Pulp | Arts Around Ann Arbor

Northside Reunion at Island Park Draws 150 Persons

Parent Issue

Ann Arbor News, September 16, 1935

Day

16

Month

September

Year

1935

Copyright

Copyright Protected

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ARTS AROUND ANN ARBOR

UNPASTEURIZING THE ARTS

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MUSIC

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VISUAL ART

Bad Dreams Inside Good Dreams: Kyle Hunt's "What What Happened Led To" at 22 North mixes light and dark emotions

Picturing Surprise: Jeff Dunn plays a jazz photography solo at Argus Museum

So Much Larger Than Life: Meggie Ramm's winsome "Batcat: Cooking Contest!" graphic novel helps kids process big-time emotions

Dedicated Followers of Fashion: Gutman Gallery's "In Style" exhibit highlights wearable design

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Curiosity Knocks: "asses.masses" at Stamps Auditorium showed the power of building community

FILM & VIDEO

Ann Arbor-filmed comedy flick "Hometown Summer" premieres at the Michigan Theater

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Barbara Neri's "Unlocking Desire" film looks to a Tennessee Williams classic for inspiration

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The 63rd Ann Arbor Film Festival will show that de-evolution is real

THEATER & DANCE

Department of Veterinarian Affairs: Purple Rose Theatre's "Bert & Trixie Visit the Vet" uses actors as animals to grapple with what it means to live free

Spontaneous Learning: Extra Credit at hear.say brewing + theater offers improv and expertise

Surrealism on Stage: Theatre Nova's "Jorge Luis Borges Gives a Lecture on Anatomy" is a trippy ride

Racism, Resentment, Rumbles: Encore Theatre's "West Side Story" is a rare opportunity to see this American classic live, as the country wrestles with similar themes

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Teenage Kicks: The musical adaptation of "Spring Awakening" connects the past with the present at Ann Arbor Civic Theatre

WRITTEN WORD

Cute With a Touch of Goth: Ann Arbor artist Katie Cook discusses the third volume of her magic and fantasy comic "Nothing Special"

Separate Modes: U-M Professor Emeritus Nicholas Delbanco reflects on his life in “Still Life at Eighty” and compiles his short stories in “Reprise”

Marriage of Form and Content: Leigh Sugar complies with—and resists—rules for poetry and prison in “FREELAND”

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