Another round of new releases from Washtenaw County musicians in the age of quarantine. (These are all studio recordings or professionally shot videos; visit our mini-guide on livestreams by local artists here.)
Volume one is here.
Volume two is below:
As I was compiling new releases by Washtenaw-area musicians, my browser crashed under the weight of having 4,796 tabs open. Happens.
Here are the releases I could recall from my brain's memory cache, which is also ready to crash:
When the quarantine started, we tracked all the livestreams we could find by Washtenaw musicians and published them on Pulp. Now that every musician who has access to an instrument and internet connection is playing a videostream concert, it's been near impossible to keep up. So here's the best way to find livestreams by Ann Arbor-area musicians:
➥ Visit their Facebook pages and Instagram accounts. Obvs. Just punch in the name of a musician you enjoy and you're likely to find something you'd like to watch.
➥ Ann Arbor Loves Live Music was the most active of several concert-promoting groups on Facebook before the quarantine. Now it's the most active group to find links to livestreams.
➥ If you like jazz, there's no better place to find out about Washtenaw livestreams, musicians, and album releases than the Facebook group Lifting Up A2 Jazz, run by the indefatigable Jennifer Pollard. It was a tremendous resource to find out about area jazz concerts in the pre-corona era and it continues in this capacity during the quaranstream era.
➥ Search Facebook's Events section for things happening in Ann Arbor. And because nothing else is happening, you'll find all the musician livestreams in the Washtenaw area by artists who posted their concerts as Events.
I wish I could give you links to something other than Facebook and its subsidiary Instagram, but I haven't seen many livestream links on Twitter or anywhere else. The only other thing I can think of is to subscribe to musicians' YouTube pages; some artists have been using the livestream feature there instead of Facebook Live. Twitch is another resource, especially for DJ sets, but I only know of two area groups doing streams there: MEMCO and Wax Kings.
Now, stay home and watch MY livestream featuring me learning how to play trumpet as I toe-strum a distorted electric guitar at top volume and my dogs run back and forth over synthesizer keys as they manically bark at imaginary delivery trucks.
Christopher Porter is a library technician and the editor of Pulp.
Evan Haywood's Perfumed Gardens is a gutbucket folk-rock album soaked in reverb and passion. In addition to 11 Haywood originals, he covers songs by Cody ChesnuTT, Gypsy Trips, Dave Bixby, and Roy Acuff, all while evoking Bob Dylan circa his Rolling Thunder Revue stage where he played with loose abandon.
The album came out in August 2018, but the Ann Arbor-based Haywood didn't release a video for songs on the album -- until now.
"Do Right by My Kin," which premieres here on Pulp, is a screed against the rise of far-right conservatism, racism, and hatred that has increased in the United States since the 2016 election. The song's targets are obvious and so is Haywood's rage when he sings, "Do me a favor and do right by my kin / Better love your neighbor / Or we gonna make you pay for your sin."
I talked with Haywood over email about why he decided to release the video now, how it was created, and the song's influences, as well as the status of two other projects he's working on: the long-delayed new album by the hip-hop collective Tree City and a film he shot about Jamaica's music and politics.
Innovation & Education: "Welcome to Commie High" documents the history and influence of Ann Arbor's legendary school
The coronavirus pandemic is forcing teachers and administrators to improvise ways to serve their pupils academically, mostly through virtual learning and online academies. Other imaginative approaches will be introduced as the pandemic drags on, spotlighting the skills of educators and showing how resourceful they can be when not stuck on a treadmill of prepping kids for standardized tests.
But one school in Ann Arbor has been using innovative educational approaches for nearly 50 years.
Ann Arbor's Community High School started in 1972 with a "school without walls" concept. A handful of other schools across the country adopted similar approaches, where structured curricula were abandoned in favor of flexible programs that best fit individual students' needs, with a focus on real-world education.
But the Community model never expanded deeply into the mainstream.
Until now. (Kinda.)
A heavily modified variation of Community's wall-free education approach is being tested during the coronavirus pandemic, and it seems inevitable that some of these outside-the-box ideas will be incorporated into schools once this over and society deals with our new normal.
Welcome to Commie High, a new documentary by Ypsilanti-based filmmaker Donald Harrison, shows the school's unique approach to education, from its hippie-era beginnings to its place in the modern landscape, talking to students and teachers from the past and present about what makes Community special -- and effective.
The movie was to premiere as part of the 58th Ann Arbor Film Festival (AAFF). But with the entire event being moved to a livestream on Vimeo due to the lockdown, Harrison and the AAFF are are offering Welcome to Commie High as fundraising rental. The movie will be available to rent for $9.99 from 10 am, March 30 to 10 am, April 1; each rental will be active for 48 hours. The rental fee will be split two ways: 50 percent of the proceeds will go to the AAFF to help offset costs and the rest will be put toward the distribution of the documentary. Click here to pre-order the rental.
Harrison answered some questions via email about Welcome to Commie High.
On March 13 when the Ann Arbor Film Festival (AAFF) canceled all in-person events for its 58th edition due to the coronavirus, the organization stated that it's "committed to finding an alternative means to present the 58th AAFF online, which honors the filmmakers’ rights and integrity and fulfills the mission of the festival."
With remarkable speed, the AAFF has done just that: starting at 4 pm on Tuesday, March 24, the festival will be streamed at vimeo.com/annarborfilmfestival. The films won't be archived; the fest is being run the same way it would be in the flesh, with each film or program being screened on a certain day and time (albeit at different times from the calendar published when AAFF was to be its usual in-person event). The difference is there's no ticket fee for the viewing the virtual version of the festival; all films will be streamed for free, as will the various moderated Q&As with the filmmakers following certain screenings.
Click here to see the full streaming schedule for the 58th Ann Arbor Film Festival.
Welcome to Commie High, the documentary about Ann Arbor's Community High School, is the one film previously scheduled for the festival that will cost money to watch. The film movie will be available to rent for $9.99 from 10 am, March 30 to 10 am, April 1; each rental will be active for 48 hours. The rental fee will be split two ways: 50 percent of the proceeds will go to the AAFF to help offset costs and the rest will be put toward the distribution of the documentary. Click here to pre-order the rental. (Check back to read our interview with Commie High filmmaker Donald Harrison.)
While Welcome to Commie High is the highest-profile film in the fest with local connections, numerous short entries by Ann Arbor- and Michigan-based moviemakers are part of the festival. Below is a list of those films, their screening days and times, and AAFF's descriptions for each work:
Bandcamp is already independent artists' favorite way to sell their music, but acts like this deepen the love:
To raise even more awareness around the pandemic’s impact on musicians everywhere, we’re waiving our revenue share on sales today (Friday, March 20th, from midnight to midnight Pacific Time), and rallying the Bandcamp community to put much needed money directly into artists’ pockets.
With that in mind, here are all the Washtenaw-area acts and labels on Bandcamp we could gather before the internet went glitchy. (Bandcamp is being slammed today, so the embeds below might take a while to load; we'll try to update the post as the WWW settles down. You can also search for Washtenaw-area artists if they tagged a town in their profiles. Here are links to Ann Arbor and Ypsilanti artists.)
If you'e looking to indulge your quarantined senses with virtual art, Google has collaborated with more than 500 galleries and museums to digitize their collections through the megacorp's Arts & Culture’s collection. The only Washtenaw space to partner with Google is the University of Michigan Museum of Art, leaving smaller galleries and museums to figure out if they have the bandwidth -- human resources and digitally -- to post virtual exhibits of their permanent collections or canceled exhibits.
Here's what we found so far:
Quaranstreams: Blue LLama, Erin Zindle's The Bird House, MEMCO, and others post calendar of livestream concerts
With everything being canceled due to the COVID-19 pandemic, musicians are turning to video livestreams to perform concerts. We'll be looking for these sorts of events by Washtenaw County artists and then posting the videos on Pulp, along with any ways you can help these musicians financially. If you are performing a remote or virtual concert, let us know by emailing firstname.lastname@example.org.
Since last weekend we've been posting livestreams during the quarantine by Washtenaw musicians. These concerts have happened somewhat spontaneously, but now that the whole world knows it's on lockdown for the foreseeable future, musicians and venues are actually booking livestreams well in advance.
Erin Zindle has been broadcasting concerts out of her Bird House, including two concerts by her band, The Ragbirds, one by her brother's group, TJ Zindle and The Power Lines, and another by Peter “Madcat” Ruth. Upcoming shows include:
Interlocking Parts: Hi Potent C and Dyelow's "War Medicine" highlights the KeepItG Records collective's creative bond
The Ypsi-Arbor hip-hop collective KeepItG Records isn't just a rap crew with a tight handle. The various MCs, producers, musicians, and filmmakers treat KeepItG like a band, with scheduled practices, interlocking their skills and lifting each other up to create audio and visual art.
"The entire KeepItG Records meets and rehearses weekly, and each individual sets up their personal studio time around what’s going on for them at the time being," said rapper Hi Potent C, who has a new album, War Medicine, with KeepItG producer Dyelow. "A lot of the music gets made on the spot, but everyone is always cooking up something on their own time, too. For this specific project, we did a lot of the outlining in person in order to make sure we were sticking to the theme and storyline. From there it made it easier to fill in the blanks separately because we both knew what was needed and expected."
War Medicine is a loose concept record that takes some cues from Kendrick Lamar’s 2012 album, Good Kid, M.A.A.D City, and Prodigy’s 2017 LP, Hegelian Dialectic (The Book of Revelation). Lamar's album recounts his rough teenage years in Compton and Progidy's record is named after the philosophical model that posits thesis, antithesis, then synthesis -- or problem, reaction, solution -- is the way to determine "truth" or "the way."
"The personal ins and outs of living and not only the 'good side,'" is how Hi Potent C describes War Medicine's theme. "At the same time, keeping familiarity with people by showing them how to keep your head up no matter how unfavorable things might be going, because we all need that motivation from time to time."