The Kids Are Alright: TEDxYouth@AnnArbor features talks from A2 high school students

PULP LIFE

Mallika Kothari at 2018 TEDxYouth@AnnArbor

Mallika Kothari, an 11th grader at Skyline High School, during her 2018 TEDxYouth@AnnArbor talk "Plastic: Taking the Fresh Out of Freshwater."

Teens often feel unheard and misunderstood. Their brains are still developing, life is changing quickly, and they're trying to make sense of being on the edge of adulthood.

TEDxYouth@AnnArbor is a platform where students get to express themselves freely about social and political issues, in a well-produced setting using the popular TEDx style of presentation, which has spawned numerous viral videos.

This year's TEDxYouth@AnnArbor takes place Saturday, April 13, at Skyline High School in Ann Arbor. I emailed with Eugene Lee, a senior at Skyline High School and the youth curator for TEDxYouth@AnnArbor, to find out about this year's event.

The Rainbow Connection: Randy Rainbow Live Strikes A Welcome Chord at the Michigan Theater

THEATER & DANCE REVIEW

Randy Rainbow

Robert Mueller opened for Randy Rainbow at the Michigan Theater on Friday night.

Well, that may not be exactly accurate. What really happened was that after sitting transfixed in front of our TVs as news broke that Mueller had finished his report, many of headed out to see the fabulous satirist perform.  Some of us weren’t feeling very good. We had just learned there would be no more indictments, a blow to those who would like to see the Trump family behind bars. But Rainbow knew how to lift our spirits and save the country: He threw paper towels into the house. 

And the very funny entertainer took a moment to be serious. “There aren’t going to be any more indictments,” Rainbow said solemnly. “So let’s enjoy the ones we already have.”

Quite the Panorama: The Kelseys' "Pollyanna" is a joy-inducing song and video about overcoming sadness

MUSIC PREVIEW INTERVIEW

The Kelseys' Pollyanna

The opening lyrics of The Kelseys' "Pollyanna" make it sound like it's going be a song about the devastation of depression:

Underneath all of the smiles 
Lies an emptiness that eats her alive 
Masked by all the joy and the laughter 
Is a voice screaming, "I'm not alright!" 

But by the time the band hits the pre-chorus and chorus, the soaring song shifts into an anthem for overcoming:

She puts her hand around me 
Well, maybe we should go 
Girl, raise your voice up high 
Run run run 
Till we're all out of breath 
from the 
Sun sun sun 
Beating down on our neck 
So 
Look at the horizon 
Quite the panorama 
Don't you ever worry 
Miss Pollyanna 

"'Pollyanna' is kind of a mixed story influenced by multiple people in my life," said singer-guitarist Peter Kwitny. "So many people struggle with things on the inside and put on brave faces to hide what they are really feeling, and I wanted it to be a song that people could relate to on a deep level."

Named after the Kelsey Museum of Archaeology, the Ann Arbor quartet is made up of U-M students Kwitny, drummer Josh Cukier, guitarist Evan Dennis, and bassist Liam O'Toole. (The band plays a free concert at Lo-Fi in Ann Arbor on Thursday, March 28.)

"Guardians of Detroit: Architectural Sculpture in the Motor City" documents the artistry and symbolism during the city's golden age

VISUAL ART WRITTEN WORD PREVIEW

Guardians of Detroit

A collection of guardian faces from various Detroit buildings.

Due to a fortunate confluence of water, geography and entrepreneurial vision, Detroit at the end of the 19th century was poised to experience unprecedented growth. Even before the Ford Motor Company was established in 1903, Detroit was a major industrial center and transportation hub. All this commercial activity and prosperity led to a building boom of incredible proportions at a time when the most popular architectural styles were Beaux Arts, Gothic Revival, Classical Revival, and Art Deco. Each of these styles typically required extensive ornamentation and because of this, Detroit became a treasure trove of architectural sculpture. 

Jeff Morrison’s new book for Wayne State University PressGuardians of Detroit: Architectural Sculpture in the Motor City, documents these incredible features in a city that began as a small frontier fort and quickly grew to become a major metropolis and industrial titan. Morrison will be at Ann Arbor District Library's downtown location on Wednesday, March 27, at 7 pm for a presentation where he'll share more than 100 spectacular close-up pictures of architectural sculpture from throughout the city of Detroit. You will also learn about the symbolism behind the ornamentation and hear some of the untold stories of the artists, artisans, and architects involved in its creation, all drawn from the book. 

Below is a sneak peek of 10 photos from Guardians of Detroit: Architectural Sculpture in the Motor City:

Theatre Nova’s "Mazel Tov, John Lennon" engages with an odd couple true story

THEATER & DANCE REVIEW

Mazel Tov, John Lennon

Forrest Hejkal stars as John Lennon in Theatre Nova's world premiere of David Wells’ Mazel Tov, John Lennon.

In 1972, John Lennon and Yoko Ono sought help from an immigration lawyer to extend their visas by six months so that Ono could continue to make her case in custody proceedings for her 8-year-old daughter.

They were put in touch with a mild-mannered, admittedly “square” immigration lawyer who had never heard of John Lennon, though he did know a little about The Beatles. Leon Wildes would find himself drawn into the muck and mire of the Nixon administration, a landmark immigration case, and a friendship with the mercurial, brilliant, and troubled rock star, cultural icon, and political activist.

Theatre Nova is presenting the world premiere of Mazel Tov, John Lennon, David Wells’ engaging take on this true story of an odd couple who became friends in a fight against government oppression.

