Bogle and Cutting/White Panther House, Luther Cooperative House, 1510 Hill St, Burns Park Neighborhood, October 20, 2020
Bogle and Cutting/White Panther House, Luther Cooperative House, 1510 Hill St, Burns Park Neighborhood, October 20, 2020
AADL Talks to Kathy Kelley
Kathy Kelly moved into the Hill Street houses when she was very young, but she recalls her life there as a member of the White Panther Party as a positive, life-changing personal experience and social experiment.
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AADL Talks To David Fenton
While he was in town during the 40th anniversary of the John Sinclair Freedom Rally, we had the chance to sit down and chat with David Fenton about his time in Ann Arbor during the late 1960s and early 1970s. During these years David lived at the Hill Street Commune, worked on the Ann Arbor Sun, and helped with the campaign to free John Sinclair.
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AADL Talks To Wayne Kramer
While he was in town for the 40th anniversary of the John Sinclair Freedom Rally, Wayne Kramer, lead guitarist and co-founder of the seminal Detroit/Ann Arbor band, MC5, sat down to talk with us. Wayne discusses the early years of the band and the influence of jazz, Sinclair, and Detroit culture on their music.
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AADL Talks To: Genie Parker
Genie Parker was the former "Minister of Foreign Affairs" for the White Panther Party, a leader in the Rainbow People's Party, and a candidate for the Human Rights Party in Ann Arbor's 3rd Ward in 1972.
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AADL Talks To: Leni Sinclair
In this interview, photographer and activist Leni Sinclair recalls the origins of the Detroit Artists Workshop and first Trans-Love commune in Detroit, and their strategic retreat to Ann Arbor following the Detroit Riots. She also talks about the groups' politicization as the White Panther Party and reflects on life at their Hill Street commune, including what led to its breakup in the mid 1970s.
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AADL Talks to Jack Stubbs
In this candid interview, Jack Stubbs, veteran Ann Arbor News photographer (1968-1996), paints a colorful portrait of the life of a newspaper photographer during the pre-digital era of journalism. He discusses tricks of his trade and recalls the creative ways he got the shot. Jack talks about the work of his fellow "shooters" during this period, and about some of the other News photographers he admired, notably Eck Stanger.
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