Friday Five: The Kelseys, S.U.N., Prhyme Numbers, Lonely Hearts, JTC

MUSIC FRIDAY FIVE

Friday Five 01-01-2020

Friday Five is where we highlight music by Washtenaw County-associated artists.

This week features pop courtesy The Kelseys, hip-hop from S.U.N., jazz via Prhyme Numbers, indie rock by Lonely Hearts, and techno from JTC.

Friday Five: Buff1, Modern Lady Fitness, Sean Curtis Patrick, Jevon Alexander, Kawsaki

MUSIC FRIDAY FIVE

Friday Five 12-25-2020

Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

This week features hip-hop from Buff1 and Jevon Alexander, ambient from Sean Curtis Patrick, indie from Modern Lady Fitness, and vaporwave from Kawsaki.

Friday Five: Same Eyes, Jack Withers, Dan Sutherland, Corey Strong, Zettell

MUSIC FRIDAY FIVE

Friday Five 12-18-2020

Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

This week it's an all Ann Arbor special featuring synths from Same Eyes, Jack Withers, and Dan Sutherland, seasonal music from Corey Strong, and folk from Zettell.

Friday Five: Laughing Hyenas

MUSIC FRIDAY FIVE BOOTLEG WASHTENAW

Laughing Hyenas, 1987

Jim Kimball, Larissa Strickland, Kevin Strickland, and John Brannon of Laughing Hyenas in a 1987 promo photo provided by the band's label then, Touch & Go Records.

Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

This week, it's the Ann Arbor post-punk noise-blues of Laughing Hyenas whose discography recently came to Bandcamp.

In 1995, not long after the breakup of his pioneering hardcore band Negative Approach, vocalist John Brannon and his partner, Larissa Strickland, moved from Detroit to Ann Arbor and formed Laughing Hyenas, which drew equally from The Stooges, The Birthday Party, old blues, and pure noise.

While the Hyenas' music has been on Spotify and the like for a while, and Third Man reissued all their records on vinyl in 2018, the Touch & Go label's recent decision to put much of its back catalog on Bandcamp gives me yet another reason to relisten to this supremely powerful band. I also get to tell two quick personal stories I have about Laughing Hyenas lead singer John Brannon before the tales get pushed into the ever-increasing "FILE NOT FOUND" portion of my brain.

"Whip" It: Nadim Azzam's new YouTube show cruises with Michigan musicians

MUSIC FILM & VIDEO INTERVIEW

Ki5 and Nadim Azzam in the car for the show Whip Jams

Ki5 and Nadim Azzam in a still from the first episode of Whip Jams. Photo courtesy of Whip Jams.

Artists performing songs being driven around in a car by a congenial host. Sound familiar?

But Whip Jams isn't Carpool Karaoke.

Host Nadim Azzam doesn't fuss around with wacky comedy. He gets right to the point with his guests, reciting a short bio, picking the musician up in his car, letting them perform, and concluding with a brief interview.

The first episode of this YouTube show clocks in at 4 minutes, 57 seconds. A quick ride indeed.

In the Whip Jams debut on December 9, Ann Arbor's Ki5 performs a song in Azzam's vehicle by sampling his voice with the Boss RC-505 Loopstation sitting in his lap. That kind of compact setup works fine for him, but some future episodes will feature artists holding acoustic instruments—might get a little cozy in Azzam's Honda Civic.

Objects of Veneration: "Sacred Hands" and other online exhibits at the University of Michigan Library

VISUAL ART WRITTEN WORD

Pages from Hebrew and Coptic manuscripts

Left: This page belongs to a 10th-century manuscript of the Torah or Pentateuch. The Masorah (a set of rules of pronunciation, spelling, and intonation designed to transmit the text accurately) is written in a mashait hand (formal cursive script) and added in the margins and between the columns. Parchment, fols. 151, 210 x 180 mm.
Right: Parchment fragment. Verso. Book of Jeremiah. Sahidic Dialect. White Monastery, Sohag (Egypt), 10th century. Fragments of the same manuscript are kept in London, Manchester, Paris, and Vienna. The images of birds and fish are fairly common in these Coptic manuscripts as exemplified in the decoration accompanying the initial "T" on the left margin of this page. Parchment, 365 x 278 mm.

