Back in April, Saturday Looks Good to Me singer/songwriter/guitarist Fred Thomas was using some of his quarantine lockdown time to explore piles of cassettes he had featuring all manner of music from his various projects.

"I found this cassette that simply said 'Mar 11 2005' and was amazed to discover it was a show from one of Saturday's dreamier configurations during our peak touring times," Thomas wrote on the Bandcamp page featuring the live recording now titled March 11, 2005 • Champaign.

The "dreamier" Saturday sound on this tour -- compared to its more typically rollicking indie rock -- happened because Thomas didn't remember that drummer Steve Middlekauff couldn't come along for the tour until the night before. But rather than try to rope in a percussionist at the last minute, the group switched gears and adapted to the drummerless tour on the fly.

I had originally titled this post like I did the previous eight in this series: "New Washtenaw music in the time of quarantine."

That headline implied quarantine was for a limited period of time, but with the pandemic mishandled every step of the way by the federal government, there is no timeframe for the end of lockdown. <Insert 40,000-word diatribe>

The time of quarantine is now and for the foreseeable future.

It's how we have to live in order to stay alive.

Artists are resilient and they create because they have to, no matter the circumstances. So, this post is highlighting new music made by or released by Washtenaw County artists and labels -- the same as they did during normal times. Because our current time is our normal time even if it doesn't look like it did in the past.

Shoutout to the creators persevering through this mess.

Michigan natives Chris Erickson and Hadley Robinson have been friends since birth.

“Before birth, actually," Erickson says. "Our dads grew up together, our grandmothers went to college together and they lived on the same street in Midland.”

The two stayed in touch through adulthood as each became artists in different ways.

Robinson is a video producer based in Brooklyn: “My background is in journalism, I used to be a newspaper writer. I’ve worked in video full time for the past five years while dabbling in audio, which has been helpful with this endeavor.”

Erickson teaches in the IB program at Huron High School where he also serves as the creative activity service coordinator, guiding students to find and pursue their creative interests. 

Late winter and early spring is usually a busy time for the University of Michigan's School of Music, Theatre & Dance (SMTD). Students have started working on their final projects, music performances fill the auditoriums of the Earl V. Moore Building, and theater and dance events abound. 

But since the coronavirus pandemic shut down all activity, the SMTD started engaging its audience by offering livestreams of discussions, archived performances, and even yoga classes.

My favorite SMTD offerings are the faculty-compiled mixtapes on Spotify.

The coronavirus has forced clubs and restaurants to figure out ways to survive under duress. Some places struggled and have gone out of business; other places have figured out how to make their businesses work in a reduced capacity.

But almost from the start of the pandemic, Ann Arbor's Blue LLama Jazz Club has navigated the situation with confidence and creativity.

Blue LLama started coping with the new normal by streaming archived concerts from the club -- all performances there are recorded -- and moved into curbside delivery, new live performances streamed from the empty club, and offering free meals to laid-off workers in the community. As Michigan entered Phase 4 in the reopening plan, Blue LLama resumed serving food and having concerts in the club, but it has continued to live stream shows and offering contactless food pickup for those who aren't yet comfortable with hanging out inside with others. (*This writer raises his hand and touches the sun to make it clear he is not ready to be anywhere in public right now.*)

The latest Blue LLama community outreach project during the pandemic is a benefit concert for the Jim Toy Community Center as part of Pride Month.

Ann Arbor singer-songwriter Dani Darling and her bandmates were recording a new EP in a studio when the Covid-19 stay-at-home order began. The Reverie EP is still on track for release this summer, but the first single, "S+M," features Darling solo.

"I found myself with those sessions and more to say, so I went back to doing my bedroom pop, late-night studio sessions," Darling said. "The beat is by a London producer GC Beats. Really just sounded like Dani when I heard it."

"S+M" features jazzy guitar chords over a slow-groove R&B beat with Darling's ethereal voice floating over the mix. She sings playful puns to tell her tale about what it feels like to be a musician in lockdown.

