Plugged In: UMMA's "Art in the Age of the Internet, 1989 to Today" examines creativity in the Digital Age
The traveling exhibition Art in the Age of the Internet, 1989 to Today is on loan to UMMA from the Institute of Contemporary Art of Boston, curated by Eva Respini and Barbara Lee (chief curators) with Jeffrey De Blois (assistant curator). The exhibition premiered in Boston on February 7, 2018, and will next travel to New Orleans Museum of Art in mid-April 2019.
The significance of technology’s impact on lived experience is noted the exhibition announcement on UMMA’s website, stating: “The internet has changed every aspect of contemporary life -- from how we interact with each other to how we work and play. Art in the Age of the Internet, 1989 to Today examines the radical impact of internet culture on visual art since the invention of the web in 1989. This exhibition presents more than forty works across a variety of media -- painting, performance, photography, sculpture, video, and web-based projects.”
Some of the influential artists featured in the gallery are Cory Arcangel, Judith Barry, Juliana Huxtable, Pierre Huyghe, Josh Kline, Laura Owens, Trevor Paglen, Seth Price, Cindy Sherman, Frances Stark, and Martine Syms. Many of the artists have worked with ever-changing technology for decades, but curators cite the year 1989 as a marker for the current global interconnectedness we experience as a result of new technologies. In addition, 1989 was the year of the first satellite that allows us to have the now-ubiquitous GPS, the year the World Wide Web was invented, the year the Berlin Wall came down, and protests in Tiananmen Square. Since social movements and identity politics have become more visible and accessible than ever before.
Bill Wylie-Kellermann’s "Dying Well" looks at his wife's well-lived life and how she handled the end
We are a society that doesn’t talk much about dying well -- heck, we don’t really like to talk about dying, period.
But Bill Wylie-Kellermann ponders both in a loving memoir about his wife, Dying Well: The Resurrected Life of Jeanie Wylie-Kellermann, which he will discuss at Nicola’s Books in Ann Arbor on Thursday, January 24 at 7 pm.
The love story began when Bill met Jeanie in 1982. Both were arrested and charged with conspiracy charges after protest actions at Williams International in Walled Lake, Michigan.
“We were both nonviolent community activists,” says Bill. “And we both were held at the Oakland County jail after the arrests. We had to go back and forth to court pretty regularly. We always tried to make sure we were handcuffed side by side in the van that took us to circuit court.”
Those close quarters eventually led to love and marriage as the couple continued their work in Detroit, where Bill was born and where he attended Cooley High School. Jeanie served as a journalist, filmmaker, and writer. Bill grew into roles as a writer, teacher, United Methodist minister, and community activist. They had children, settled into a meaningful life together.
But then in 1998, something happened.
The Appalachian Mountains and the German Autobahn are diametrically different creations in myriad ways: Earth-made vs. man-made; steep vs. flat; curvilinearly mysterious vs. linearly hypnotic.
But the duo Land & Buildings bring the sounds of Appalachia and Germany together in a way that is as natural as a mountain range or racing on a European highway.
Dominick Smith and Kendall Babl combine the high-lonesome sound of Highlands-inspired music with the gurgling cosmic drone of Krautrock on their second Land & Buildings album, Huron River Eclipse, which conjures the image of Will Oldham and Neil Young covering Cluster. I legit thought Huron River Eclipse's "Brandywine Harbor" was a Neil Young demo from 1972, while the title track evokes Conny Plank's Berlin studio in 1976.
Smith and Babel met in Chicago during what was supposed to be an MFA year together studying sculpture at School of the Art Institute of Chicago, and they've been playing music on and off ever since. But it wasn't until 2013 that Land & Buildings became a thing, and in that same year the duo released its debut album, Hibiscus.
With Smith in New York state and Babel in Washtenaw County, it took a while for Land & Building to create its second album. Huron River Eclipse consists of mostly improvised jams that were later edited down by the band and Fred Thomas, who released the cassette on his Life Like label. It's a truly unique and gorgeous collection of lo-fi outsider folk and electronics.
I spoke with Smith and Babel about their kosmische Appalachian electronica.
We live in a world of things. Each chair, cup, table, door, and car in our built environment is the product of human ingenuity, from concept to execution. Works in Progress, an exhibit on view now at the Ann Arbor Art Center, celebrates the creativity of 24 international and domestic designers, at varying stages in their careers, who bring functional works to life through fashion, graphic design, furniture, architecture, and industrial design.