The introduction to Sacred Hands, a new online exhibit by the University of Michigan Library featuring ancient manuscripts for Judaism, Christianity, and Islam, sums up why objects of veneration such as these are important even if none of those religions apply to you:

It seems appropriate to use the term "sacred" to describe the hands that copied the manuscripts containing the texts of the three Abrahamic faiths: Judaism, Christianity, and Islam. However, the meaning of this word transcends the conventional limits of the religious sphere. "Sacred" can also designate what is unique, exclusive, and venerable.

Additionally, so much of our current social and philosophical climate is generated from these old texts that it's impossible to understand the present without studying the past.

Friday Five Times Five: 25 new Bandcamp releases by Washtenaw County artists

MUSIC FRIDAY FIVE

Friday Five collage of album covers

Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.

Today is the last Bandcamp Friday of 2020—the monthly fee-waiving day when artists receive 100% of the money from purchased items. So, to celebrate shopping locally, here are 25 new and newly reissued releases from Ann Arbor musicians, bands, and labels. It's the Friday Five if it lifted weights and ate a high-protein diet.

Below, check out music from JTC, X-Altera, The Down and Goers, a new comp from none/such, Hans Schroder, Battalion, Isolation Daze, Circle Confusion, 10 Trillion Suns, Sol Fono, FJAITE, Jess & Dan, Cinder Stage, Musa Haydar, BK Irwin, Towner, Thanh Thi Giang, Day of the Cusp, Ed Dupas, adjuul, Golden Feelings, the rants, Furrowed Brow, Experimental Voice Box Programmer, and A World Without Gods.

You can also read the previous 12 Friday Fives right here, which means you'll get to discover music from 50-plus other artists in Washtenaw County.

Also, here are eight posts in our Music in the Time of Quarantine series that we did from March to May, which means there are umpteen more Washtenaw-associate releases to discover and purchase on Bandcamp and beyond.

Heck, while you're here, take a peek at all our music posts, many of which also have links to Bandcamp releases by local artists.

“No, not even for a picture”: Re-examining the Native Midwest and Tribes’ Relations to the History of Photography at U-M's Clements Library

VISUAL ART REVIEW

Medicine Bottle and Cut Nose by Joel E. Whitney, 1864

Wa-Kan-O-Zhan-Zhan (Medicine Bottle)
Joel E. Whitney
Carte de visite, 1864
Wa-Kan-O-Zhan-Zhan, or Medicine Bottle, was a Sioux wicasa wakan, or holy man, who stepped away from that role to defend the Dakota way of life in the rebellions. After the uprising, Congress called for the removal of all Sioux from Minnesota, leading Medicine Bottle to flee to Canada. Two years later, he was found, drugged, and brought as a prisoner to Fort Snelling, Minnesota, where he was tried for his participation in the 1862 uprisings. He was executed three years after the initial trial. This photo was taken shortly before his death.
Marpiya Okinajin (Cut Nose)
Joel E. Whitney
Carte de visite, 1862
Marpoya Okinajin (pronounced: Mar-piy-a O-kin-a-jin) was also known as Cut Nose or He Who Stands in the Clouds. His vibrant life was filled with stories of hunting, fighting, and womanizing. Cut Nose’s distinctive name is credited to John Other Day, who allegedly bit off a chunk of his nose during a fight. During the Dakota War, Cut Nose fought to restore Santee Dakota sovereignty in Minnesota and is remembered for his leadership and brutality in the uprisings at Fort Ridgely, Minnesota. He was ultimately executed for his violence against settlers on December 26, 1862. After his death, William Mayo, a founder of the Mayo Clinic, exhumed Cut Nose’s remains to use for science experiments, keeping his bones for over a century and a half. The eagle feathers appearing in this photo were likely retouched into the photo after it was taken.

As I look out over a pond that's rippling gently from snowfall, the pine trees and fields covered in white, I'm writing this post in my Christmas-light-bright house, which rests on Bodéwadmiké (Potawatomi) land ceded in a coercive treaty.