"'S+M' is a snapshot of my experience during the stay-at-home order -- my music career on hold indefinitely, feeling social media shift from a strength to something sinister," Darling said. "If felt like a scramble for the airwaves, like either you shut down and take time for yourself or you dive right in and try to make a wave, make a difference. I wanted to do that because I don't think of my music as purely entertainment -- it's a way to connect and healing is a big theme in this project. So I wanted to make an impact, but it started to feel like an unhealthy relationship. Sometimes you go online and you know you shouldn't; sometimes you go look at someone's [social] media knowing it will hurt and do it anyway. Sometimes people form an unhealthy relationship to you as fans."

The Ghostly record label -- founded in Ann Arbor and based in New York City -- and Cartoon Network's Adult Swim have a long history of curating compilations and releasing exclusive singles dating back to 2009, and the past seven months have brought us three new collaborations.

The Ghostly Swim 3 comp came out digitally in December 2019, but the vinyl isn't expected to ship until July 2020. It features 14 tracks, including "Ikat" by X-Altera (the drum 'n' bass handle for Ann Arbor producer Tadd Mullinex) and "onesix-four" by Superstructure (Ypsilanti's Todd Osborn).

A brand new Ghostly digital-only mix came out via Adult Swim this month as part of the Stimulus Swim project, which was created to support musicians who were supposed to be touring now but can't because of Covid-19. The comp features unreleased cuts and selections from Ghostly's catalog. The sampler points fans toward the artists' Bandcamp pages so they can buy the music, with all funds going to the musicians.

A new 48-minute documentary, Your Friend Andrew W.K., hit YouTube on June 13. It doesn't appear that Italian filmmaker Flavio De Feo interviewed W.K. for the film; instead, he uses clips from other interviews -- from MTV and Vice to Larry King and Glenn Beck -- to tell the story of the Community High grad who's known for three things: uplifting pop-metal music, motivational speaking, and partying hard (in a positive way).

The film is stylized -- with flashy edits and images overlaid as W.K. speaks -- and entertaining, but if you know a little bit about W.K.'s story, there won't be any revelations. And, yes, they do go into the whole "Steev Mike" thing that started in November 2004. It was claimed in various anonymous blogs and even in an alleged hack of W.K.'s site that he was, in fact, merely one of several actors playing the Andrew W.K. character, which was created by a group of creative individuals known as Steev Mike.

The breakup of The Stooges' original lineup is always pinned one person and one event: bassist Dave Alexander was fired from the band after he showed up at Michigan's Goose Lake Festival in Jackson County too drunk to play.

But a newly discovered soundboard recording of The Stooges' concert shows that Alexander not only held down the low end for the entire show, he mostly played just fine, including the band's full performance of the Fun House album, which came out almost exactly a month before.

Third Man Records is going to release The Stooges' Live at Goose Lake: August 8th, 1970 album on August 7, and preorders are open now.

The label states that the 1/4” stereo two-track soundboard tape of the show was found "buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era." It could be more Jack White & Co. mythmaking, but it's certainly possible. I've heard rumors of master tapes and other "analog artifacts" by the likes of Blackfoot and Brownsville Station in the basement of 312 S. Ashley, which was the former location of the recording studio under Nalli’s Music Store. (The current tenant is Ann Arbor Music Center.)

You can hear the radio edit of "T.V. Eye" from Live at Goose Lake above, and below is some rare footage from the concert featuring The Stooges performing "1970."

Chien-An Yuan's art -- be it music, photography, or design -- immerses your eyes and ears in a world that feels at once orderly and hazy, referential and singular, dark and light. Contrasts are this Ann Arbor artist's forté.

Yuan also runs the 1473 label, which is filled with deep-listening tones that can fill a room with a strange and beautiful ambiance, but most of the music works even better with over-the-ear headphones so you can immerse your brain in mind-expanding sound-art.

1473 has released 15 records so far -- including Yuan's Teeth Marks on the Everett, which features five piano improvisations run through effects and then reassembled in post-production. You can find more of Yuan's music, DJ mixes, photography, design, and his multimedia collaboration IS/LANDS (which was performed at AADL last year) on his website, chienanyuan.com.

We talked to Yuan about his work and his track recommendations for diving into 1473's world of sound.