The Ann Arbor Art Fair showcases the work of artists from around the country, but it’s also an important outlet for many local artists as well. Here, some working artists from the greater Ann Arbor area who are exhibiting this year share some thoughts on the event. The fair takes place July 20-23; for more information, see the Pulp preview article.
UMMA's "Victors for Art: Michigan’s Alumni Collectors -- Part II: Abstraction" makes the private public
University of Michigan Museum of Art’s recently opened Victors for Art: Michigan’s Alumni Collectors -- Part II: Abstraction is the second show in a two-part series that began in February with Part I: Figuration. The exhibition includes a wide range of art, from an Amish quilt by an unknown maker to modern and contemporary works by influential artists such as Pablo Picasso, Christo, Louise Nevelson, Robert Rauschenberg, Barbara Kruger, Jasper Johns, John Baldessari, and many more.
As the title suggests, the show consists of a diverse range of works collected by University of Michigan alumni. The contributors come from 70 years of graduating classes, displaying the long-standing, continuing impact of university alumni collectors on the global art world. UMMA states that the show “offers an unprecedented opportunity to view art that may have never been publicly displayed otherwise -- and most certainly, not all together.”
Whether you’ve never been to the Ann Arbor Art Fair before or you’re a veteran fairgoer, there’s always something new to learn that can improve your experience.
The top piece of advice from Karen Delhey, one of the event’s organizers: “Do your research. It’s really important to go on our website before you come out and make your plan of attack.”
Everyone’s interests and tastes are different, so Delhey suggests you figure out your own must-dos and must-sees ahead of time. Check out the list of artists to find your favorites or seek out potential new discoveries. And you might want to map your route before you head out as well.
The 2017 edition of the Ann Arbor Art Fair runs Thursday-Sunday, July 20-23, throughout the downtown and campus areas of Ann Arbor. One of the largest and most prestigious events of its kind, the fair showcases the works of more than 1,000 artists in individual artist booths. Other attractions include live music, artist demonstrations, and activities for kids.
REMIX, an exhibition at the Ann Arbor Art Center’s 117 Gallery, contains two exhibitions: one in the physical space of the gallery and one virtual. Described as an “augmented reality experience,” ReMIXED Reality was created by Andrew Rosinski and ICON Interactive.
In addition to the works of art hanging on the walls, visitors can download the custom virtual reality app, which can be found in your phone’s app store. The app creates a virtual gallery that is “superimposed” over the physical artworks on the gallery walls and can be viewed on your phone. Throughout the gallery are small symbols on the wall that can be scanned by the ReMIXED application to bring up an array of virtual works of art.
The virtual gallery includes imagery ranging from digitally made virtual paintings to photographs and kaleidoscopic views. Some of the pieces move with you as you move through the gallery space. Other symbols create a perspectival virtual space that extends behind the square, black symbol, or projects in front of it.
“O say can you see” takes on a whole new meaning at the Gerald R. Ford Library’s Banner Moments: The National Anthem in American Life.
Part of the presidential libraries system of the National Archives and Records Administration, the Ford Library collects, preserves, and makes accessible a rich body of archival materials focusing on the Ford presidential administration. The Library also hosts a series of temporary exhibits that focus on American history.
This exhibit -- curated and organized by University of Michigan musicologist Mark Clague and Bettina Cousineau, exhibit specialist at the Ford Library and Ford Museum -- traces the 200-year history of America’s national anthem through 10 interpretive panels and four display cases filled with historical documents.
And what a busy 200 years it has been.
In a recent interview, music professor Clague dispelled a number of common myths about the anthem as well as a clarification of the anthem’s place in American history.
Ann Arbor-based cartoonist Carolyn Nowak may have reached a larger audience with her work in 2015 on the critically acclaimed and award-winning comic series Lumberjanes, but it’s her funny, introspective self-published comics, such as Lazy and Girl Town, where Nowak truly shines.
Last year, one of those works, Radishes, received the Ignatz Award (named for the character in George Herriman’s classic Krazy Kat comic strip) at the Small Press Expo for Outstanding Minicomic, and Nowak herself was nominated for Promising New Talent. Radishes was a shift for Nowak into fantasy comics and tells the story of two teenagers, Kelly and Beth, who play hooky from school to visit a wondrous market filled with mysterious shops and a tiger hairstylist. Nowak’s follow-up from late last year, Diana’s Electric Tongue, is set in a futuristic society where people purchase androids for companionship, is her most mature work to date, and possibly her best.
Nowak will be joining over 50 other comic creators who are displaying, selling, and signing their work on Artist’s Alley at this weekend’s Ann Arbor Comic Arts Festival (A2CAF). The A2CAF is a free event starting on Friday, June 17, and running through Sunday, June 19, at the Ann Arbor District Library's downtown branch. Nowak partnered with AADL to create the all-ages comic Chad Agamemnon for the recent Free Comic Book Day, and you'll also be able to get a gratis copy at A2CAF.
Nowak was kind enough to answer a few questions via e-mail for Pulp ahead of the festival.
Like many illustrators, Jarrett J. Krosoczka set course on making his dreams come true at a very young age. His maternal grandparents, who had been raising Krosoczka since he was three, saw a desire in him to create, so they enrolled him in art classes at the Worcester Art Museum in Massachusetts. In elementary school he wrote his first books, and as he got older his work began to be influenced by comic books, leading to him writing a comic strip for the school newspaper, and eventually being accepted to the Rhode Island School of Design after graduation.
While still working on his degree at RISD, Krosoczka started submitting picture books to publishers, and after two years of rejection letters, Random House published Good Night, Monkey Boy in 2001. Over the past 16 years, Krosoczka has published numerous picture books, created the Lunch Lady and Platypus Police Squad comic series, and was recently tapped to replace Jeffrey Brown on Star Wars: Jedi Academy with his second book in that series, The Force Oversleeps, set to be released next month.
Krosoczka’s plate always seems to be full, but he still finds time to visit schools to promote literacy and creativity. He has also established the School Lunch Hero Day, which annually asks students to recognize the work done by their school’s nutrition staff, and the Platypus Police Academy, a community read-aloud program for police officers at their local libraries.
As the keynote presenter for this weekend’s Ann Arbor Comic Arts Festival (A2CAF) at the Ann Arbor District Library downtown, Krosoczka will continue to be busy. On Saturday, June 17, from 3-4 pm he’ll demonstrate his story-making process, followed by a Lunch Lady event and signing. On Sunday, June 18, he’ll be making an appearance from 12:30-1:30 pm at Vault of Midnight on Main Street, and will have a signing later at 4 pm at the downtown library.
Krosoczka was nice enough to answer some questions via e-mail for Pulp before this weekend’s A2CAF.
In March of this year, University of Michigan’s Stamps School of Art and Design opened the Stamps Gallery on the first floor of the McKinley Towne Centre, 201 S. Division. The new space offers an accessible art-viewing experience in downtown Ann Arbor and features large glass windows, which particularly impacted my viewing of the sculptural works on display by Anne Mondro as part of Reach: A Stamps Faculty Exhibition.
Her hanging sculptures, intricately constructed from tiny copper, silver, and bronze wires, represent various human hearts and anterior organs. Three hearts hang austerely in a row in the front of the gallery, which immediately drew my interest. I visited in the evening, on a sunny day, a perfect time to catch these sculptures illuminated by the setting sun.
Photographs are haunting; they are aching evidences of our relations with those who are gone. However, through photographs, we do not remember the past: we invent the past.” --Parisa Ghaderi & Ebrahim Soltani
For the month of June, YES!, an experimental gallery located at 8 North Washington St. in Ypsilanti, will host Waiting for the Past, an installation of videos and photographs created by visual artist Parisa Ghaderi in collaboration with social scientist, writer, and photographer Ebrahim Soltani. The exhibition is sponsored by the Ann Arbor Awesome Foundation and will provide the space with permanent sound and lighting equipment to support future public art projects at the gallery.
Waiting for the Past is the first collaboration of this creative team. Asked if they plan to work together in the future, Soltani replies with an enthusiastic “Absolutely!” They say they particularly enjoyed writing the poetry that dots the wall of the gallery and they hope to continue to create work for a publication.
Ypsilanti was poppin' last Friday. With YES! Experimental Space celebrating its new exhibition, "Waiting for the Past: Ebrahim Soltani & Parisa Ghaderi," Ypsi Pride holding its first annual festival, and the ongoing monthly throwdown First Fridays in full effect, Ypsi was full of people enjoying the city.