Sophie/Elsie is a striking sculptural figure, vibrant and visible from a distance, a colorful, bright beacon in the newly expanded and reopened African galleries at the University of Michigan Museum of Art.
Johannesburg-based artist Mary Sibande’s fiberglass sculpture, created in 2009, and initially on display during UMMA’s closure, is now permanently installed. In the early days of the museum’s closure, Sophie/Elsie was visible from outside the galleries—then, construction came, and she was no longer visible from outside.
But Sophie/Elsie is once again on display in the reimagined space of UMMA’s African galleries. Along with works by Jon Onye Lockard, Shani Peters, Jacob Lawrence, and many more, Sibande’s sculpture brings new life to the gallery space as part of the ongoing initiative We Write to You About Africa, in which “contemporary African artists, scholars, and curators will be asked to write about their work on postcards, in their first language, and mail them to UMMA where they will be displayed alongside their works.”
The reinstallation—including a gallery extension—is now open to visitors in the Robert and Lillian Montalto Bohlen Gallery of African art and Alfred A Taubman Gallery II.
This is the fifth year we've compiled Ann Arbor District Library staff picks, featuring tons of recommendations for books, films, TV shows, video games, websites, apps, and more.
The picks are always an epic compilation of good taste, and last year's post was more than 35,000 words—incinerating phone data plans and overheating computers as the massive page loaded.
In a sincere effort to keep your electronics from catching fire, we've split up the hundreds of selections into four categories:
And since we've saved your phones and laptops from the flames, tell us what you enjoyed this past year in the comments section below—doesn't need to be something that came out in 2021, just some kind of art, culture, or entertainment that you experienced over the prior 12 months.
Friday Five highlights music by Washtenaw County-associated artists and labels.
This week features Laurence Bond Miller who has been making music in the Ann Arbor-Ypsilanti area for nearly 53 years, ever since he and his brothers, Roger (Mission of Burma) and Benjamin, formed Spronton Layer in 1968 while at Ann Arbor High School (Pioneer). Check out Miller's prolific discography to see a career that has spanned progressive rock, punk rock, experimental rock, novelty rock, lounge music, kids music, singer-songwriter musings, and everything in between.
Despite the pandemic, music organizations on the University of Michigan’s campus are thriving. Students are yearning to hear music over loudspeakers, dance in sweaty houses, and produce their own songs, and organizations like Empty Mug are here to provide, whether through having concerts, recording live videos, or releasing music.
Fia Kaminski, one of the presidents of the organization, sat down with us to talk about Empty Mug's present, past, and future.
Double Goddess: A Sighting in the Abyss by Ayana V. Jackson at A2AC Gallery. Photo by K.A. Letts.
COVID-19 has wrecked plans and canceled events for nearly two years (and counting). It has sabotaged the momentum and slashed the incomes of Ann Arbor’s small community of visual artists and galleries, leaving a cultural landscape greatly altered in ways large and small.
But the creatives here are nothing if not resourceful and, well, creative.
My recent tour of the art spaces and non-profits in Ann Arbor and environs left me encouraged—and impressed—by the resilience of the city’s art community. Here are some of the changes I came across while reintroducing myself to the local art scene in early December 2021:
For Chuck Marshall, a regular morning routine inspired a new creative pursuit.
“I really wasn’t on the podcast train until the pandemic came," said Marshall, who works in IT at Michigan Medicine. "I started thinking about how I couldn’t go to shows and how it was fine for me to be talking to a band and asking them questions, but wouldn’t it be fun if fans could chime in with questions or be there and listen?
“The pandemic kinda helped with that because we were using Zoom, and I was like, ‘Oh, I could do a Zoom with this person.’ I realized Zoom records separate tracks of audio, so I could clean it up and get it all nice.”