This story originally ran March 11, 2019.

Iggy Pop is a photographer's dream.

The Ann Arbor native's sinewy body, hollow cheeks, intense eyes, and manic contortions make for photos that leap with life.

And that's exactly what photographer Paul McAlpine wanted to convey in his new book of Pop pix.

"BARE + REAL is a book about life -- passion, art, music -- keeping your eyes open and friends near," McAlpine said. "The book is filled with wonderful images that I feel have aged well with time."

McAlpine first shot Pop in 1977 at the first American concert of The Idiot tour in the photographer's native Boston. For the next decade-plus, McAlpine toured with Pop numerous times and amassed a huge collection of concert photographs featuring one of rock 'n' roll's greatest frontmen.

The limited edition BARE + REAL is 236 pages of the best of those photos, plus introductions by McAlpine and Pop, all housed in a 12" x 12" LP-sized slipcase.

I emailed with McAlpine to find out more about BARE + REAL and how he came to be Pop's go-to photographer -- or Jim, as he calls the man born James Newell Osterberg Jr.

This story originally ran December 5, 2016.

Ornette Coleman’s music can be inscrutable to unprepared ears. The jazz giant, who died in 2015 at 85, developed a music theory he called “harmolodics.” It’s a style that goes beyond the “free jazz” tag that frequently accompanies Coleman’s name -- even if the alto saxophonist/trumpeter/violinist did release a genre-defining record under that name in 1960 -- and relies as much on a philosophical idea as a musical one. Simply put: Harmolodics is about race.

Harmolodic theory can baffle experienced musicians, too. Even guitarist James “Blood” Ulmer, who played with Coleman for 6 years, said, “I don’t get it!” in a new book called Free Jazz, Harmolodics, and Ornette Coleman by Stephen Rush, professor of performing arts technology at the University of Michigan.

But Professor Rush, who has taught at U-M for more than 30 years, breaks down Coleman’s complicated theories in a series of free-flowing interviews with the legendary composer that clarify harmolodics’ underlying philosophy. Plus, the book’s in-depth musical examinations will help students absorb the style into their own playing.

In addition to being a U-M prof, keyboardist Rush has a staggeringly wide body of work that includes everything from chamber jazz and opera to digital music and sound installations, and he explores harmolodics (and all sorts of other styles) in his Naked Dance quartet.

To celebrate the release of Free Jazz, Harmolodics, and Ornette Coleman, Rush is doing two area readings: Wednesday, December 7, at Literati (Ann Arbor) and Sunday, December 11, at Trinosophes (Detroit). Both are at 7 p.m. (For the Literati event, Rush is joined by Jason Corey, associate dean and associate professor of music at the University of Michigan, who just released a new edition of his book Audio Production and Critical Listening: Technical Ear Training.)

Rush answered questions over email about Coleman and the book, and he gave Pulp a list of recommended recordings that illustrate harmolodics at its finest.

Another round of new releases from Washtenaw County musicians in the age of quarantine. (These are all studio recordings or professionally shot videos; visit our mini-guide on livestreams by local artists here.)

Volume one is here.

Volume two is here.

Volume three is here.

Volume four is below and features music/videos from Virga, The Kelseys, Dre Dav/Flight Team, Laurel Halo, Tadd Mullinix/JTC, TwoFace Suave, Drew Denton/Druzi Baby, and Sean Curtis Patrick.

With the coronavirus quarantine here to stay for the foreseeable future, the Ann Arbor Art Center (A2AC) had a quandary with its sixth annual Art Now: Photography exhibit, which was scheduled to run in its gallery April 3 to May 2: cancel it, delay it, or make it an online exhibit.

A2AC opted for the online choice and launched Art Now: Photography on its original opening date over at annarborartcenter.org.

Juror Eleanor Oakes -- an assistant professor of photography at the College for Creative Studies and founder of Darkroom Detroit -- picked the theme "nothing is clear, nothing is certain" and the 36 photographs by 37 artists explore ambiguity, mental health, gender, and more.

Whether by chance or prescience, one photo stood out due to the way it dovetails with a current trend during the world's stay-at-home status.

We usually travel to a museum to view its art. But with everything closed for the foreseeable future due to the coronavirus pandemic, the University of Michigan Museum of Art is bringing its collection to you.

UMMA's Art in Your Inbox officially launched on March 26, with the museum emailing images from its collection twice a week, accompanied by brief, thoughtful commentaries on the works. But the project's genesis came from UMMA staff members privately sending art images to one another; they found the exchanges comforting and decided to share their finds with the public. 

The pieces are chosen with society's current predicament in mind, such as Joanne Leonard's photograph Winged Ones, which features a child in angel wings staring out a window. But UMMA isn't just choosing isolation and illness art; inspired by Netflix's runaway hit Tiger King, one email featured the Tigress and Cubs scroll by Konoshima Ôkoku, which linked then linked to 11 additional works in UMMA's collection featuring the big cats. Another Art in Your Inbox image was Julie Blackmon's photo Birds at Home, featuring five children sitting at a messy dinner table among 12 cracked eggs; the body of the email featured the headline, "Homeschooling for how long?"

Another round of new releases from Washtenaw County musicians in the age of quarantine. (These are all studio recordings or professionally shot videos; visit our mini-guide on livestreams by local artists here.)

Volume one is here.

Volume two is here.

Volume three is below featuring music from Sean Curtis Patrick, Vulfpeck, Linen Ray, Anna Burch, Stormy Chromer, and Andrew Brown's Djangophonic.

Another round of new releases from Washtenaw County musicians in the age of quarantine. (These are all studio recordings or professionally shot videos; visit our mini-guide on livestreams by local artists here.)

Volume one is here.

Volume two is below:

As I was compiling new releases by Washtenaw-area musicians, my browser crashed under the weight of having 4,796 tabs open. Happens.

Here are the releases I could recall from my brain's memory cache, which is also ready to crash:

When the quarantine started, we tracked all the livestreams we could find by Washtenaw musicians and published them on Pulp. Now that every musician who has access to an instrument and internet connection is playing a videostream concert, it's been near impossible to keep up. So here's the best way to find livestreams by Ann Arbor-area musicians:

➥ Visit their Facebook pages and Instagram accounts. Obvs. Just punch in the name of a musician you enjoy and you're likely to find something you'd like to watch.
➥ Ann Arbor Loves Live Music was the most active of several concert-promoting groups on Facebook before the quarantine. Now it's the most active group to find links to livestreams.
➥ If you like jazz, there's no better place to find out about Washtenaw livestreams, musicians, and album releases than the Facebook group Lifting Up A2 Jazz, run by the indefatigable Jennifer Pollard. It was a tremendous resource to find out about area jazz concerts in the pre-corona era and it continues in this capacity during the quaranstream era.
➥ Search Facebook's Events section for things happening in Ann Arbor. And because nothing else is happening, you'll find all the musician livestreams in the Washtenaw area by artists who posted their concerts as Events.

I wish I could give you links to something other than Facebook and its subsidiary Instagram, but I haven't seen many livestream links on Twitter or anywhere else. The only other thing I can think of is to subscribe to musicians' YouTube pages; some artists have been using the livestream feature there instead of Facebook Live. Twitch is another resource, especially for DJ sets, but I only know of two area groups doing streams there: MEMCO and Wax Kings.

Now, stay home and watch MY livestream featuring me learning how to play trumpet as I toe-strum a distorted electric guitar at top volume and my dogs run back and forth over synthesizer keys as they manically bark at imaginary delivery trucks.

Christopher Porter is a library technician and the editor of Pulp.

Evan Haywood's Perfumed Gardens is a gutbucket folk-rock album soaked in reverb and passion. In addition to 11 Haywood originals, he covers songs by Cody ChesnuTT, Gypsy Trips, Dave Bixby, and Roy Acuff, all while evoking Bob Dylan circa his Rolling Thunder Revue stage where he played with loose abandon.

The album came out in August 2018, but the Ann Arbor-based Haywood didn't release a video for songs on the album -- until now.  

"Do Right by My Kin," which premieres here on Pulp, is a screed against the rise of far-right conservatism, racism, and hatred that has increased in the United States since the 2016 election. The song's targets are obvious and so is Haywood's rage when he sings, "Do me a favor and do right by my kin / Better love your neighbor / Or we gonna make you pay for your sin."

I talked with Haywood over email about why he decided to release the video now, how it was created, and the song's influences, as well as the status of two other projects he's working on: the long-delayed new album by the hip-hop collective Tree City and a film he shot about Jamaica's music and politics.