Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

Today is the last Bandcamp Friday of 2020—the monthly fee-waiving day when artists receive 100% of the money from purchased items. So, to celebrate shopping locally, here are 25 new and newly reissued releases from Ann Arbor musicians, bands, and labels. It's the Friday Five if it lifted weights and ate a high-protein diet.

Below, check out music from JTC, X-Altera, The Down and Goers, a new comp from none/such, Hans Schroder, Battalion, Isolation Daze, Circle Confusion, 10 Trillion Suns, Sol Fono, FJAITE, Jess & Dan, Cinder Stage, Musa Haydar, BK Irwin, Towner, Thanh Thi Giang, Day of the Cusp, Ed Dupas, adjuul, Golden Feelings, the rants, Furrowed Brow, Experimental Voice Box Programmer, and A World Without Gods.

You can also read the previous 12 Friday Fives right here, which means you'll get to discover music from 50-plus other artists in Washtenaw County.

Also, here are eight posts in our Music in the Time of Quarantine series that we did from March to May, which means there are umpteen more Washtenaw-associate releases to discover and purchase on Bandcamp and beyond.

Heck, while you're here, take a peek at all our music posts, many of which also have links to Bandcamp releases by local artists.

An occasional series highlighting live recordings made in Washtenaw County.

On Repulsion's lone album, Horrified, the Flint-based grind-metal pioneers' sound is a muffled blur of blast beats, gnarly guitar, and grunted vocals. Same is true of the band's many demos, which is what Horrified was when it was recorded in 1986 and released as the Slaughter of the Innocent tape. That sort of audio is what you'll hear times 100 as featured in this June 9, 1991, in-store concert Repulsion did at Schoolkids Records, 523 East Liberty Street. But it's still wonderful to see the inside of Ann Arbor's most legendary record store once again. 

Horrified received its official release in 1989, and that's the record vocalist-bassist Scott Carlson is referring to when he points to the wall at Schoolkids and says, "The is from our album—up there" before the band rips into "Pestilent Decay."

June 9, 1991, was a Sunday and, before the videographer steps into the record store, he records a long line of people standing in the dark to get into the Michigan Theater. East Liberty was hopping that night. The sunset was at 9:10 pm, so this show was likely after Schoolkids closed for the day, but I'm not sure what event was drawing such a big crowd at the Michigan Theater. According to The Concert Database, there were no bands playing at the Michigan Theater that night—the previous show was Laurie Anderson on May 11 and the next one was  Kraftwerk on September 27—and City Slickers was the number one movie in the country that weekend, but I don't recall first-run mainstream films being a regular thing then for this venue. (Looking into it; will update if I find anything. Very important, you know.)

Update: The crack staff at AADL's Old News figured out it was Taxi Blues, a critically acclaimed 1990 Russian movie, but not one I would assume could draw such a big crowd. Also, the start time was 8:40 pm, and despite the darkened skies, the Google Machine tells me sunset that day wasn't for another 30 minutes. The East Liberty corridor is a tunnel.

While you should absolutely listen to Repulsion's badass Horrified if you want to hear one of the earliest examples of extreme metal, the main draw of this video for Washtenaw County folks is seeing the racks and racks of expertly curated LPs at Schoolkids Records. Check out the 39-minute below, but fair warning: Some cretin on the street who was there to see the band uses the N-word at the :27 second mark.

I've increased my reading tenfold since the beginning of the pandemic.

Of course, most of that reading is doom scrolling on Twitter, but nevertheless, words were seen by my eyes.

But my desire to consume books hasn't waned even if my attention span has, and the 2020 Ann Arbor Jewish Book Festival (AAJBF) has provided a host of authors and titles to add to my unconquerable to-read list.

From December 2 to 22, the AAJBF will present 25 authors discussing 22 books, which is a lot more than usual for this 33-year-old festival. If there's any benefit to the whole world being on lockdown and Zoom calls becoming a part of our collective DNAs, it means festivals like this and others are able to schedule more authors (or performers, etc.) because they don't have to travel to the events in person. While the arts and culture side of the AAJBF will be muted this year because of the pandemic, there's now an increased chance to engage with a wide range of authors writing about Jewish subjects or that have Jewish connections—and most of the talks are free of charge.

