But in June 2017, Simcock played Kerrytown Concert House solo, which he'll do again on March 3.
I interviewed the pianist then and asked him how his playing changes when performing solo versus with a band:
The local indie folk-rock band Little Traps brings sharp musicianship, an off-center outlook, and a distinctive sound with a banjo leading the way. Released late last year, their first full-length album, Can’t Count, is a welcome showcase of their work.
The band charms listeners with its warm, inviting sound, but underneath lies a somewhat more complex tone. “Uncertainty, ambivalence, and second-guessing are the bread and butter of my lyrics,” singer-songwriter-guitarist Nick Bertsos says.
In addition to Bertsos, the core band consists of singer-banjoist Annie Palmer and guitarist/pedal steel player Thomas Green. At various times other musicians help fill out the sound; on Can’t Count, Howard White plays bass and keyboards, while Ali Snyder plays drums. On New Tricks, a recently released EP of cover songs, Jessiah Hall is the drummer.
Bertsos answered a few questions recently via email:
John Coltrane on the saxophone.
Eddie Van Halen on the guitar.
Link on the ocarina.
These are giants of their instruments.
Comprised of accomplished jazz and experimental artists Kirsten Carey (guitar), Andrew Hintzen (keyboard), Neal Anderson (EWI / trumpet), Jon Hammonds (bass), and Jonathan Taylor (drums), The Seven Sages make their debut at Ziggy's in Ypsilanti on February 21 -- the 33rd anniversary of the first Legend of Zelda game being released.
Carey and Hammonds answered some questions in an email interview about how The Seven Sages materialized, which Zelda songs the band will play, and their favorite tunes from the games. The queries were posed by myself and Eli Neiburger, who is deputy director of the Ann Arbor District Library and a member of the Nintendoland Family Band.
Valentines, Funny & Otherwise: The Derrick Benford Quartet will provide the soundtrack February 14 at AADL
Derrick Benford is a piano wiz who knows a thing or two about jazz. He’s been playing in the Michigan jazz scene for a while now, and this Detroit native has been involved with many groups and artists; lately, he’s been a member of the Gene Dunlap Band.
He’s also a Spirit of Detroit Award winner and has traveled across the U.S., U.K., and Asia working alongside the likes of George Clinton, Marcus Belgrave, and his brother Vassal Benford, among many others in the international jazz scene.
For his latest endeavor, the Derrick Benford Quartet, the pianist meshes jazz, hip-hop, R&B, and gospel into their own funky sound.
The quartet will be performing at AADL’s downtown library on Valentine's Day for a special show dedicated to love in all forms. I spoke to Derrick Benford about many things including his piano background, concerts at the library, his international experiences, and more.
In "The Heart Sutra," one of Buddhism's most famous texts, there's a line that's often translated as "form is emptiness and the very emptiness is form."
I don't know if this particular sutra informed Robert Spalding Newcomb's structured improvisation "Dance of the Heart," but this long-form piece revels in the sort of free-flowing ambiance that feels simultaneously disembodied and corporeal. The music is an ode to freedom and that freedom helps shape the music's form.
Newcomb is a polymath -- computer expert, software developer, yoga teacher, stringed-instrument virtuoso (guitar, sitar) -- who combines all his talents to create modern music that's rooted in ancient traditions. "Dance of the Heart" is a reflection of that unique skillset, combining electronic percussion, synths, and effects-laden guitar.
"Dance of the Heart" premiered March 13, 2018, at the Riverside Arts Center in Ypsilanti -- you can watch the high-quality video here -- with Newcomb (guitar, sitar, laptop), Ken Kozora (electronic and acoustic percussion, iPad, trumpet), and Erik Gottesman (analog synthesizers, bio-sensors with EEG/shortwave/Theremin-style gesture proximity and ribbon controllers). The trio is reuniting at Riverside Arts for another performance of "Dance of the Heart" on
Newcomb explained the concept behind "Dance of the Heart" in an email interview:
Jimi Hendrix's Experience: Jas Obrecht's "Stone Free" goes deep into the guitar great's transformative 10 months in London
The life of guitar legend Jimi Hendrix has been explored in numerous biographies and documentaries, so you could be forgiven for being skeptical as to why the world needs another book about the man widely considered to be the greatest guitarist of all time and a major influence on the sound of rock music. Jas Obrecht's new offering on the subject, however, takes a much closer look at a specific period in the life of Hendrix.
Stone Free: Jimi Hendrix in London, September 1966-June 1967 is a detailed, day by day look into the guitar great's arrival in England and his rapid rise from obscurity to fame. Obrecht's book puts into perspective just how quickly and completely Hendrix revolutionized pop music. The supporting cast is a who's who of British rock icons including The Beatles, The Rolling Stones, The Who, The Animals, and many others. I had the pleasure of sitting down for an interview with the author, who has written nearly 200 cover stories for Guitar Player and other music magazines as well as a number of books on blues and rock.
Obrecht will be reading from his new book on Thursday, February 14, 7 pm, at Literati Bookstore in Ann Arbor. Below is the conversation we had, slightly edited for flow.
Telephon9 is from the birthplace of techno, which the Detroit trio blends with pop/EDM and house to create upbeat music that's full of pulsating energy.
Founder Chris Call, Jair Alexander, and Adari “BaseMODE” Perkins count Black Eyed Peas, Daft Punk, Calvin Harris, and Outkast among their influences, and all the members contribute writing, production, and vocals to Telephon9's infectious sound: when their music starts, you’re ready to dance.
Telephon9 will perform at AADL's downtown branch on Friday, February 8 at 7 pm in concert as a part of the library’s Black History Month programming. We spoke with the group about their journey from acting to music, the Ann Arbor music scene, their upcoming studio release, and more.
University of Michigan's Ellen Rowe is the world's first female chair of a major university jazz department, and last year she was one of four faculty members to be honored as an Arthur F. Thurnau Professor. Interim Dean Melody Racine said Rowe engaged in “concrete and repeated steps to build a sense of teamwork, mutual support, and collegiality within the department."
That desire to cross bridges and engage with people extends to Rowe's music, too, and is particularly evident on the pianist's new album, Momentum: Portraits of Women in Motion.
Recorded at the U-M studio in the Duderstadt building, each of Momentum's eight compositions is dedicated to a woman or women who have influenced Rowe.
"What was fun was to pick women that really mattered to me and who had made a difference in my life from the time I was 8 or 9 up til now and write music for them," Rowe said in a video interview about Momentum.
"Some of the readings I was doing about race and social justice, I just came across really incredible women that I had no idea about, who started NAACP chapters, they started schools, they started colleges, they had been at the forefronts of the civil rights marches, and yet we don't hear about them," she said. "Women like Fannie Lou Hamer, Amelia Boynton, Septima Clark, Mary McLeod Bethune, and I just thought, 'Where are these women?' We need to know about these women -- I need to know about these women. And certainly, young women -- and part of this project, of course, involves mentoring -- I want to be able to talk about these women when I go out and play this music."