In Sue Monk Kidd’s The Secret Life of Bees, she wrote, “stories have to be told or they die, and when they die, we can't remember who we are or why we're here.” Events like Tellabration guarantee that our words will stay alive for a long, long time.
Patti Smith is a teacher, writer, and lover of all things Ann Arbor. She can talk and tell stories at any hour of the day or night. She has been a part of the Storytellers' Guild for two years.
Tellabration will be held at Trinity Lutheran Church, 1400 W Stadium Blvd on November 13 at 7:30 pm. Tickets are $15. The Family Storytelling concert will be held on November 15 at 2 pm. The event is free and co-sponsored by the Ann Arbor District Library and will be held at the Pittsfield Branch, 2359 Oak Valley Drive.
Hou Hsiao-hsien’s film Dust In the Wind opens with the puzzling image of a tiny rectangular shape, its top rounded, hovering against a black background. It appears at first to be an animated image, crudely rendered given the film’s 1986 release date. But it quickly becomes clear that we are swiftly traveling towards the image, rather than it floating towards us, and that it’s not a man-made drawing but a depiction of natural splendor. The shape is the light at the end of a pitch-black train tunnel, and the camera swiftly explodes out of the passage to reveal the stunning greens of the lush forest beyond.
This striking opening shot may be the most obvious way Taiwanese director Hou leads us to find beauty in seemingly mundane moments in Dust In the Wind, but it’s certainly not the last. The film screened Monday at the Michigan Theater to kick off “Also Like Life: The Films of Hou Hsiao-hsien,” a series of free screenings running through Nov. 11. The plot of Dust In the Wind is simple, almost pedestrian: a young couple, Ah-yuan (Wang Chien-wen) and Ah-yun (Xin Shufen), seek to escape their impoverished life in a Taiwanese mining town. Mining life has already left Ah-Yuan’s father injured and at the mercy of greedy pharmaceutical providers. Ah-yuan and Ah-yun travel to Taipei, where they take tedious jobs–he as a print shop assistant, she as a seamstress–to send money home and to fund their own night school and eventual wedding. They make a few friends and go out to drink and socialize when they can. Hardly leading a robust life to begin with, Ah-yuan and Ah-yun face their greatest challenge yet when the draft board calls Ah-yuan up for a lengthy tour of military service.
Hou is noted as a major voice in the Taiwanese New Wave cinema of the ‘80s, which emphasized realistic stories of everyday life in Taiwan. As such, having noted the rather bleak circumstances of Ah-yuan and Ah-yun’s lives and their tenuous young love, it’s not too difficult to predict the fate that will befall their relationship when Ah-yuan departs for the military. But Hou finds many a moment of warmth, beauty and wisdom in what could be a much more harrowing tale. He repeatedly frames the exterior of Ah-yuan’s family home in an extreme wide shot, encouraging us to appreciate not only the colorful hustle and bustle on the steps of the home but also the action that takes place in the courtyard beyond. There’s even gentle humor in the tale, as when Ah-yuan’s father accidentally lights a firecracker rather than a candle in the dark. (Ah-yuan’s grandfather, beautifully played by Li Tian-lu, is a repeated source of both sly humor and somewhat dark wisdom.) Hou repeatedly directs us toward the kindness and love in this dark story, from family members comfortably sharing food and drink to Ah-yun quietly nursing Ah-yuan back to health during a bout of bronchitis.
As the title of the film would suggest, the characters seem battered by life’s trials, cast adrift in an uncaring world they have little ability to fully comprehend, let alone control. But in the many warmer moments Hou creates here, he also seems to suggest that the characters are equally ignorant of some of the gifts that are present in their lives. It seems no mistake that Hou follows his spectacular opening POV shot from the train with a shot of Ah-yun and Ah-yuan onboard the vehicle, complacently reading, paying no attention to the spectacular scenery we’ve just been treated to. In a simple but metaphor-laden exchange between Ah-yuan and his grandfather at the film’s end, it’s difficult to tell just how much our characters’ eyes have really been opened. But Hou has certainly opened our eyes to some of the beauty in these difficult lives, and perhaps encouraged us to think differently about our own lives as well.
