Despite life’s obstacles, Jo Serrapere sees the beauty in herself and the world around her.

The Dearborn singer-songwriter shares that hopeful mindset on her latest double album, The Beautiful Ones, Volume I and Volume II.

“The whole record is about beauty and about seeing beauty through light and dark and the good times and the bad times. It’s most fulfilling to write from a personal [perspective] and try to help people,” said Serrapere, who’s a clinical psychologist and U-M alumna.

“It’s [also] coming to that realization of where I want my music to go. I could just sing in my bedroom and that would be fine … but the whole point is to try to touch other people in the process.”

Serrapere includes 22 tracks that explore her emotional struggles and the growth she’s experienced along the way. Those personal reflections also prompted her to take a more autobiographical approach to songwriting for the album.

“I joke that I’m at an age where I’m going to write my autobiography,” Serrapere said. “I wanted a personal record and all these songs fit in that genre.”

An empowering quote from Bell Hooks is printed in a black serif typeface on a brown handbill-size poster card.

The statement from the late author reads, “If we give our children sound self-love, they will be able to deal with whatever life puts before them.”

That motivational proclamation is one of numerous type-driven messages hand-printed on 3,000 vibrant 8-inch-by-6-inch poster cards by Amos Paul Kennedy Jr.

The Detroit printmaker’s renowned letterpress work is featured as part of Random Thoughts on Poster Cards, an exhibit running at Eastern Michigan University through December 14.

“People give me quotes, I read things, and then I just compile a list. And depending on the mood I’m in, I print what I want to,” said Kennedy alongside fellow letterpress printer Gerald Schulze during the exhibit’s November 7 opening reception at EMU’s University Gallery.

“It’s just a matter of someone telling me something, and I’ll say, ‘Oh yeah, that would make a good poster,’ or I’ll read something and think, ‘That would make a good card,’ and then I just print them.”

Whether it’s a picture book, a poetry collection, or a fantasy novel, Fifth Avenue Press is ready to share a compelling array of new releases from local authors.

The Ann Arbor District Library’s imprint is launching nine new publications across several genres during a November 3 book-release reception at the Downtown location.

As part of A2 Community Bookfest, the Fifth Avenue Press reception will include author readings and meet-and-greets along with opportunities to purchase books and get them signed by the authors.

Started in 2017, Fifth Avenue Press assists local authors with creating print-ready books at no cost and ensures they retain all of their rights.

As part of that partnership, the library distributes ebooks of the authors’ works to patrons without paying royalties. The authors also can sell their books in various formats and keep all of the proceeds.

This story originally ran September 28, 2022. We're republishing it because Mercury Salad is performing on Friday, October 25, 9 pm at the Ann Arbor District Library, 343 South Fifth Avenue.

Brooke Ratliff says she’s no good at writing traditional love songs because “they’re either really mushy, or they’re really sad”—so she doesn’t even try on Volume 3, Mercury Salad’s latest EP.

Instead, the Ypsilanti folk-rock trio of Ratliff (vocals, guitar, percussion), Kurt Bonnell (guitar, harmonica), and Kyle Kipp (bass) explores the uncertainties of a promising relationship on “Best Guess,” the EP’s spirited opener.

“To me, this song could go either way. It could be that it’s unexpected, or it could be that the person is being overly optimistic,” said Ratliff with a laugh. “I wanted to do something sweet-natured and slightly romantic, but I couldn’t go all the way there. That’s why it’s my ‘Best Guess’ this is gonna work out great.”

The hip-hop collective The Dirty Ol’ Men unexpectedly lost three members in 2021.

“Fourteen of us met in Memphis in 2021 and eight got COVID,” said Rod Wallace, an Eastern Michigan University alum and member of The Dirty Ol’ Men. “One of the variants was going around and we found out about it while we were preparing. The majority of us were vaccinated … but one of us—Blacmav [aka Mario Blocker]—passed away. Later that same year we lost two other members, Tasherre Risay and Chenika Bowens, who was also known as ThatBlessedGirl. One of our members, RTO Beats, had a heart transplant.”

The grieving remaining members channeled their emotions and experiences into writing and recording a cathartic album, Let Not Your Heart Be Troubled, during The Dirty Ol’ Men’s annual retreat two years later.

“It took a lot out of everybody,” Wallace said, “but we got back together in Charlotte, [North Carolina] in 2023. We created a bunch of music and I executive-produced and put the album together along with the producers.

“The music that we were making spoke specifically to the trauma that we had experienced in losing our friends. It wasn’t with complete intent to make an album that was about Black men and trauma, but it’s what came out of what we were creating.”

This story originally ran March 27, 2024. We're republishing it because Mark Jewett & The Strategic Advisors perform on Saturday, September 22, 6:30 pm at the Ann Arbor District Library, 343 South Fifth Avenue.

These days, Mark Jewett moves at warp speed.

The Plymouth singer-songwriter maintains a frantic daily pace on his latest single, “Too Fast.”

“It was more of a general feeling of being closed in and trapped and things just coming at me faster than I could deal with them,” said Jewett about the folk-pop track, which features a collaboration with Sav Madigan and Katie Larson of The Accidentals.

“One day, I just took a break at my desk, and I picked up my guitar. I started doing this chunking rhythm like you hear at the beginning of the song. I was drinking coffee, and I thought, ‘I need some energy,’ and the line just popped into my head.”

That initial opening lyric was “I’ve got a thousand watts of black coffee / Pumpin’ through my veins,” but Jewett upped the ante to “Two thousand watts of black coffee” instead.

“Kyle Rasche caught me between shows up at Nor-East’r last year when I was in the merch barn. He said, ‘Man, that’s a great line,’ and he thought I had said something about ‘8,000 watts,’ but it was originally, ‘I’ve got a thousand watts,’” said Jewett, a University of Michigan alumnus, who started writing the track last spring. “I thought maybe there was too much there, so starting it with 2,000 [watts] just punctuates it right at the beginning.”

Craig Walsh spotlights everyday people and their impactful contributions to society in Monuments, a large-scale, nighttime video installation. The Australian visual artist projects people’s portraits onto trees in public spaces to honor community heroes and create welcoming spaces.

“When I made this work the art—the trees—are looking at the audience, so there’s this reversal of the role of art,” said Walsh, who’s from Brisbane, Queensland, Australia.

“That work does take on different meanings to different people and quite often in different cultures and different places. That’s the beauty of touring this work—it’s always different in every location.”

Walsh is bringing his Monuments video installation to Ann Arbor’s Wheeler Park September 4-8 in partnership with Ann Arbor Summer Festival and the Ann Arbor District Library.

It's also receiving support from the University of Michigan Arts Initiative, Friends of the Ann Arbor District Library, and the Ladies Library Association. 

Monuments arrives during the city’s bicentennial year and celebrates the living history of four individuals who have served the community:

VAZUM didn’t expect a Western film to inspire the title of its latest album.

The Jackson duo of Zach Pliska (vocals, guitars, drums) and Emily Sturm (vocals, bass) stumbled upon the phrase “Western violence” while watching The Quick and the Dead.

“We had some of the songs fleshed out and usually we go with a ‘V’ in the name for our albums. We were watching [the 1995 film] by Sam Raimi and the rating was ‘R,’ and it said two words: ‘Western violence,’” said Sturm about the duo’s doomgaze album, Western Violence.

“We said, ‘Oh my god, that’s what we’re writing about,’ and it just summed it up. And then we said, ‘That’s what we’re living in … This is how our society expresses itself now.’”

On Western Violence, VAZUM reflects on the disintegration and disillusionment of our country and provides a social commentary on the personal, cultural, and political events that impact it.

It’s a bittersweet time in Brad Phillips’ life.

“My daughter Alyson is off to the University of North Carolina School of the Arts next month, and I’ve been weeping big dad tears on and off all summer,” said the Dexter singer-songwriter and multi-instrumentalist.

Alyson is a singer, and she’ll join her dad for a special show at The Ark on August 8 along with bandmates Chris DuPont, Drew De Four, Brennan Andes, Keith Billik, and Mike Shea.

Brad has also been busy as a lecturer at the University of Michigan, a resident artist at The Purple Rose Theatre Company, touring with actress and singer Patti LuPone, and featuring on her new album, A Life in Notes, playing violin, mandolin, guitar, octave mandolin, and U-bass.

“Patti is an icon and it’s no accident. She’s a legend for a reason and to be on stage with her in front of her adoring fans is electric,” Phillips said. “Summer has been both chaotic, emotional, and wonderful all at the same time! It’s been a big year around here.”

To learn more, I spoke with Phillips about his work and tour with Patti LuPone and his family’s artistic accomplishments.

After encountering heartbreak and grief, Moonwreckers understands the importance of feeling seen and validated.

The Metro Detroit-Ann Arbor quartet of Matt Galbraith (vocals, guitar), Matt Konkle (drums), Paul Stiem (guitar), and Jamus Sumner (bass, vocals) explores that emotional need and its evolution on the album, Why Look Here?.

“It certainly is autobiographical. At the time, I was married, and we were having issues, and we did eventually divorce. A lot of these songs were written around the time when I was in my early 30s, so shit hit the fan between us and we had been together since we were 18 years old,” said Galbraith about the band’s indie-rock-meets-emo debut release.

“I didn’t know what a world looked like without that, so I was very lost, and it was scary to me what life looked like outside of that relationship. There’s some coming-of-age stuff in there, too, but a lot of it has to do with that relationship, the struggles and the attempts of trying to reconcile things, and then failing and rinse and repeat."

Moonwreckers examines that trajectory across 12 personal tracks on Why Look Here?. The album’s honest lyrics, plaintive vocals, and evocative instrumentation prompt listeners to process their emotions and struggles alongside the band.