Since its inception in April 2008, fans of vinyl LPs have flocked to their favorite independent shops for the event known as Record Store Day. Created to promote patronage among local music sellers, Record Store Day has grown immensely over the last decade.
In 2017, AADL got in on the action and began hosting a pop-up record fair at the downtown library. Located in walking distance from Ann Arbor’s three record shops -- Wazoo Records, Encore Records, and Underground Sounds -- AADL aimed to provide vinyl enthusiasts another place to dig through crates, mingle with other music fans, and take a look at the growing collection of LPs available for checkout at the library.
If you missed us this year, be sure to keep an eye out for our 2020 Record Store Day next April. And if you’re clamoring for more music, be sure to check out AADL's collection of vinyl and CDs, as well as the Ann Arbor Music & Performance Server (AAMPS), where you can download local music offerings.
This year’s event at AADL saw 16 independent vendors cover more than 700 square feet of table space with their sonic wares and the volume and variety did not disappoint any enthusiastic attendees. Local DJ Aaron Batzdorfer spun tunes all afternoon, minus a brief respite where his son Porter stepped in on the wheels of steel. In the library’s Secret Lab, patrons exercised their imaginations and created their own LP album art -- many of which are posted below.
Jessica Care Moore and Ursula Rucker are rockstars.
Google that shit.
On December 11 at the University of Michigan’s Trotter Multicultural Center in conjunction with the Department of Afroamerican and African Studies hosted Jessica Care Moore and Ursula Rucker for an hour-long discussion titled "Herstory: Hip Hop and Poetry."
Moore, a Detroit native, is most noted for her five straight victories at the "Showtime at the Apollo” competition as well as her publishing company Black Moore Press and her numerous books of poetry.
Rucker, who hails from Philadelphia, has released six albums of her poetry and has collaborated with many well-known hip-hop acts including fellow Philadelphians the Roots.
On Tuesday the women were resplendent. Moore sported a high-crowned red fedora and a colorful denim jacket adorned with an image of the late Ntozake Shange (Google that shit). Rucker had her hair pulled back and her face framed with black cats-eye glasses. Both women were performance-ready and engaged the audience with their own poetry and, perhaps most importantly, historical perspective.
In June 1990, newly freed political prisoner Nelson Mandela made his way to the United States and eventually to Detroit. Mandela toured the Ford Rouge Plant and UAW President Owen Bieber made him an honorary lifetime member of the union -- experiences and honors that are uniquely Detroit. Mandela’s visit culminated in him addressing a standing room only crowd at Tiger Stadium. But before Mandela spoke, two local rappers, Kaos and Mystro, took the stage and performed in front of the 49,000 people in attendance.
For many in Detroit’s hip-hop community, including Khary Frazier, this was a seminal moment in the development of the D’s niche hip-hop scene.
It was stories like this that dotted the December 4 conversation between Khary Frazier, Jamall Bufford, and Sterling Toles on the U of M campus. The three gathered this past Tuesday in the Dana Building to discuss the "History and Future of Detroit Hip Hop" -- a scene that all the panel participants have had a hand in shaping.