A version of the above sentence is also what begins “No, not even for a picture”: Re-examining the Native Midwest and Tribes’ Relations to the History of Photography, a new online exhibition produced by two University of Michigan students with Native American ancestry for the William L. Clements Library. Lindsey Willow Smith (undergraduate, History and Museum Studies; member of the Sault Ste. Marie Tribe of Chippewa Indians) and Veronica Cook Williamson (Ph.D. candidate, Germanic Languages and Literatures and Museum Studies; Choctaw ancestry, citizen of the Chickasaw Nation) used materials in the Richard Pohrt Jr. Collection of Native American Photography to explore ideas of consent, agency, and representation. 

Bootleg Washtenaw: Repulsion live at Schoolkids Records, June 9, 1991

MUSIC BOOTLEG WASHTENAW

Repulsion at Schookids Records, 1991

An occasional series highlighting live recordings made in Washtenaw County.

On Repulsion's lone album, Horrified, the Flint-based grind-metal pioneers' sound is a muffled blur of blast beats, gnarly guitar, and grunted vocals. Same is true of the band's many demos, which is what Horrified was when it was recorded in 1986 and released as the Slaughter of the Innocent tape. That sort of audio is what you'll hear times 100 as featured in this June 9, 1991, in-store concert Repulsion did at Schoolkids Records, 523 East Liberty Street. But it's still wonderful to see the inside of Ann Arbor's most legendary record store once again. 

Horrified received its official release in 1989, and that's the record vocalist-bassist Scott Carlson is referring to when he points to the wall at Schoolkids and says, "The is from our album—up there" before the band rips into "Pestilent Decay."

June 9, 1991, was a Sunday and, before the videographer steps into the record store, he records a long line of people standing in the dark to get into the Michigan Theater. East Liberty was hopping that night. The sunset was at 9:10 pm, so this show was likely after Schoolkids closed for the day, but I'm not sure what event was drawing such a big crowd at the Michigan Theater. According to The Concert Database, there were no bands playing at the Michigan Theater that night—the previous show was Laurie Anderson on May 11 and the next one was  Kraftwerk on September 27—and City Slickers was the number one movie in the country that weekend, but I don't recall first-run mainstream films being a regular thing then for this venue. (Looking into it; will update if I find anything. Very important, you know.)

Update: The crack staff at AADL's Old News figured out it was Taxi Blues, a critically acclaimed 1990 Russian movie, but not one I would assume could draw such a big crowd. Also, the start time was 8:40 pm, and despite the darkened skies, the Google Machine tells me sunset that day wasn't for another 30 minutes. The East Liberty corridor is a tunnel.

While you should absolutely listen to Repulsion's badass Horrified if you want to hear one of the earliest examples of extreme metal, the main draw of this video for Washtenaw County folks is seeing the racks and racks of expertly curated LPs at Schoolkids Records. Check out the 39-minute below, but fair warning: Some cretin on the street who was there to see the band uses the N-word at the :27 second mark.

2020 Ann Arbor Jewish Book Festival offers 25 authors over 20 days

WRITTEN WORD PREVIEW

2020 Ann Arbor Jewish Book Festival books

I've increased my reading tenfold since the beginning of the pandemic.

Of course, most of that reading is doom scrolling on Twitter, but nevertheless, words were seen by my eyes.

But my desire to consume books hasn't waned even if my attention span has, and the 2020 Ann Arbor Jewish Book Festival (AAJBF) has provided a host of authors and titles to add to my unconquerable to-read list.

From December 2 to 22, the AAJBF will present 25 authors discussing 22 books, which is a lot more than usual for this 33-year-old festival. If there's any benefit to the whole world being on lockdown and Zoom calls becoming a part of our collective DNAs, it means festivals like this and others are able to schedule more authors (or performers, etc.) because they don't have to travel to the events in person. While the arts and culture side of the AAJBF will be muted this year because of the pandemic, there's now an increased chance to engage with a wide range of authors writing about Jewish subjects or that have Jewish connections—and most of the talks are free of charge.

Here's the calendar for the 2020 Ann Arbor Jewish Book Festival; click on the authors' names for event links on the AAJBF website: