Tony Conrad: Completely in the Present
Feature in Competition | Music
For a man who was a paragon for expanding the paradigms of what constitutes art, music, and film, the subject of Tyler Hubby’s documentary Tony Conrad: Completely in the Present looks like any other rumpled khakis-and-button-down-shirt-wearing older professor. But when Conrad opens his mouth and the words begin to tumble out, his flowing imagination, sense of mischief, and singular view of the world make him anything but a tenured bore.
After graduating with a degree in mathematics from Harvard in 1962 and working as a computer programmer for a year, Conrad spent the rest of his life rebelling against anything as structured as those disciplines.
“He’s definitely got issues with authority,” says Tony Oursler, an artist and frequent Conrad collaborator.
"Post-Internet and the Moving Image"
New Media "> Shorts Program
"Film was the medium of the 20th century," video artist Jaakko Pallasvuo somberly intones in voiceover in his short video Bergman. "Film is radio. Film is painting. Film is a drawing on sand, about to be swept away by the ocean."
The descriptor "video artist" is used pointedly here, rather than "filmmaker," because Pallasvuo makes that distinction quite clearly himself in Bergman. Pallasvuo's short essay on the great director Ingmar Bergman juxtaposes brief clips of Bergman's films with recognizable icons of the internet age, like the Gmail and PayPal logos. Pallasvuo drily asks: "Do all video artists fantasize about becoming directors? It's a fantasy about traveling in time."
In Andrew Rosinski's curated program "Post-Internet and the Moving Image," Bergman is just one of 13 offerings that are ostensibly short films but assert themselves as something other in their embrace of technology. Rosinski characterizes the program as an attempt to define the nascent genre of "post-internet cinema," noting that most of his selections were created to be viewed online, not in a movie theater.
Socrates of Kamchatka
Political | Amazing Stories | World Premiere
The first thing that strikes you as you enter the world of Socrates of Kamchatka is that your experience is being intermediated by the whimsical soliloquy of its titular world-weary horse. This gives the film a fable-like sheen and makes the central dramatic arc -- a rural community’s struggle to adapt to unceasing waves of national economic and political change -- at once both familiar and strange.
Socrates is no mincer of words, and he tells his story with deft aplomb, fully realizing the benefits of his equine perspective on human happenings and behavior. “Mother always bit my thighs for asking questions,” our narrator confides, before adding, “But then why name me Socrates?”
The Pink Egg
Features in Competition | Totally Out There | Classic AAFF
If you're going to make a film that fits the aesthetic of the Ann Arbor Film Festival, Luis Bunuel makes for a near-perfect starting point. Director Jim Trainor begins The Pink Egg with a quote from the celebrated surrealist: "You can find all of Shakespeare and De Sade in the lives of insects." That sentence offers a pithy declaration of artistic intent, and Trainor follows through, offering viewers a one-of-a-kind evocation of the animal world.
Employing boldly minimalistic and colorful sets that could double for an unhinged, low-budget children's program, Trainor casts humans clad in long-sleeved, hooded unitards to act out the mating rituals, lifecycles, and surprisingly human experiences of various wasps, bees, and insects. Alternately humorous, tragic, and inspiring, The Pink Egg remains a defiantly uncommercial picture due to the lack of dialogue, and the seemingly bizarre actions of the nameless characters. You may find yourself asking why some of the female characters paint pink and blue tubes with lotion, meant to represent seminal fluid, and why those tubes suddenly change color.
"Short Films in Competition 8: Almost All Ages (Ages 6+)
Shorts Program | All Ages
March 25, 11:00am | Michigan Theater Main Auditorium
Cranky Shows: Low-Tech, High Entertainment Paper Theatre
Off the Screen! | All Ages
March 25, 1:00pm | North Quad Space 2435
Short Films in Competition 7: Animation
Shorts Program | New Media | Animation
March 24, 9:30 pm | Michigan Theater Main Auditorium
The 55th Ann Arbor Film Festival gets underway Tuesday, March 21, and as artists and film lovers from around the globe prepare to descend upon the Michigan Theater for six days of mind-expanding cinema, Executive Director Leslie Raymond is on a mission to take the country's longest-running avant-garde and experimental film festival back to its all-inclusive roots.
Founded by George Manupelli in 1963, the AAFF has seen its share of shake-ups over the course of the past decade. From the AAFF v. State of Michigan lawsuit that resulted in part from the controversy that erupted over Crispin Glover's award-winning 2005 feature What Is It? to the departure of Program Director David Dinnell last year, Raymond no-doubt had her work cut out for her when she stepped into this pivotal role.
Fortunately for filmmakers and audiences alike, Raymond was no stranger to either the festival or Manupelli's original vision for it as a place where all voices and perspectives are celebrated. Twenty-five years ago, Raymond began her decades-long relationship with the AAFF as an intern under Program Director Vicki Honeyman, whose enduring 14-year run with the festival was longest anyone has served in such capacity other than the founder.
To take the reigns of a festival as celebrated and prestigious as the AAFF requires genuine dedication, and as anyone familiar with Raymond's impassioned 2009 blog post lamenting the "specialized, themed-programming" that had become a primary focus of the festival during that era, there was little question as to where her loyalties lied.
