60th Ann Arbor Film Festival: "Lydia Lunch: The War Is Never Over" is a revealing look at a confrontational avant-garde icon
The title of director Beth B's film Lydia Lunch: The War Is Never Over derives from an archival performance clip in which Lunch, a confrontational New York City no-wave musician, performance artist, and icon, dissects the endless masculine predilection toward war. "You want to go on a suicide mission? Go on a suicide mission," Lunch says. "One man, one bomb, and leave the innocent women, the innocent children, and the innocent male civilians out of it. It's not my war."
But the title takes on greater significance as B and Lunch delve deeper into a very different kind of never-ending battle: Lunch's efforts to grapple with her childhood sexual abuse and resulting trauma. They take their time getting there, ping-ponging in a free-associative format between topics including Lunch's various musical projects, activism, and use of sex as a weapon and instrument of subversion.
Now 62, Lunch is as much a force of nature as ever, rattling off poetic, angry, profane, and blackly funny rants with unfettered savagery directed toward the patriarchy and other institutions of oppression. "Lydia is a fuckin' doctor," musician Carla Bozulich says in one of the film's many interviews with Lunch's kindred artistic spirits. "Her kind of medicine is just a punch in the fuckin' face."
Stefan Pavlovic’s Looking for Horses begins in a deep mist and heavy clouds. The image, shot with a hand-held camera, shifts wildly, moving from choppy lake waters to a menacing sky of black clouds.
This sets the tone for a film about a rich, emotional friendship between the young filmmaker Pavlovic and a reclusive Bosnian fisherman.
Pavlovic is a filmmaker based in Amsterdam. He returned to his family’s native home of Bosnia where he met the fisherman, Zdravko, who has been living alone on a small island for 18 years. He rarely goes into the nearby town of Orah. He has set up living space in an abandoned chapel over the last five years, having lived in small shacks around the island.
Zdravko was a soldier in the Bosnian war. He lost his hearing. Later he lost sight in one eye in an accident. His face is deeply wrinkled. He smokes cigarette after cigarette. He’s gruff but welcomes the attention of the young filmmaker, touched by the idea that he would be a worthy topic for a documentary.
60th Ann Arbor Film Festival: Japanese documentary "Shari" is an empathetic, dreamlike look at a changing planet
The subject of Japanese director Nao Yoshigai's Shari creeps up on you as unexpectedly as the hulking, crimson, woolly creature that shambles through the film in a series of dreamlike interludes. The film focuses on the Japanese town of Shari in 2020, and at first seems to be a series of well-observed vignettes chronicling the lives of its residents. But as we meet the townspeople—a baker, a fisherman, an eccentric art collector—they all return to a common topic: the tension between human life and the natural world. Shari's residents discuss feeling drawn in by their town's natural beauty, but they also describe a delicate push-pull between conservation, tourism, and industry. One resident offers the metaphor that Shari's natural resources are a principal upon which people should collect interest, rather than squandering the initial investment.
Shari's residents are also all preoccupied in different ways by the same anxiety: the town has experienced its lightest snowfall in 40 years. There are fewer fish in the ocean, plant growth is stunted, bears are skipping hibernation because they can still find food, and the townspeople have an overall sense of unease.
Things are not as they should be.
The short documentaries "Boogie Woogie Express" and "Mr. B's Joybox Express" showcase Michigan piano titans
On the surface, Boogie Woogie Express is a short film about piano player Bob Seeley, who was born in Detroit in 1928. But at 11-minutes long, there's not a ton of room for biography in this movie by Ypsilanti filmmaker Donald Harrison of 7CylindersStudio—yet it's the perfect amount of time for a quick and fun primer on the art of boogie-woogie piano. It's especially interesting to hear and see how boogie-woogie evolved into rock 'n' roll, with Seeley demonstrating the rhythmic differences between the two styles.
Shot in 16mm black and white film, Boogie Woogie Express premiered in 2007 at the Detroit Docs International Film Festival and on YouTube on February 1, 2022.
Because boogie-woogie piano is a niche community, it's no surprise that Seeley has performed with Ann Arbor's Mark "Mr. B" Braun on numerous occasions; the twosome even made a concert film together in 2009 called Back to Back Live. Both were heavily influenced by boogie-woogie giant Meade Lux Lewis and the duo covered his "Honky Tonk Train Blues" in the concert film.
