Back in April, Saturday Looks Good to Me singer/songwriter/guitarist Fred Thomas was using some of his quarantine lockdown time to explore piles of cassettes he had featuring all manner of music from his various projects.
"I found this cassette that simply said 'Mar 11 2005' and was amazed to discover it was a show from one of Saturday's dreamier configurations during our peak touring times," Thomas wrote on the Bandcamp page featuring the live recording now titled March 11, 2005 • Champaign.
The "dreamier" Saturday sound on this tour -- compared to its more typically rollicking indie rock -- happened because Thomas didn't remember that drummer Steve Middlekauff couldn't come along for the tour until the night before. But rather than try to rope in a percussionist at the last minute, the group switched gears and adapted to the drummerless tour on the fly.
Ordinary People: UMMA's "Take Your Pick: Collecting Found Photographs" asks us to help curate the everyday
This review was originally published October 8, 2019. We're rerunning it because UMMA just launched a virtual version of this exhibit featuring 250 photographs that visitors selected to enter the museum's permanent collection. View the online exhibit and learn about the history of snap photography here.
In the University of Michigan Museum of Art’s latest photographic exhibit, Take Your Pick, viewers are asked to participate in the selection of images to be added to the permanent collection. UMMA asks us to head to the gallery and look at the 1,000 amateur photographs collected by Peter J. Cohen and decide on our 20 personal favorites. Ballots are available at the entrance of the gallery, with 20 slots to vote for your favorite photographs. On the exhibit's webpage, potential visitors are asked to “Come help build [UMMA's] collection of ‘ordinary’ American 20th-century photographs.” With an emphasis on the word ordinary, the curatorial team is asking viewers to consider how “ordinary” photographs of the 20th century may be reconsidered as objects worthy of preservation and study.
The photographs on display are part of a larger collection of 60,000 snapshots collected by Peter J. Cohen. Cohen acquired his collection by searching through flea markets and buying online. The majority of the images portray candid American life, distilled imagery of private family life: birthday parties, family vacations, school portraits.
What you have. What you want. What you hang on to. What you give up.
Jeans. A house. A spouse. Drawings. Places. Jobs. A fantasy.
Sara Schaff’s second collection of short stories, The Invention of Love, invests in these questions of possession and ownership, of affiliation and surprising loss. The best way to understand the characters’ distinct circumstances and the fine lines between one version of their life or another that they choose, or that gets chosen for them, is by looking at the plots themselves. For example, two half-sisters lose their mother, and both covet her pair of jeans used for dancing in “Our Lady of Guazá.” In another story called “Noreen O’Malley at the Sunset Pool,” Noreen must let go of the narratives about her friends and lovers that she hoped for as she cares for her new baby.
Still, a character may make a delightful discovery amidst a seemingly unbearable situation, such as a woman eventually becoming enthralled by Anna Karenina despite the fact that her ex-husband’s new wife (and their family friend) had been the one who recommended the book. These observant views of these women show their realizations and complicated hardships as they navigate life and its turns.
Schaff will speak with Greg Schutz, writer and lecturer at the University of Michigan, in an At Home with Literati virtual event on Tuesday, July 21, at 7 pm. Schaff and Schutz are friends and fellow graduates of the MFA program at the University of Michigan. Information to join via Zoom is on the event webpage. We corresponded via email beforehand, and here are my questions and Schaff’s responses.
A2SF's "The Future of the Arts Must Be Antiracist" explores the pitfalls P.O.C. face in creative communities
As a finale to its virtual Top of the Park series, the Ann Arbor Summer Fest (A2SF) had a vital discussion called "The Future of the Arts Must Be Antiracist" on July 7 about racism in the arts, streamed live on YouTube and other platforms.
While we’ve seen many discussions on race as of late, this one was particularly interesting because it addresses an issue that has been looming for a long time in Washtenaw County: the lack of racial diversity inside the local arts scene.
As a Black classically trained musician, I’ve had my fair share of feeling like an outsider in musical circles so I was delighted by this discussion. Lack of diversity is not unique to Washtenaw County, of course; it plagues all of society. But it was refreshing to hear the topic addressed in a city like Ann Arbor where there is such an influential arts festival like A2SF.
A2SF Programming and Operations Manager James Carter invited several prominent Washtenaw County Black artists and executives to describe their experiences working in the arts here. The panel consisted of Jamall Bufford, Omari Rush, Jenny Jones, and facilitator Yodit Mesfin Johnson, who talked about their backgrounds and described why it’s important to create a more inclusive environment for African-Americans in the arts.
I had originally titled this post like I did the previous eight in this series: "New Washtenaw music in the time of quarantine."