The “Also Like Life” series will continue through Nov. 11 with the following free screenings at the Michigan Theater:
- Flowers of Shanghai screens Nov. 10 at 6 pm. Multiple prominent film critics have named this elegant, slow-paced 1998 film following the courtesans and patrons in four different brothels as one of the best movies of the ‘90s. The film stars Tony Leung, well-known for his appearances in Wong Kar-wai’s In the Mood For Love and Ang Lee’s Lust, Caution.
- Good Men, Good Women screens Nov. 11 at 5 pm. This 1995 release concludes a trilogy of historical films by Hou, preceded by 1989’s A City of Sadness and 1993’s The Puppetmaster. The story of a Taiwanese couple who journey to the Chinese mainland to fight the Japanese during the 1940s is told as a film within a film about an actress who is preparing to play the role of one of the main characters.
- Millennium Mambo screens Nov. 11 at 7 pm. The 2001 film follows a young woman’s work life and romantic entanglements at the beginning of the new millennium. Although Hou uses vibrant cinematography and techno music in his storytelling, his portrait of recent youth culture is dark and somewhat despairing.
Patrick Dunn is an Ann Arbor-based freelance writer whose work appears regularly in the Detroit News, the Ann Arbor Observer, and other local publications. He can be heard most Friday mornings at 8:40 am on the Martin Bandyke morning program on Ann Arbor's 107one.
The “Also Like Life” series will continue through Nov. 11 with the following free screenings at the Michigan Theater: Flowers of Shanghai on Nov. 10 at 6 pm; Good Men, Good Women on Nov. 11 at 5 pm; and Millennium Mambo on Nov. 11 at 7 pm. More information can be found on the University of Michigan Kenneth G. Lieberthal and Richard H. Rogel Center for Chinese Studies page.
“There is the great lesson of 'Beauty and the Beast,' that a thing must be loved before it is lovable.” G. K. Chesterton
Skyline Theatre presents Disney’s Beauty and the Beast, beginning this weekend and running through November 22.
This tale, seemingly as old as time, dates back to the traditional French fairy tale La Belle et la Bête written in 1756 and has resulted in numerous adaptations including the famous 1991 animated classic (although, admittedly, my personal favorite version is Jean Cocteau's surreal 1946 French film).
In this stage adaptation of the animated film, beautiful Belle is, improbably, the village outsider who prefers books to the advances of the hunky, yet shallow Gaston. When she goes looking for her hapless father, an inventor who’s lost his way in an enchanted forest, she discovers him in a haunted castle, captive of a mysterious Beast. She then wins her father's freedom by reluctantly trading places with him. Thus begins the most unlikely of romances, made considerably more tolerable, if occasionally adorable, by singing teapots and waltzing silverware.
"Belle and the Beast’s story is timeless," observes Skyline Theatre director Anne-Marie Roberts. "It contains the universal themes of love and self-sacrifice. Children in all their innocence innately understand and connect with these truths.”
Best of all, following each of the performances, guests can meet and have their pictures taken with Belle, the Beast, and other memorable characters in the musical.
Amy Cantú is a Production Librarian at the Ann Arbor District Library.
Disney's Beauty and the Beast performs at Skyline High School (2552 N. Maple Rd in Ann Arbor) on November 14, at both 2:30 and 7:30 pm; November 20 & 21, at 7:30 pm; and November 22, at 2:30 pm. Tickets are available online or at the door. For more information, visit Skyline’s website.
Matt Jones at the keyboard / Photo by Doug Coombe
Check out the piece the folks over at Concentrate Media did on Ypsilanti musician Matt Jones and his River Street Anthology project. The project has been underway since March and is Jones' attempt to record as many Michigan musicians as he can.
From the article:
"I'm obsessed with history. I'm obsessed with preservation," he says. "It's so important that things like this never die out. All of us songwriters and bands, we can't just—poof—disappear. I need to keep everybody on the books."
Good luck to Matt on this noble endeavor! We hear you on the preservation thing, man, and it's really great to see folks taking it on.