The Weinstein Effect: Ronan Farrow and Ken Auletta at The Wallace House

WRITTEN WORD REVIEW

Ken Auletta and Ronan Farrow

New Yorker journalists Ronan Farrow and Ken Auletta came to the University of Michigan on March 19 to discuss their work in breaking the Harvey Weinstein story. In particular, they spoke about what changed between 2002, when Auletta first attempted to write the story, and 2017, when Farrow succeeded. Farrow and Auletta were here on behalf of journalism powerhouse The Wallace House, and the crowd was full of noteworthy journalists. I waited in a long, snaking line to enter Rackham Auditorium and felt slightly inadequate.

For his writing on Weinstein and other powerful harassers, Farrow, along with The New York Times’ Jodi Kantor and Megan Twohey, won the 2018 Pulitzer Prize for Public Service. The Pulitzer joins a long list of Farrow’s other accomplishments: he graduated (yes, graduated) from Bard College at 15, earned a Yale law degree, worked for the State Department, and wrote the New York Times bestseller War on Peace: the end of Diplomacy and the Decline of American Influence. At some point in there, he also had a cable news show, became a Rhodes scholar, and is currently finishing a PhD from the University of Oxford. Ken Auletta is no slouch either, with 11 books and more than 25 years writing for the New Yorker under his belt. All of this is enough to make anyone feel that their life has been nothing but a pointless meandering of time.

Unlocking Creativity: The 24th Annual Prison Creative Art Project Show

VISUAL ART REVIEW INTERVIEW

PCAP art - James Alexander's The Bear and Harvey Pell's Phoenix Fire

Left: Phoenix Fire by Harvey Pell. Right: The Bear by James Alexander.

It is no secret that the American prison system is harsh, socially isolating, and unequal in its treatment of minorities and the poor. For most of us, that uncomfortable acknowledgment is followed by an awkward pause and a polite change of subject. 

But visual artist and activist Janie Paul decided 24 years ago that she wasn't having it. Along with her husband, fellow activist and writer Buzz Alexander, she helped found the Prison Creative Arts Program, an ongoing project that connects men and women incarcerated in the Michigan prison system to the outside world through art. The 24th Annual PCAP Art Show, with original artworks by prison artists, opened March 20 at University of Michigan's Duderstadt Center Gallery.  

Jam on It: Chirp celebrates the release of its debut studio album at The Blind Pig

MUSIC PREVIEW INTERVIEW

Chirp

When Pulp contributor Nicco Pandolfi spoke to the rising jam band Chirp in December 2017, singer-guitarist Jay Frydenlund said the Ann Arbor quartet was recording a studio album that would come out in 2018. 

Fast forward to March 2019 and that self-titled album has finally materialized, and Chirp will celebrate its release on Saturday, March 23 at The Blind Pig. 

Check out the video for "Greener," the first single from Chirp's new studio record, and listen to the live album the band put out in 2018, recorded June 30 at the Ann Arbor Summer Festival. Also, you can read an interview about the studio album's making over on the This Is a Good Sound blog.

Kind of Blue LLama: Norwegian trumpeter Mathias Eick opens Ann Arbor's new jazz club

MUSIC PREVIEW INTERVIEW

Mathias Eick and his album Ravensburg

When musicians write compositions, often they aren't able to hear a fully fleshed-out arrangement until it gets in the hands of their bands.

Norwegian jazz star Mathias Eick plays trumpet, vibraphone, double bass, guitar, piano -- and he sings. This means Eick gets to arrange and hear nearly every part of his gorgeous, evocative, kind-of-blue songs before he brings them to his band.

"I usually make full demos of the music playing all instruments, and I then have a wide understanding of what’s going on with the other guys once we start playing the new compositions," Eick said. "I've always thought that's an advantage."

Eick may play something other than trumpet, his primary instrument, when he becomes the first artist to perform at Blue LLama Jazz Club, a brand new music space in downtown Ann Arbor. But he'll likely leave the other instruments to his ace band: Nikolai Eilertsen (bass), Håkon Aase (violin), Erlend Slettvoll (piano), and Torstein Lofthus (drums).

Aase and Lofthus appear on the trumpeter's latest album, Ravensburg, his fourth for the legendary ECM Records, which has forever specialized in the sort of cool, colorific music at which Eick excels.

57th Ann Arbor Film Festival: Take a Ride on These Trailers

FILM & VIDEO PREVIEW

57th Ann Arbor Film Fest preview

A photo of the Michigan Theater from the first Ann Arbor Film Festival in 1963. Repository: Bentley Historical Library.

When I'm interested in a new film, the first thing I do is watch the trailer. I don't read about the trailer. I rarely even read about the film. I just want to see for myself what's being offered and make a decision based on what I've viewed.

When the 57th annual Ann Arbor Film Festival announced its 2019 lineup, I immediately began digging up trailers for the hundreds of short films and features chose from more than 3,000 submissions from more than 65 countries. As the oldest avant-garde and experimental film festival in North America, the Ann Arbor Film Festival has been screening the best of cutting-edge cinema since 1963, and my survey of the trailers for this year's fest was no exception. From bright computer animations to grainy 16 mm shorts, the  57th Ann Arbor Film Festival is ready to wow once again.

The festival runs March 26-31, and below are links to each day's programming with as many trailers embedded that I could find. I'll also be updating the press section so you can keep up on the many words that the media will surely spill on this Ann Arbor institution.