Don't ever write a year-in-review intro before you've had lunch. See below for reasons:
2022 is Pulp’s sixth year of compiling a delectable list of Ann Arbor District Library staff picks, featuring a smorgasbord of media to review and devour. With an insatiable hunger for books, films, TV shows, podcasts, music, and more, our AADL staffer suggestions will whet your appetite for anything you may have missed in 2022—or from previous years.
Because who can keep current with everything on the media menu these days?
The current media landscape is a 24-hour grocery store with everything everywhere available all at once. It’s decision paralysis at the deli counter, so consider us your Instacart shoppers for things to read, watch, play, listen to, and experience. (Apologies if we missed anything on your shopping list, and we hope our substituting a banana for that frozen pizza is OK.)
With more than 36,000 words to ingest in the 2022 Staff Picks, we’ve divided everything into four separate courses so you can enjoy each portion at your leisure:
If you feel inspired as you eat up our words, let us know in the comments sections what you sank your teeth into this year. Your tasty tips can be from 2022 or any other era; it just needs to encompass whatever art, culture, or entertainment you enjoyed over the past year.
Now, open up these posts and chow down.
We’re off to make some spaghetti.
To fill up your November calendar, we’ve compiled a comprehensive list of arts-related events, exhibits, and more throughout Washtenaw County. Check out some local cool happenings in music, visual art, theater and dance, and written word and film.
Canterbury House, Ann Arbor
Ann Arbor singer-songwriter and multi-instrumentalist Bill Edwards performs tracks from his new Americana album, Thirteen Stories. Throughout his latest release, Edwards pens sentimental stories from different perspectives, including a hall-of-fame baseball player, a seasoned songwriter, and a nostalgic boater. Read our preview and interview here.
Nervous But Excited
The Ark, Ann Arbor
Ten years after their sold-out finale at The Ark, the local folk duo of Kate Peterson and Sarah Cleaver reunite for one of their final Nervous But Excited performances. Their repertoire ranges from smart, introspective narratives to the tactfully political while interspersing songs of love and loss.
Olivia Van Goor
Blue Llama Jazz Club, Ann Arbor
The Milford jazz vocalist is influenced by swing and bebop jazz from the mid-20th century. Van Goor unearths and reshapes gems from the Great American Songbook and other jazz standards in a way that’s beyond replicating what has already been done before. Read our past interview with Van Goor here.
Drive Thru is a new skateboard clothing, video, and lifestyle company run by friends Austin Roberts, Ramon Rogelio Fuentes, Kaito Osborn, and Luke Turowski. They are part of the passionate skate community in Washtenaw County, which officially counts Ypsilanti’s DIY skatepark in Prospect Park, the Ann Arbor Skatepark in Veterans Park, and the Olympia Skate Shop, with in both Ann Arbor and Ypsi, as gathering spots.
But skaters love to skate ... anywhere.
That’s the focus of this new skateboard lifestyle collective’s debut short film, also called Drive Thru, which captures skaters grinding and tricking throughout Washtenaw County, with a heavy focus on Ann Arbor and Ypsilanti.
The 25-minute-long Drive Thru premieres at The Blind Pig on Thursday, August 18, with a screening and performances by Michigan punk bands Dad Caps and My Place or Yours.
We spoke with Drive Thru’s Austin Roberts and Ramon Rogelio Fuentes about their company, the film, and the skating scene in Washtenaw County.
60th Ann Arbor Film Festival: Two lost souls swimming in a fishbowl—another look at "Looking for Horses"
Stefan Pavlović's Looking for Horses is a glimpse into the real-life story of an unlikely friendship.
A fisherman named Zdravko was in the Bosnian War in the first half of the '90s and sacrificed his youth as a soldier. A grenade left him severely hearing impaired and another accident took his right eye. Director Pavlović grew up in Bosnia and was exposed to four languages, but he suffers from stuttering in his mother tongue Serbocroatian, which he understands imperfectly. The two friends are of different generations and temperaments and communicate in sometimes halting speech. Pavlović’s patient listening often allows Zdravko the opportunity to talk at length, reflecting on life and fishing strategies.