Many of the products and designs on display feature high tech materials and methods not usually associated with what we normally think of as “craft.” The centerpiece for this non-analog approach is You Are the Ocean, a video installation by Ozge Smanci and Gabriel Caniglia, which takes up about a third of the entry room in Gallery 117. It’s not an object at all, but documentation of a computer-assisted visualization of how the mind can alter an image via computer, unmediated by the human hand or real-world material. Using the Unity Game Engine, the designers wrote code that creates a synthesized, uninhabited, and turbulent seascape. Clouds roll and waves crest in response to the subject’s brain waves in various states of concentration or relaxation. The resulting scene is both bleak and beautiful, exhilarating and disturbing. I can imagine that this is the kind of art our cyborg descendants will find beautiful, and it gave me a profound sense of my own obsolescence.
You've got the girl groups, from The Supremes to En Vogue.
And you've got the boy bands, from The Temptations to The Backstreet Boys.
“We are unusual because a lot of gay and lesbian choirs are all men or all women,” says Out Loud Chorus board member Tim Hamann. “We have always been a mixed group, truly a community chorus.”
During the January 18 and 19 performances, expect to hear music from Motown groups, '90s boy bands, Destiny’s Child, The Andrews Sisters, The King’s Singers, and more.
"'Gurl Groups and Boi Bands' will be set up like an episode of The Voice," says Hamann. “But we are calling it The Queer Voice. Then we will have skits peppered throughout the program.”
Riverside Arts Center's YpsiNow: Intersections asks this question in its announcement: “What is Ypsi, right now? Its paths, connections, struggles, and joy all interweaving to create the tapestry of Ypsilanti.”
For this second annual iteration of the exhibit -- juried by RckBny, Gary Horton, and Rey Jeong -- the question is answered by Ypsilanti High School students and adult residents working in a variety of media.
The high school students’ photography, collage, paint, ink, and written-word works are clustered on one wall, illustrating the diversity of approach among the teenagers, which is reflective of the overall approach to the exhibition. The adult Ypsilanti artists fill the rest of the gallery with sculptures, installations, and 2D works.
“Detroit is a very diverse city -- most people outside of Detroit don’t realize how diverse it is. They see only in terms of black and white. But … a variety of people from all over who wound up here," Jones says. "I wanted to create a character that was representative of the two largest minorities in Detroit: African-American and Mexican-American. These are two minority groups that have never really seen eye to eye. And for August, I wanted him to be the product of two cultures that have often clashed but feel no personal dichotomy. He feels he has the best of both worlds ... he has pride in both cultures. And he’s comfortable with himself. I wanted people to know that is achievable -- that you can be a product of two cultures, two peoples and be at peace with who you are.”
“I think that it’s very important to play this music, to tell the story of Brazilian music,” he explained. Mehmari -- who appeared at Kerrytown Concert House nearly a year prior -- brought with him an exciting collection of repertoire, music infused with influences of jazz, ragtime, classical, and all manner of Brazilian and Latin American music.
But Mehmari has added another type of music to his repertoire: NPR jingle. The virtuosic pianist put out a 25-minute video of him performing three stunning variations on the well-known NPR theme.
Perhaps Mehmari will perform these creative variations when he returns to Kerrytown with his trio on Saturday, January 19, but you can check out the pianist's NPR jam now as you read the Pulp interview we did before that 2017 show:
Before the Civil Rights era, women couldn’t go to most Ivy League schools, get credit cards in their own names, or serve on juries in all 50 states.
So what was it like for a smart, headstrong young woman in 1960s era Deep South growing up in a family that wants her to either be a “Southern belle” or a tomboy?
C.A. Collins’ book Sunshine Through the Rain examines at that very question in the character of Christie Ann Cook, a wise-beyond-her-years teenager who speaks her truth as she comes of age during a period of extreme social change.
While the Concordia University grad and Michigan-based writer didn’t grow up in that era, Collins says, “I have always had an interest in those tumultuous years in the South. I raised in Louisiana where the 'n' word was the norm, but my parents taught me to judge someone by their character, not the color of their skin. In this book, I really wanted to show a young girl who had diverse people in her life that she loved and cared for and how she was torn between her small insular world and the uncertain bigger world around her.”
UMMA's exhibit Art in the Age of the Internet, 1989 to Today tracks the impact of the web on visual art over the past 30 years. While comic books aren't represented in the exhibit, it is a visual art form that has been radically modified over the past three decades by digital culture.
Inspired by the exhibit, UMMA and Vault of Midnight - Ann Arbor are combining forces for a new comic book club: "The Age of the Internet in Comic Books and Graphic Novels." Vault of Midnight will host the meetups once a month in its Ultralounge, all of which are on a Sunday at 2 pm.
The series will include the following titles: