Like most musical groups, the Rob Crozier Jazz Ensemble spent much of 2020 in quarantine due to the pandemic.
But Crozier managed to keep the creativity flowing by digging into live recordings the group made at Grosse Pointe’s Dirty Dog Jazz Cafe in February 2019, and the result is the Ensemble's first live album.
Live is a nice mix of funky fusion, straight-ahead jazz, and world music, featuring tunes from Crozier's last two studio albums, Tall Trees (2017) and Ocean Blue (2018), plus a couple of new songs. For this album, the Ensemble consisted of bassist Crozier, Rafael Statin on reed instruments, pianist/keyboardist Keaton Royer, drummer Rob Avsharian.
Crozier and Co., who were always active playing area stages and festivals before the pandemic, recently started performing again to socially distanced crowds as part of the ongoing series Jazz After Dark at Weber’s Restaurant.
In advance of the album’s release concert at Weber's on September 5, I emailed with Crozier about Live and how he stays creative during the pandemic.
A2SF's "The Future of the Arts Must Be Antiracist" explores the pitfalls P.O.C. face in creative communities
As a finale to its virtual Top of the Park series, the Ann Arbor Summer Fest (A2SF) had a vital discussion called "The Future of the Arts Must Be Antiracist" on July 7 about racism in the arts, streamed live on YouTube and other platforms.
While we’ve seen many discussions on race as of late, this one was particularly interesting because it addresses an issue that has been looming for a long time in Washtenaw County: the lack of racial diversity inside the local arts scene.
As a Black classically trained musician, I’ve had my fair share of feeling like an outsider in musical circles so I was delighted by this discussion. Lack of diversity is not unique to Washtenaw County, of course; it plagues all of society. But it was refreshing to hear the topic addressed in a city like Ann Arbor where there is such an influential arts festival like A2SF.
A2SF Programming and Operations Manager James Carter invited several prominent Washtenaw County Black artists and executives to describe their experiences working in the arts here. The panel consisted of Jamall Bufford, Omari Rush, Jenny Jones, and facilitator Yodit Mesfin Johnson, who talked about their backgrounds and described why it’s important to create a more inclusive environment for African-Americans in the arts.
Kyle Hunter knows the power of music and songwriting in his life. He’s a rapper, DJ, and creative who likes to write in some form every day. To him, “not writing would be equal to not drinking water. If you don’t drink water, bad things are just gonna happen.” His creativity feeds his existence and adds balance in his life.
In 2005, a teenage Hunter began developing his musical skills as an MC under the name G.eneral P.opulation, or GenPop, and he became a notable member of Tree City, which was also formed at the Neutral Zone. The group has been absent for a decade but is now planning to release an album later this year entitled PURE LEVELS. During Tree City’s hiatus, Hunter and the other members of the music collective performed and released solo projects, and more solo recordings are in the works for this year. He also worked with the Branch Out Collective, which consisted of Tree City and the group Celsius Electronics.
Some may even know him under the alias DJ Silas Green, spinning or creating music that touches on hip-hop, funk, ambient, and noise. He has a biweekly residency, Big Mood Mondaze, at 734 Brewing Company in Ypsilanti, and he's spun at Ziggy's, Elks Lounge, and at Circ Bar as part of Shigeto's ongoing Ann Arbor Trax Authority night.
I spoke with Hunter about Ann Arbor as a hip-hop hub, the impact of the Neutral Zone, his musical influences outside of hip-hop, and Tree City’s plans for the future.
This story was originally published on November 8, 2018.
Jamall Bufford is one of the most influential hip-hop artists from Ann Arbor. He has influenced many MCs in town with his quick wit, lyrical wordplay, and open-minded stances on social issues.
Previously known as Buff1, he rhymed with the hip-hop collective Athletic Mic League and later helped start the performing arts group The Black Opera. For those unfamiliar with this hometown gem, The Black Opera calls itself "rap’s first performing arts group" and the duo dress as different characters each song during their live shows. Bufford is also a solo artist and his latest album, Time In Between Thoughts, continues in pushing past the typical boundaries in usual hip-hop subject matter by exploring themes like colorism and the dangers of social media.
Bufford, who has performed with Eminem and Mos Def,
performs at the Ann Arbor District Library's downtown branch on Friday, November 16, at 7 pm along with fellow A2 hip-hop artist DaG. We talked to Bufford about how Ann Arbor has influenced him as an MC, whether he’s an activist, and more.
Modern Element prides itself on being “a band made up of all genres," said Trunino Lowe, the group’s trumpeter and 21-year-old leader. "We have a mixture of jazz, hip-hop, R&B, gospel, blues, neo-soul, Latin, reggae and pop. We don't have a favorite genre. We just play for the soul."
The Detroit group consists of Benny Rubin Jr. (alto sax), Jeffrey Trent (tenor sax), LeRoy Mickens (keyboards), Tony Stanford (bass), and Louis Jones III (drums) and has been spreading soulful vibes since their high school days.
"We all went to Detroit School of Arts together," Lowe said. "Being in band and jazz band, we were always together. While being in combo together, we decided to really be a band after high school."
That education was a huge influence on Lowe's life and he has trouble understanding why arts classes are always on the chopping block in schools.
Northern Virginia rapper Joey Blanco been called a modern Big Pun or Noreaga because of his suave vocal style and Latin heritage.
And when asked about his influences, Blanco admits that Pun, along with Jay-Z, Big L, Nas, and Biggie, is one of his favorites.
But Blanco has his own cadence and tone, marked by assertive vocals rapping English lyrics peppered with colorful Spanish ad-libs.
"I think it’s doing great," Blanco said of Latino hip-hop, "I just feel as though there’s no artists that perform in English and that are killing it with the Spanish ad-libs. I feel like I’m bringing that to the game. I’m just trying to bring something new to the Spanish culture."
Valentines, Funny & Otherwise: The Derrick Benford Quartet will provide the soundtrack February 14 at AADL
Derrick Benford is a piano wiz who knows a thing or two about jazz. He’s been playing in the Michigan jazz scene for a while now, and this Detroit native has been involved with many groups and artists; lately, he’s been a member of the Gene Dunlap Band.
He’s also a Spirit of Detroit Award winner and has traveled across the U.S., U.K., and Asia working alongside the likes of George Clinton, Marcus Belgrave, and his brother Vassal Benford, among many others in the international jazz scene.
For his latest endeavor, the Derrick Benford Quartet, the pianist meshes jazz, hip-hop, R&B, and gospel into their own funky sound.
The quartet will be performing at AADL’s downtown library on Valentine's Day for a special show dedicated to love in all forms. I spoke to Derrick Benford about many things including his piano background, concerts at the library, his international experiences, and more.
Telephon9 is from the birthplace of techno, which the Detroit trio blends with pop/EDM and house to create upbeat music that's full of pulsating energy.
Founder Chris Call, Jair Alexander, and Adari “BaseMODE” Perkins count Black Eyed Peas, Daft Punk, Calvin Harris, and Outkast among their influences, and all the members contribute writing, production, and vocals to Telephon9's infectious sound: when their music starts, you’re ready to dance.
Telephon9 will perform at AADL's downtown branch on Friday, February 8 at 7 pm in concert as a part of the library’s Black History Month programming. We spoke with the group about their journey from acting to music, the Ann Arbor music scene, their upcoming studio release, and more.
You might not know Sam Martin at the moment, but at the rate he's going, you will soon.
This young poet and speaker has a bright future ahead of him and he’s only getting started. I first met the young star during an event at AADL last summer in which he was an attendee. He had an eager spirit and later I was introduced to his speaking videos on YouTube. Most notably, he has done two TEDx Talks through an opportunity at Ann Arbor’s own Skyline High School. Both of these videos have together racked up thousands of views.
These days, Martin attends Washtenaw Community College and is passionate about spoken-word poetry, entrepreneurship, and sharing his thoughts and views on the world at large. He also enjoys writing and performing poetry at Neutral Zone.
Martin and several other young adult performers from Neutral Zone will present a live showcase on February 5 at AADL entitled “I Am Making History” where they will discuss their current contributions to society and black culture for Black History Month. I had an opportunity to speak with Martin regarding his TEDx Talks, his favorite black cultural figure, his inspiration behind speeches, and more.
On November 28, veteran jazz trumpeter Wynton Marsalis brought the warm winter spirit to Ann Arbor's Hill Auditorium, courtesy of UMS. Marsalis came along with the delightful Jazz at Lincoln Center Orchestra and they played tunes of the season. It was the opening night for their Big Band Holidays Tour and the house was full.
The music at Hill took on several moods, from contemplative to stirring, with Marsalis introducing each song with commentary, then mostly guiding the band from the back row while also playing with them there. The opener, "Jingle Bells," set the tone for the night and Marsalis played a remarkable solo, his fingers moving quickly as he showcased the instrument's upper range.