That headline implied quarantine was for a limited period of time, but with the pandemic mishandled every step of the way by the federal government, there is no timeframe for the end of lockdown. <Insert 40,000-word diatribe>
The time of quarantine is now and for the foreseeable future.
It's how we have to live in order to stay alive.
Artists are resilient and they create because they have to, no matter the circumstances. So, this post is highlighting new music made by or released by Washtenaw County artists and labels -- the same as they did during normal times. Because our current time is our normal time even if it doesn't look like it did in the past.
Shoutout to the creators persevering through this mess.
This time last summer, Meredith Finch was in the final stages of debuting her Nevertheless Film Festival, held at the Michigan Theater July 11-14.
"I have my fair share of stories of being the only woman or underrepresented person on a film crew," Finch told Pulp last year. "To combat this lack of representation, film festivals around the world have announced their own initiatives to increase representation in their programming within the next few years, but what I found myself thinking a little over a year ago was, 'Why not now?'"
The inaugural Nevertheless Film Festival featured 26 movies -- narratives, documentaries, shorts -- and the 2020 edition, which runs July 9-12, will include a similar mix by womxn creatives. But you'll have to imagine sitting at the Michigan Theater while at home viewing the films.
The Gutman Gallery opened just in time to close.
The Guild of Artists & Artisans’ showcase spot at 118 N. 4th Avenue in Ann Arbor debuted in mid-February with the Amor: Looking Through the Eyes of Love exhibition, highlighting its creative members' takes on all things lovey-dovey.
A month later, the Gutman Gallery closed like everything else due to the coronavirus pandemic.
The Guild that runs Gutman Gallery also produces the Ann Arbor Summer Art Fair, which is canceled this summer. So the group is opening its doors three days a week with limited hours to display works from 38 of the jury-selected 2020 Art Fair artists.
Below are the participating artists and some examples of their creations.
Michigan natives Chris Erickson and Hadley Robinson have been friends since birth.
“Before birth, actually," Erickson says. "Our dads grew up together, our grandmothers went to college together and they lived on the same street in Midland.”
The two stayed in touch through adulthood as each became artists in different ways.
Robinson is a video producer based in Brooklyn: “My background is in journalism, I used to be a newspaper writer. I’ve worked in video full time for the past five years while dabbling in audio, which has been helpful with this endeavor.”
Erickson teaches in the IB program at Huron High School where he also serves as the creative activity service coordinator, guiding students to find and pursue their creative interests.
For many Washtenaw County residents, one of the great joys of living in the area is the easy access to a plethora of hiking trails and nature preserves. Just moments from downtown Ann Arbor are areas where one can find peace and tranquility, look for birds and wildlife, and enjoy beautiful spring wildflowers and vibrant fall colors. Some of the larger and more well-known preserves are fairly popular -- you’re almost guaranteed to encounter runners, dog-walkers, and explorers in Bird Hills or at Argo Nature Area at any time of year. But, many of the smaller preserves in Washtenaw County are less trafficked and are the perfect place to find some moments of solitude and natural beauty, especially during times when gathering in crowded areas isn’t recommended. Unsure where to begin? Here are a few of the more remote preserves in the area that might be new to you.
The 12th annual SculptureWalk Chelsea launched recently, and I spent a steamy Friday afternoon strolling through the downtown in search of not just art but a sense of calm and normalcy in a year that’s been anything but.
I’ve been in Michigan for almost four years, and I’ve been to Chelsea before, but I never made it to SculptureWalk. Or more accurately, since the sculpture is on display for a year, I never noticed there was sculpture on my walks.
This is a common thing with public art installations: they blend into the areas in which they’re placed, becoming part of the background with the trees and buildings. This doesn’t devalue these creations, or the communities who put in the work, time, and money to commission and display these pieces of art; it’s just a fact and one that must be overcome with purposeful viewings.
As I walked around Chelsea, I spent several minutes with the 14 creations featured in the 2020-2021 SculptureWalk, first considering them against their backgrounds -- whether a building, telephone, or the Jiffy plant -- and then narrowed my vision to the pieces themselves, ultimately finishing by focusing on the smaller details in each work.
But my mind kept returning to considering how the sculptures related to their backdrops and their placements along the walk, which stretches from M. Saffell Gardner’s Sankofa next to the Mobile Station at the corner of Main Street and Van Buren to Jeff Bohl’s Early Bird near the parking lot at Main and Buchanan Street, with several side-road stops along the way.
I guess I was less concerned about evaluating all of the sculptures -- which, reductively speaking, range from pleasant to excellent -- but rather my reactions to purposefully looking at the works after the three previous years of not even noticing them. These are some of the sculptures and scenes that stood out to me the most.