Astronomy at the Beach (AATB) is the Great Lakes Association of Astronomy Clubs (GLAAC)'s signature annual event. Held each year at Island Lake State Park near Brighton, Michigan, and attended by thousands, this year’s two-day event on Friday and Saturday, September 25-26 has been moved online because of the COVID-19 pandemic.

Adrian Bradley is president of GLAAC and an avid amateur astronomer and photographer who especially loves nightscape photography. He is also a member of the University Lowbrow Astronomers, the local astronomy club partnering with AADL to provide and maintain the library's circulating telescope collection.

We chatted with Bradley about this year's Astronomy at the Beach lineup.

It looked bleak in March and April for the fourth edition of Ann Arbor's Rasa Festival. Everything was being canceled, and the annual September celebration of arts and culture from India looked like it was not going to happen either.

"We canceled all our venue bookings at that time, although with a heavy heart," wrote Sreyashi Dey, the president and artistic director of Rasa, in an email to Pulp. "We had some fabulous concerts planned this year, with world-renowned touring artists from India, but had to cancel that as well. It was very depressing."

But as the months dragged on, Dey, who is also a dancer, couldn't contain her desire to create new works, and that spurred her on to reconsidering Rasa.

"As an artist/dancer myself, I was beginning to feel disheartened about my own creative impulses and motivation to create new work," Dey wrote. "So I started thinking about making some new dance works while still in lockdown, but with no real plan for what to do with it. Then I started thinking of doing a video recording to share. And that's how the idea of the festival going virtual was born, and once I started talking to the other artists, everyone was very eager and enthusiastic."

The performance part of the month-long virtual Rasa Festival runs October 3-25, with streams starting at 11 am each Saturday and Sunday throughout the month. The Mandali: India and the World art exhibition, presented in partnership with the Ann Arbor District Library, runs October1-November 12.

Rasa will present its usual assortment of dance, music, written word, film, fashion, travel, social change, and visual art, but there will be no culinary component this year, for obvious reasons—but we got you covered. I talked with Dey over email about the challenges—and opportunities—of presenting the Rasa Festival online and what she food she'd recommend for us to make or buy at home to accompany the 2020 virtual edition of the Rasa Festival.

The Ann Arbor Symphony Orchestra was supposed to launch its fall 2020 season with "Goodyear Plays Beethoven" at the Michigan Theater, in front of an audience, on September 10. [Insert section about Covid-19 ruining everything] [That's not an editing mistake; I'm just saving myself time since we all know what's going down in the world.]

Stewart Goodyear will still play Beethoven, and there will still be an audience; the crowd will just be at home and the concert will be broadcast from the Kerrytown Concert Hall on September 26.

The other fall 2020 A2SO programs that were affected are:

We trawled the universe and found five Ann Arbor artists with new or recent singles, albums, and compilations that you need to hear right this instant. So, put down the welding torch, slide on your headphones, and slip off into a quiet space to listen to tunes by The Kelseys, Same Eyes, Emilie Lin, Matthew Dear, and a Spotify playlist from the Michigan Electronic Music Collective (MEMCO).

The Penny Stamps Distinguished Speaker Series has existed since 1998, presenting some of the world's greatest creatives and thinkers. Since 2013, the talks have been recorded and most of them posted to YouTube for those who couldn't attend the free events in person at the Michigan Theater.

But now that nobody can attend any events, the Penny Stamps Distinguished Speaker Series is cutting to the chase and broadcasting its events live in partnership with Detroit Public Television and PBS Books.

The fall 2020 series kicks off Friday, Sept. 18 and continues through Dec. 4. All the talks begin at 8 pm and can be viewed on dptv.org and Penny Stamps Series' Facebook page. The talks will continue to be put on YouTube as long as the speaker as given permission.

The fall 2020 season includes:

This post contains two sections: a book review and a brief interview with Ken Fischer.

On June 1, 1987, Ken Fischer became the sixth president of the University Musical Society at the University of Michigan. 

That date marks the beginning of 30 years of transformation, innovation, and collaboration. 

Fischer’s Everybody In, Nobody Out: Inspiring Community at Michigan’s University Musical Society written with Robin Lea Pyle is a book of many parts. It is a memoir, an insider’s view of some of the leading performance artists who come each year to Ann Arbor and, perhaps most important, a guide on how to operate a non-profit by reaching out to and connecting with the community at large.

The title comes from Patrick Hayes, a mentor to Fischer and former head of the Washington Performing Arts Society. Hayes had developed a policy for art presentation that emphasized inclusion at every level. His policy was "Everybody In, Nobody Out" and it became Ken Fischer’s mantra.