Boogie Woogie Express is embedded below, along with a couple of videos of Seely and Braun performing together on a single piano—back to back, cheek to cheek—and Mr. B's Joybox Express, a 15-minute documentary from 2017 on Mr. B.
Talk, Talk, Talk: Zach Damon's "Ann Arbor Tonight" puts a local spin on the late-night TV chat format
At age 6, Zach Damon discovered his love of public speaking.
The future Ann Arbor Tonight host-producer was an ambassador for March of Dimes and spoke at different events in the early ‘90s, including the National Athletic Awards at Detroit’s Fox Theatre.
“I remember being in the audience because it was a pre-taped show and seeing the great energy and the great camaraderie of the business in general,” said Damon, who was born with cerebral palsy and grew up in Ann Arbor. “Everyone was so encouraging, and they’d say, ‘Zach, you can do anything you want to do, and if you want to work in media one day, then you can do that.’”
Damon also became inspired watching TV sportscaster Greg Gumbel and author-journalist Mitch Albom serve as hosts of the awards show. In that moment, he found his purpose.
“I remember seeing one of the broadcasters on stage doing his thing, getting the cues during the show, and then presenting," he said. "I remember at one point looking at the stage and saying to myself as a 5 or 6-year-old … I’d really like to be that person … and that’s where I felt most comfortable.”
Damon carried that dream with him throughout his teen years. By his junior year at Ann Arbor’s Pioneer High School, he aspired to host a late-night talk show.
“I was talking to some buddies of mine who were in the film and video club, and I said, ‘It would be really neat to have a late-night show in Ann Arbor and call it Ann Arbor Tonight,” said Damon, who’s inspired by The Tonight Show and Saturday Night Live. “I was sitting on my bed, and they were like, ‘Yeah, whatever, Zach.’ I always have these very big ideas, but I really felt that they were possible if you just put the action toward it.”
This is the fifth year we've compiled Ann Arbor District Library staff picks, featuring tons of recommendations for books, films, TV shows, video games, websites, apps, and more.
The picks are always an epic compilation of good taste, and last year's post was more than 35,000 words—incinerating phone data plans and overheating computers as the massive page loaded.
In a sincere effort to keep your electronics from catching fire, we've split up the hundreds of selections into four categories:
And since we've saved your phones and laptops from the flames, tell us what you enjoyed this past year in the comments section below—doesn't need to be something that came out in 2021, just some kind of art, culture, or entertainment that you experienced over the prior 12 months.
Ostensibly, the "Claim Your Space" promo video was made to highlight the University of Michigan Museum of Art's extending its Thursday through Sunday hours starting Sept. 7 and a new effort to attract people to the building.
But the video isn't just an ad for UMMA; it's a work of art that stands by itself and shows off the immense creative talent of the U-M students who made it.
[This story was originally published on December 9, 2020. The entire first season is out now on YouTube and the show is having a concert at The Blind Pig on Saturday, September 11 featuring everyone who has appeared in the series so far: Dani Darling, Pariis Noel, D. Vaughn the Illest, Mirror Monster, KI5, and host Nadim Azzam.]
Artists performing songs being driven around in a car by a congenial host. Sound familiar?
But Whip Jams isn't Carpool Karaoke.
Host Nadim Azzam doesn't fuss around with wacky comedy. He gets right to the point with his guests, reciting a short bio, picking the musician up in his car, letting them perform, and concluding with a brief interview.
The first episode of this YouTube show clocks in at 4 minutes, 57 seconds. A quick ride indeed.
In the Whip Jams debut on December 9, Ann Arbor's Ki5 performs a song in Azzam's vehicle by sampling his voice with the Boss RC-505 Loopstation sitting in his lap. That kind of compact setup works fine for him, but some future episodes will feature artists holding acoustic instruments—might get a little cozy in Azzam's Honda Civic.
Like 60-degree days in March, the 59th Ann Arbor Film Festival snuck up on us this year and we didn't get a chance to screen any of the movies before the event launches Tuesday, March 23.
But here all the pertinent details to get you started on this year's edition: