The third annual A2 Jazz Fest wrapped up on Sunday and -- as often happens soon after Southeast Michigan music fests or concerts end -- Jeff Dunn uploaded dozens of great photos of the performers and shared them on his SmugMug page and the Facebook group Lifting Up A2 Jazz.
Dunn hasn't always been a concert photographer -- he only started snapping shows in 2012 or so -- but he's loved jazz for nearly 50 years.
"I've been a huge jazz fan and supporter since the early '70s," he says. "The first time I went to [Detroit's] Baker's Keyboard Lounge in 1973, I was hooked! I've been addicted to live jazz performances ever since."
Dunn got his jazz-photo start because of a musician friend.
You can’t typecast Jeff Daniels. He’s played someone dumb (and dumber), a highly intelligent newsman, and lots of other characters with assorted traits, interests, and careers.
He’s got roots in the theater, and he’s equally comfortable on the big and little screen. He also writes and performs folk songs. As founder of The Purple Rose Theatre in Chelsea, he’s produced plays.
Jeff Daniels writes plays, too.
Of course, you can’t expect Daniels to limit himself to one style or subject. His 17 plays, all presented at the Rose, include a searing look at friendships between people with different incomes that mixed realism with farcical elements, a political drama that showed the way the tragic situation in Flint has impacted relationships, and a comedy about hunting set in the U.P. He’s written in the style of Samuel Beckett and Neil Simon with equal ease.
And the Daniels play that’s on the boards at the Purple Rose now, Diva Royale, is a lively slapstick comedy that feels very much like a musical comedy. The opening night audience responded to the musicality of the show, clapping after scenes the way spectators at musicals usually clap after musical numbers.
The annual Rasa Festival is a unique India-themed multi-arts festival in Ann Arbor and Ypsilanti, produced by our multi-arts organization, Akshara which I co-founded a few years ago. Now in its second year, I conceived of and started this festival in 2017 as an exciting month-long celebration of the arts in the Ann Arbor and Ypsilanti areas. The Rasa Festival features the arts, from and inspired by the rich cultural heritage of India. Partnering with local arts organizations, it presents several unique and exciting, traditional and innovative programs in performing, visual, literary, films, wellness, and culinary arts.
I feel that more than ever before, it is important for our communities to discover, appreciate, and embrace the richness of cultural diversity, and for us to open ourselves to influences from all over the world. The arts offer a beautiful window to experience and rejoice in the richness of cultures, both far and near.
On Friday, October 5 and Saturday, October 6, the Rasa Festival will conclude the 2018 programming with a grand performing arts event at Washtenaw Community College's Towsley Auditorium in Ypsilanti. This year’s performing arts offering is exciting because it includes dance, music, and theater. In curating the two-day program, I wanted to bring a range of art forms and artists from India and other parts of the US as well as from Michigan.
There are as many stories of how to make it to the Big House as there are players: a 1968 recruitment by a memorable assistant coach, the near misses of some of the biggest names, and all those stories about Bo.
ESPN journalist and Michigan native Tom VanHaaren tells all these tales and more in his new book, The Road to Ann Arbor. VanHaaren has reported on college football and recruitment since 2011, starting his career covering Michigan football.
The catalyst for this book came from an interview with Bobby Morrison, a former recruiting coordinator. VanHaaren says, “[Morrison] still follows recruiting pretty closely and after we finished talking about the story I was working on, he told me that he had some great recruiting stories from his time at Michigan.”
The first story Morrison told VanHaaren was how Tom Brady came very close to ending up in another program.
"I love red!” Elizabeth Schwartz exclaims -- and the artist clearly means what she says. RED, her solo exhibit at WSG Gallery, explores and celebrates a powerful hue freighted with cultural and emotional significance. In her most recent series of 11 abstract acrylic paintings on canvas, she shows herself to be a spontaneous colorist who’s not afraid to tackle the contradictory connotations of a color that can project courage, passion, sexuality, danger, aggression, and love.
Fine art is a second career for Schwartz, whose first profession was the law. “I started as a criminal appellate attorney in Detroit and became the deputy director of that office. Then I worked for the [Michigan] Public Service Commission and then the state Attorney General’s office. [Later] I came to Ann Arbor as City Attorney before being appointed an administrative law judge." She continues, “I started painting while I was [still] lawyering … a friend of mine, Fred Horowitz, taught [art] at Washtenaw [Community College]. He was a longtime friend and I was growing weary of law practice. He just changed my life. He said, ‘Take my class -- I may not teach you how to draw, but I can teach you how to see.’ It was magic."
When the phrase "guitar shredder" is deployed, the general picture that comes to mind is a poodle-haired metal guitarist finger-tapping his way through impossible scales on an electric ax.
Marcus Tardelli will change your mental image of what it means to be a guitar shredder.
The Brazilian plays an acoustic with the same sort of jaw-dropping heroics as his plugged-in brethren, but the music he creates evokes that of a full band, not a solo showcase -- even though he usually plays unaccompanied, as he will at Kerrytown Concert House on Thursday, October 4.
Jurassic Park. The Super Bowl. The Grand Canyon. The sitcom Friends. All seemingly unrelated, but they coexist in Love Dream With Television (Noemi Press), a new book by Hannah Ensor. Poems in this collection are breathy and fast, while grounded in art and pop culture.
Ensor is the Hopwood program manager at the University of Michigan, where she completed her Bachelor’s degree. She then earned her MFA at the University of Arizona. Having returned to Ann Arbor and published her new book this month, Ensor will read at Literati Bookstore on Wednesday, October 3, at 7 pm and speaks with Pulp here.
While I get déjà vu from my dreams, I do not usually experience premonitions. Sometimes I might have them about people I meet, but the premonitions are usually wrong and maybe excess cautiousness instead. So when I started reading Elizabeth Schmuhl’s new collection of poetry called Premonitions (Wayne State University Press), I was intrigued by what they might be.
Schmuhl, who describes herself as having lived all over the place (Chicago, New York City, Washington D.C., Atlanta, and Michigan), covers a range of topics beyond premonitions in her new book. Elements of the natural world, seasons, and change also figure strongly in the poems. As an artist with many talents, including dance, Schmuhl also includes bodies and movement in the collection.
Poems in Premonitions are not titled but rather numbered, and the number is encircled by a colored dot. Dark topics, from death to loneliness, contrast bright colors and hopeful moments.
The first poem drops us into a world without internet, which perhaps makes premonitions more possible in the absence of the constant fact-checking and forecasting that are rampant online. Reading Premonitions can feel like a fascinating flux of trying to get one’s bearings, finding a line that centers oneself, and then finding that the next line changes it all.
Schmuhl will read at Literati Bookstore on Tuesday, October 2, at 7 pm. Ann Arbor poet Keith Taylor will introduce her and conduct a discussion with her. She shares about premonitions, her collection, and more about her life in the following interview.
Kam joined the Quartet in 2010, but “Israel is a small place," he says. "I knew the quartet and its members since its very early days and had some opportunities to hear and even play with them together before joining. When the opportunity came about for me to join, I was very happy and eager to step into the role.”
In Israel and America, Kam grew up surrounded by music. “My mother is a violinist,” he says. “There was always music in our household, especially chamber music.” He can’t remember a life without music, but two experiences convinced him he might want a life as a musician.
As part of this year’s Washtenaw Community College Fall Open House and Free College Day on Sunday, September 30, WCC hosts “OPEN ARTS – A Celebration of the Arts at Washtenaw Community College,” honoring the artistic accomplishments of students, faculty, staff, and alumni. It is a chance for the WCC community to show off talents that one doesn’t necessarily see in the classroom, and that may have nothing to do with academic life.
Once known as Bravo, this event has been happening for the past four years. (The name was changed so as to avoid confusion with the Bravo awards given out to faculty members nominated by students to be recognized for their work.) This is the first year the event has “piggybacked” with Free College Day.
Department chair and dance professor Noonie Anderson “was the original push for this performance, and [has] overseen the project since it started.” She said, “Our WCC community is far-reaching and a major part of our Ann Arbor and Ypsi communities. It was a way for us to share with the communities that support us and celebrate to WCC.”