Flash forward eight years, and Raymond is now in the unique position of being able to turn those criticisms into concrete action. Raymond's deep respect for Manupelli's original vision is evident when listening to her speak about her late friend and the festival he conceived, and together with new Associate Director of Programs Katie McGowan, the executive director is on a mission to steer this ship back on course.
With Ann Arbor still recovering from the devastating windstorm dubbed the "largest combined statewide event in history" by Gov. Rick Snyder less than a week before the Opening Night Reception, Raymond was kind enough to take the time out from her hectic schedule to discuss these issues and more with Pulp.
On Wednesday, February 8 at 6 pm, "Dreamers and Disruptors" will invade the University of Michigan campus. That's the theme of this year's TEDxUofM event, which aims to “showcase some of the most fascinating thinkers and doers from the University of Michigan community.” (The event is sold out, but it will be livestreamed for free.)
Sophia Kruz, a filmmaker and Ann Arbor native, is one of this year’s dreamers and disrupters, and she'll give a talk about her new movie, Little Stones. In an email conversation with Pulp, Kruz described the film as "an uplifting story of four women artists in India, Brazil, Senegal, Kenya, Germany, and the U.S. courageously working to end female genital mutilation (FGM), extreme poverty, sex trafficking, and domestic violence through art -- dance, graffiti, fashion, and music."
We talked to the Los Angeles-based Kruz about her project, how it’s changed since the inauguration, her new nonprofit Driftseed, and more.
SINGING THE BLUES AGAIN: "Ann Arbor has an incredibly rich history and tradition when it comes to the blues," James Partridge told MLive -- and he's right, from the Blind Pig's regular booking of big names in its early years to the establishment of the Ann Arbor Blues Festival in 1969. Partridge's new nonprofit, the Ann Arbor Blues Society, is trying to continue A2's blues tradition by bringing the music to senior centers, schools, and local venues, but its long-term goal is downright grand: to revive the Ann Arbor Blues Festival, which was last held in 2006. (➤ MLive)
FOR THE BIRDS: U-M adjunct Keith Taylor and Ann Arbor artist Tom Pohrt have teamed up for a new book of poems and illustrations that meditate on nature. The 49 poems that comprise The Bird-while, which is part of Wayne State University's Made in Michigan Writers Series, is Taylor's 16th collection of verse, though not his first to explore the natural world. Nature has always been an important part of Taylor's work; check out "The Day After an Ice Storm." Literati will host the book launch for The Bird-while on Friday, January 27 at 7 p.m. (➤ Wayne State University Press)
200 CENTS OF SENSE: This year’s Washtenaw Reads book selection is $2.00 a Day: Living on Almost Nothing in America by Kathryn J. Edin and H. Luke Shaefer. The authors are coming to Rackham Auditorium on Tuesday, February 7, and the Ann Arbor District Library is hosting several events related to the book. Get the full scoop here: (➤ AADL)
Christopher Porter is a Library Technician and editor of Pulp.
YES, ’MO: It’s been 7 years since the Ann Arbor-formed band Nomo released its last album, Invisible Cities (Ubiquity Records), but a few photos posted to the avant-Afro-gamelan-funk band’s Facebook page in August indicate a new record’s been made. We reached out to the band for info on when it might be released and haven’t heard back, but perhaps all secrets will be revealed when Nomo plays the Blind Pig on Saturday, January 21. And even though Nomo has been quiet for a long while, the band's core nine musicians have kept busy. Most prominently, saxophonist-leader Elliot Bergman moved to Chicago and released two pop-dub albums as Wild Belle (which includes his sister, Natalie) and formed the experimental Metal Tongues, whose sound is built on his hand-made kalimbas with synths and drums. Meanwhile, trumpeter Justin Walter has released a number of recordings under his own name, including the great 2013 LP Lullabies & Nightmares (Kranky), and saxophonist Dan Bennett leads his own jazz groups. (➤ Blind Pig event) (➤ Nomo)
NEW KICKS: When a musician gets asked to compile a mix for the DJ-Kicks series, it’s like a baseball player making the All-Star Game. Since 1993, the German !K7 label has had some of the world’s biggest electronic music artists, including Carl Craig, Hot Chip, Actress, and 54 others create DJ-set albums -- ones that still sell really well even though virtually every music website offers approximately 273,000 mixes to download for free.
Now it’s Matthew Dear’s turn to boot-up a mix, and the Ann Arbor artist and co-founder of Ghostly International is celebrating his DJ-Kicks album with a party at the Blind Pig on Friday, January 20. (UPDATE: Fellow Ghostly star Shigeto has been added to the gig.)
Dear will be DJing and dropping cuts from the 57th DJ-Kicks comp, which includes his new song, “Wrong With Us,” plus 24 more jams from the likes of Simian Mobile Disco, Pearson Sound, and Audion (aka Dear’s more dance-oriented alter ego).
Not familiar with Ghostly International or its sister label, Spectral Sound? If you’re an Ann Arbor District Library card holder, you can download almost everything the labels have released, free of charge, including many Dear and Audion classics. (➤ !K7) (➤ Blind Pig) (➤ AADL’s Ghostly/Spectral collection)