Zdravko spends his days on a lake in a small motorboat while Pavlović films him. We see the island church, now abandoned, where Zdravko lived for several years, surviving through the cold in a small sheltered room. Pavlović has joined him for his fishing adventures motivated by something else that remains hidden from us.
So many unanswered questions arise. How did Stefan and Zdravko meet? How does Zdravko live? (For all the time spent on the boat fishing, we never see him catch anything.) What do they each get out of their friendship?
But that’s not really the point.
If we knew the answers, would it change anything?
60th Ann Arbor Film Festival: "Elephant" is a highly personal meditation on racism, violence, and trauma
The opening scene of Elephant shows a young Black woman at the inner entrance of her apartment, wiping away tears. Remnants of blood are visible on her body and the door. The movie is shot almost entirely inside this small apartment, where the protagonist, played by director Maria Judice, confines herself after experiencing something intense and distressing.
The scenes that follow unfold very slowly, without narration and with minimal sound. The pace and volume allow us viewers to linger on the details of the sparse surroundings. A second young woman—who we later learn is the protagonist’s sister—enters the apartment by the side door and begins to clean the apartment and quietly support her sibling.
60th Ann Arbor Film Festival: "Rock Bottom Riser" digs into the cultural and physical roots of modern Hawaii
How fascinating to watch two movies back-to-back for the AAFF, both of them focused on different island chains. While Archipelago is about the myriad islands of the St. Lawrence River and often reflects a playful, calm mood, Rock Bottom Riser by Fern Silva is much more fractured and fraught with danger.
Through a collection of film segments, Silva explores some of the clashing cultural beliefs of modern Hawaii: spiritual, traditional, scientific. With little context or introduction, we see the people and places of Hawaii and are left with our own impressions.
60th Ann Arbor Film Festival: The animated "Archipelago" traces the communities along the St. Lawrence River
What would you create if you wanted to convey the entire history of a place—the people with their personal struggles and giant conflicts, their loves and everyday lives, the music they listen to, and the story of the land itself?
Make a painting, write a novel, take pictures?
Archipelago, with its impressionistic mixture of animation and historic film footage, comes remarkably close to achieving the impossible task of capturing and reflecting the memories of a place on Earth.
Director Félix Dufour-Laperrière turns his attention to the islands and cities of the 800-mile-long St. Lawrence River to tell their stories and bring them to life. Admittedly, the St. Lawrence River, which originates in Lake Ontario in northeastern Canada, sounds like a dull topic for a feature-length film. But the vivid and wonderful expression of each stop in this fantastical travelogue is uplifting and hopeful.
Filmmaker, enthusiast, advocate, meticulous curator, promoter, free spirit and nurturing mother of avant garde film.
Those are the words used to describe Sally Dixon in Brigid Maher’s documentary Experimental Curator: The Sally Dixon Story.
Dixon’s role as filmmaker, advocate, and curator of films at the Carnegie Museum made her a key if less-known figure in the emerging experimental avant-garde film movement. Her work was crucial to gaining recognition and financial backing for such key figures as Jonas Mekas, Stan Brakhage, Bruce Baillie, James Broughton, and Kenneth Anger. She was also an advocate for women filmmakers such as Carolee Schneemann. Women filmmakers often found it difficult to gain acceptance in the male-dominated field. Dixon opened doors for them.
The Ann Arbor Film Festival will screen Maher’s feature documentary at 1 p.m. Sunday, March 27, in the main auditorium of the Michigan Theater. The documentary will be followed by four short experimental films: Fist Fight by Robert Breer, Valentin de las Sierras by Bruce Baillie, Invocation of My Demon Brother by Kenneth Anger and Take Off by Guvnor Nelson.
The Ann Arbor Film Festival has long been a major home for experimental film. This documentary should be just the ticket for those seeking a little history on a movement that had a whole different view of what movies could be about than Hollywood.