“It was about making connections and forming partnerships for everyone’s enrichment,” Fischer writes. “The great thing about collaboration was that it could be the foundation of everything we needed to do as an organization: secure outside sources of funding, raise our visibility in the community, expand our audience, gain new insights, and build enthusiasm for working on new projects.”

Fischer’s book is a short history of those collaborations with the university, with world-class performers, with other local arts groups, and with local and national businesses and philanthropists.

But first a prelude. 

Edgefest, the annual explosion of avant-garde jazz in Ann Arbor centered on Kerrytown Concert House, was in its final planning stages when Covid-19 shut down the world. The festival was canceled soon after and it looked like Edgefest's 24th year would have been a lost one—just as 2020 has been for everyone.

But it turns out, Edgefest will happen this year—and it will last six months.

Beginning October 23 and continuing through March 26, the Edgefest virtual concert series will be a once-a-month show streamed on the Kerrytown Concert House website featuring some of the artists who were supposed to play the 24th edition of the fest, which had a brass-heavy theme. 

Each concert will begin with performances by Michigan-based musicians, followed by national artists. All the concerts will be free to view but links to donate to the festival and artists will be provided.

"The local opening sets will be streamed live from the Concert House (artists from the SE Michigan area) with no live audience except the KCH staff/crew, but the national artists will stream from their location," wrote Abby Dotz, administrative liaison and events manager at Kerrytown Concert House, in an email. "We're trying to bring the atmosphere of KCH to the screen, but still respect what is safest for everyone during these times."

The Edgefest 24 virtual concert lineup includes:

Area stages have gone dim to protect audiences, actors, and theater workers during these uncertain times.

But that doesn’t mean the show can’t go on.

Ann Arbor's Theatre NOVA and Ypsilanti’s Neighborhood Theatre Group are Zooming theater festivals to audiences online in October, but each is taking a different approach.

Are you a parent who just went through a week of trying to work from home while also playing IT consultant to your children as they tried to learn online?

Are you a teacher who just went through a week of teaching other children from home while also playing IT consultant to your own children as they tried to learn online?

Are you a human being who likes music made with electronics?

Are you human?

If you grunted in the affirmative to any of the aforementioned questions, then the five artists below have something good for you to hear.

Check out recent synth-based music by local musicians Fred Thomas, John Beltran, and Doogatron, as well as a new one from former Ann Arbor-ite Heathered Pearls, and an EP by a young German producer that came out on none/such, a burgeoning electronic-music label out of A2.

This story originally ran September 3, 2019. Kass is also author of the Fifth Avenue Press book "Takedown," a murder mystery. AADL cardholders can download the novel in PDF format here.

What do you do?

It’s what people ask when they first meet as a way to identify each other, yet our jobs do not have to define us.

When I asked Jeff Kass this question, he answered with three jobs: a full-time English teacher at Pioneer High School in Ann Arbor, part-time pizza delivery person, and part-time director of literary programs at the Neutral Zone for a year in 2016-2017. During that time, he also worked on drafting the autobiographical poems about this experience that form his new collection, Teacher/Pizza Guy (Wayne State University Press).

Teacher/Pizza Guy reveals Kass’ experiences in the classroom and pizza place, including issues with service industry jobs, challenges of aging, and relationships with colleagues, youth, and family. Despite the possible mundanity of work, Kass offers poetic insights on the situations. The first poem in the collection, “Oh, Splotch of Blue Paint,” not only addresses the paint on the sidewalk outside of the school where Kass teaches but also ruminates about its origins:

…were you trying to paint the sea? A place 

for you to float in? The breeze a lovely, reassuring

friend who brings you cookies and iced tea

and listens to you without judging…? 

This speculative question, in turn, raises a question for me: Isn’t that what we’d all like, a pleasant place, a friend who shares treats, and good conversation? Another poem depicts colleagues crossing paths in the night as Kass returns to home from his pizza-slinging job to see a fellow pizza slinger working his other job of delivering newspapers.

Amidst dishwashing, disastrous delivery runs, and the grind of teaching students in class after class how to write essays, Kass pulls out moments of clarity that describe the working life. One poem describes a break during which he makes a pizza for himself, one that’s not on the menu, and writes, “Believe / for a moment / your time / belongs / to you. / Savor. / Chew.”

Within the drudgery of going from job to job, Kass is not all work; he observes and shows parallels between his jobs and life, recognizing and taking ownership of those moments rather than letting work consume him, almost as if he is both living his life and watching it from the outside. Kass finds meaning in those fleeting moments of entering and exiting customers’ lives to bring them pizza and also seeks respect as he makes ends meet.

Kass, who lives in Ann Arbor with his wife, Karen Smyte, and their children, Sam and Julius, will read from his collection at Literati Bookstore on Tuesday, September 10, at 7 pm. I interviewed him about his poetry and work.