Here's the calendar for the 2020 Ann Arbor Jewish Book Festival; click on the authors' names for event links on the AAJBF website:

Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

This holiday edition features folks who haven't called Washtenaw County home for a while—or ever—but they still have some sort of connection to our little slice of Michigan. The week includes live recordings of Iggy and The Stooges, a jazz-punk interpretation of The Stooges by The Ridiculous Trio, Kelly Moran's prepared-sound electronica, future funk from Tunde Olaniran, and experimental-classical ambiance from Ione Sanders and Kate Ziebart.

Longtime Ann Arbor creative Evan Haywood is known for his solo work as a singer-songwriter and as one of the voices in the Tree City hip-hop collective.

He's about to add filmmaker to his resume after traveling around Jamaica in May 2019 to film Blood & Fire, "a documentary on anti-colonial narratives in Jamaican music and culture," Haywood said, with one of the biggest stars in the movie being Lee "Scratch" Perry, reggae's eccentric genius. Haywood is still editing the film, but while in Jamaica, he also shot footage for several music videos, one of which has just debuted: Israel Voice's "Nyomi," which features the sweet-voiced veteran crooner looking for spiritual love; the roots-reggae tune was co-produced by Earl "Chinna" Smith. Haywood filmed part of the video at Chinna's yard as well as the surfing hot spot Bull Bay. 

We asked Haywood about the making of the video, so he wrote a narrative on the process and also updated us on the other music videos he has planned and where he's at with Blood & Fire.

Singing is one of life's greatest joys, whether you're crooning in a choir or car jamming with friends.

But projecting your voice in a group setting is also one of the best ways to spread Covid-19, so singing with other humans was an early loss during the pandemic.

It seemed a certainty that annual vocal events such as the University of Michigan School of Music, Theatre & Dance's Grand Night for Singing were going to be postponed until a cure was found. But as has happened with so many certain-to-be-canceled things, creative people found ways to continue on within the current reality, and Director of Choirs Eugene Rogers organized a virtual version of this show that mixes newly sung songs with prior performances.

The virtual choir features more than 360 singers recorded in their homes, from Ann Arbor to China, singing four songs:

Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

This week we feature ambient indie-pop from Fred Thomas and friends, orchestral folk-rock from Chris Dupont, radio-ready pop from The Kelseys, drum 'n' bass from Bruce Lo and Bruce Li, and scary soundtracks by G.B. Marian.

Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

This week we feature neo-soul indie-rock from Dani Darling, a drum 'n' bass comp from the AGN7 label, power-pop from The Millwrights, chiptunes from CryptoPolitics, and hip-hop from Tyrus Archer.

Two new exhibits organized by U-M's Institute for the Humanities Gallery don't share much in common other than Sydney G. James and Sarah Rose Sharp are both artists from Detroit. James is a painter and a muralist; Sharp makes fiber-based works.

But when I read James' artist statement, I realized that even though she and Sharp don't share similarities artistically, they both have the need to work through this pandemic, to continue to create in the face of daily challenges that are determined to knock us on our asses. We're all facing this, artist or not. As James writes:

Two noteworthy events happened for Joni Mitchell over the past two weeks:

She turned 77 on November 7, and on October 30, the much-anticipated box set Archives - Volume One: The Early Years (1963-1967) came out.

Included in this collection are 24 songs recorded live over three sets on October 27, 1967, the first night of Mitchell's three-night residency at Ann Arbor's Canterbury House. The Ann Arbor portion of Archives is also available as a standalone three-LP set, and the performance features several songs that would later be considered classics after they appeared on Mitchell's studio albums such as her debut, Song to a Seagull (1968), as well as Clouds (1969) and Ladies of the Canyon (1970). 

Mitchell's Canterbury House recordings surfaced in July 2018 along with concert tapes of Tim Buckley, Dave Van Ronk, Odetta, and more, but hers are the first from this batch to find a commercial release. The concert was recorded through Canterbury's soundboard, and the audio is clean and clear, giving us a beautiful glimpse into the almost-24-year-old's musical life pre-superstardom.