Michigan is already a tough place to be during the winter. Double triple quadruply so when you can't go anywhere.

That's why the University of Michigan Museum of Art has created a series of online events that encourage you to travel the spaceways of your mind in order to deal with this oppressive season (and all the other things going on).

UMMA + Chill is a series of programs throughout February—and perhaps beyond since winter in Michigan usually ends in, what, mid-June?—that will allow you to connect with fellow art fans via group-chat Zoom tours of the museum's interior while accompanied by a drinks mixologist, in-person outdoor tours, music playlists, meditation sessions, poem writing, game shows, live performances, film screenings, luminary art-making, and 30-minute discussions with a chef, cultural curators, and more.

Three essays fill Saturation Project, a new book by Christine Hume, a professor at Eastern Michigan University. Described as a lyric memoir, the text obliquely depicts various moments, ranging from Hume’s childhood to interactions with her daughter.  

In the first essay, “Atalanta,” first-person accounts about personal thoughts, family, and a daughter intermingle with Greek mythology and examinations of feral kids raised by bears. Wanderings in the woods and through memories merge with ancient stories and animals in such a way that the distinctions between them blur, as Hume elaborates: 

I read the story of Atalanta as if I were swallowing it, but it swallows me. Then I tell it to my daughter because I don’t have a childhood I can tell her about yet. I steal Atalanta’s, which is like mine in that the most longed for moments are inaudible.

It’s as if the essays are a way of remembering, but recollections are transposed, taking inspiration from other places. 

[Updated February 9, 2021, with photos and reviews from The Ann Arbor News].

The Blind Pig is a favorite club of many rock musicians, and the venue has hosted so many legendary bands over the years.

But The Ramones' love lay elsewhere in Ann Arbor.

Between 1977 and 1983, the New York City punk godfathers played Tree Town seven times—and every show was as headliners at The Second Chance, which is now Necto, 516 E. Liberty St. The Blind Pig was still a blues bar back then while The Second Chance was hosting numerous rockers, from Bob Seger (when the club was known as Chances Are) to Bow Wow Wow. In fact, during that period The Ramones headlined nearly as many shows in Ann Arbor as they did in Detroit (nine).

The first time they played Michigan was as the opener for Flamin' Groovies, October 17, 1976, at the Royal Oak Music Theater.

But The Ramones' first show as headliners in Michigan was a little over five months later in Ann Arbor on March 28, 1977, with Sonic's Rendezvous Band opening. There doesn't appear to be any audio or video of this show, but here are two excellent photos by legendary Detroit Rock City and Creem magazine photographer Robert Mathieu of Tommy and Johnny Ramone backstage with the Fred "Sonic" Smith, Ron Asheton, and Scott Asheton:

Since its launch in late May, WSG’s online gallery has hosted seven exhibits, six of which are technically “over."

But they are all still available for viewing on the online exhibitions information page, a benefit not available to latecomers to the gallery's offerings when it had a physical space at 306 S Main Street, which was shuttered in May 2020 when WSG lost its lease.

WSG Gallery's three most recent exhibits offer meditative spaces, addressing the color blue, winter, and light as themes. 

Blue, the exhibit featured from November to December 2020, presented works of 14 WSG Gallery Artists and is described on the website as ranging from:

Friday Five is where we highlight music by Washtenaw County-associated artists.

This week features hip-hop from Nickie P and Aareus Jones, indie rock from Modern Lady Fitness and Weekend Hours, and a multigenre compilation by Safa Collective.
 

Classical music has had a long history of lacking diversity, which is why Aaron P. Dworkin founded the Sphinx Organization in 1997 to encourage and support minorities in this art form. The name was inspired by the iconic Great Sphinx of Giza statue in Egypt, which “reflects the power, wisdom and persistence that characterize Sphinx’s participants," according to the Detroit-based organization's website.

Today, the Sphinx Organization’s programs reach more than 100,000 artists and students, while performances by the orchestras and ensembles are viewed and attended by more than two million people each year.

UMS recorded a special performance by the Sphinx Virtuosi, an orchestra of the Sphinx Organization, for its 2021 season of virtual programming, and the concert is streaming for free on ums.org through February 8. The program is titled This Is America and includes works by Michael Abels, Jessie Montgomery, and Xavier Foley. On the final day of the stream, there will also be a special conversation with three Sphinx artists: Gabriel Cabezas, Bill Neri, and Melissa White. Each musician will discuss the performance as well as talk about their musical careers. You can download a PDF for the This Is America concert notes here.

A 2005 MacArthur Fellow, Aaron P. Dworkin was dean of the University of Michigan’s School of Music, Theatre & Dance and is now a tenured professor of arts leadership and entrepreneurship at SMTD who also hosts the weekly videocast Arts Engines; he currently serves as a strategic advisor for Sphinx. Afa S. Dworkin, his wife, is a celebrated violinist and educator who now leads the Sphinx Organization.

Afa S. Dworkin, who has been honored with the Kennedy Center’s Human Spirit Award and was named one of Detroit Crain’s 40 Under 40, has expanded Sphinx's outreach and range enormously during her tenure as president and artistic director.

I spoke to the Ann Arbor-based Afa S. Dworkin about the Sphinx Organization and the Virtuosi concert recorded for UMS.

At 4:49 pm today it's the midway point between the winter solstice and the spring equinox, so it's time to hit the cosmic dancefloor and celebrate the fact that we're halfway through the worst season.

Cue DJ Carlos Souffront. 

The Troy, Michigan, native became part of the Crush Collison legacy sometime in 1995 when he joined host Brendan M. Gillen at WCBN-FM. Soufrront eventually took over the long-running techno and electronica show with Todd Osborne and Pete Liedy, and he was still doing Crush Collision in 2010 according to this blog post. The former Zingerman's employee has lived in San Francisco since 2011, but one of Souffront's sets from his Ann Arbor days resurfaced recently thanks to it being highlighted on Resident Advisor's Mix of the Day.

Gigolo Mix (Unreleased EFX mix) was posted on Soufrront's Soundcloud about a year ago along with this description: "Unreleased version (sans announcements) of 'The Great Gigolo Swindle' recorded live at WCBN-FM Ann Arbor in 2000." 
 

The MFAs and BFAs produced each year by the nation’s academic art programs far exceed the ability of the art establishment—fine art galleries, museums, collectors, and the like—to absorb them.

What happens to all those aspiring and hopeful young creatives upon graduation?

How do contemporary artists pay rent and continue to work in a world that doesn’t reliably support them financially?

The Story Word Sound Sway exhibit at Stamps Gallery from now until February 28 provides a provocative answer of sorts. 

Friday Five is where we highlight music by Washtenaw County-associated artists.

This week features ambient-tinged techno from John Beltran, guitar pop from The Kelseys, jazzy pop from Kat Steih, and electronica from Exjx and Othercast.
 

Like any town, Ann Arbor has annual events that help define the place: Art Fair, University of Michigan's first home football game, the summer closings of nearly every road in downtown due to construction.

The Ark's annual Folk Festival is an important part of that list, too, but with the Covid-19 pandemic wreaking havoc on traditions big and small, the venue was forced to take the fest virtual for the 44th edition. This year's Folk Festival happens on January 29 and 30, along with a bonus show on the 31st featuring several of the previous days' performers to celebrate the life and music of the late John Prine, an Ark regular.

Friday's lineup includes Raul Malo, Colin Hay (Men at Work), Alan Doyle, The War and Treaty, Kiefer Sutherland (yes, him), Joe Pug, Glen Phillps, Amythyst Kiah, Gina Chavez, Willie Watson, Ron Pope. All these acts' performances will be remote other than Michigan's The Accidentals with special guest Kim Richey who will play The Ark's stage.

Saturday's concert offers Bruce Cockburn, Dar Williams, David Bromberg, Todd Snider, George Winston, Vance Gilbert. Dom Flemons, Matt Andersen, Crys Matthews. Sierra Ferrell. and Andrea von Kampen performing remotely, with Ann Arbor's The RFD Boys playing at The Ark.

Jeff Daniels will be the MC both nights.

Sunday's Prine tribute will feature The Accidentals, Al Bettis, Annie and Rod Capps, Chris Buhalis, Dave Boutette and Kristi Lynn Davis, Dick Siegel, Erin Zindle, Jill Jack, Joshua Davis, Matt Watroba and Robert Jones, May Erlewine, Michigan Rattlers, The RFD Boys, Seth Bernard, and The War & Treaty.

"Remote performances have all been prerecorded by the artists," says The Ark's marketing director, Barb Chaffer Authier, "but specifically for the festival—no 'recycled' material—so only the opening set each night will be live in real time."

All performances will be viewable through February 7.

We talked with Authier about what it's been like for this historic music operation since the pandemic started and what it was like to book a virtual Folk Festival, the nonprofit's most important concert event every year.