Pantomime, or panto, is a form of audience participatory musical comedy theater developed in England that has become a beloved part of the Christmas and New Year season in many parts of the English-speaking world. There are songs, dances, and gags galore. Theatre NOVA proudly carries on this tradition right here in Ann Arbor.
This year, however, things had to change a bit. How does one engage the assistance of an audience when theaters across Michigan have had to close? Through the magic of modern technology of course. Theatre NOVA had already experimented with theater over Zoom in October with its Zoom Play Series. Now Nova has applied Zoom to its 2020 panto I’m Streaming of an Alright Christmas by Carla Milarch and R. MacKenzie Lewis.
The plot revolves around Santa and his team getting ready for their Christmas flight. But the reindeer have gone on strike, the elves haven’t made the toys, and the dreaded Rona Monster is on the loose in the North Pole. Can Christmas be saved?
After I clicked the provided link and logged into Zoom, I was met by an animated red curtain. Holiday music played while a five-minute countdown popped up in the lower right corner of my screen along with a dancing Santa along with four guidelines for maximum enjoyment of the show:
During the pandemic, music has found its way: making songs in home studios, livestreams, and even socially distanced concerts have been a regular part of the past eight months.
Visual arts have also slowly come back in the form of virtual gallery shows, outdoor murals, and some staggered, limited-capacity crowds entering museums.
But theater, with its heavy reliance on casts and crew working in close proximity, has really struggled since Covid ravaged the world.
Locally, Ann Arbor's Theatre NOVA and Ypsilanti’s Neighborhood Theatre Group did Zoom theater festivals in October, and Ann Arbor Civic Theatre and Dexter Community Players did two days of outdoor performances of original Halloween-themed plays on October 30 and 31 at Dominos' Petting Farm.
But the move to indoor productions on a slightly larger scale is about to swing back into action thanks to University Productions' virtual season, which will run in December on U-M's School of Music, Theatre, and Dance YouTube site and one premiere on SMTD's Facebook page.
All the performances will be available to view online for free, albeit for a limited time, and the six shows will feature four from Departments of Musical Theatre and Theatre & Drama and two from the University Opera Theatre. The season was filmed throughout this semester with numerous safety protocols in place.
With most University of Michigan students being asked to stay home for the winter semester, this might be our last chance for a while to take in some quality theater from the SMTD crews.
Here's the lineup with descriptive text provided by University Productions:
Ann Arbor Civic Theatre and Dexter Community Players' Halloween Drive aims to scare you with good theater
While most of us mourn the loss of traditional Halloween celebrations this year—scary movie marathons at home notwithstanding—the Ann Arbor Civic Theatre and Dexter Community Players decided to do something about it.
The two troupes, who haven't been able to perform in front of audiences since the pandemic started, will have a slow-rolling crowd for their shows on October 30 and 31 at The Petting Farm at Domino's Farm.
Halloween Drive features three spooky plays written by Brodie H. Brockie and produced by Patty Mazzola that people can watch as they cruise along a path in their cars at the farm, including:
Area stages have gone dim to protect audiences, actors, and theater workers during these uncertain times.
But that doesn’t mean the show can’t go on.
Have you ever wanted to direct a play? Have you ever wanted to cast your kid in the leading role? Have you ever wanted to stage the whole theatrical event in your living room?
If your answer to every question is "no," that's reasonable because directing is a lot of work, nepotism is bad, and who wants to mess up an adequately clean living room?
But perhaps the Covid crisis has you saying "yes" to things you would've never considered before since you're running out of things to do in the adequately clean house you've been cooped-up in for five months.
Well, then, perhaps the idea of directing a play in your living room starring your kid is back on the table.
If you don't know which play to produce, you're in luck: U-M professor José Casas joined seven fellow playwrights who wrote commissioned scripts for California's La Jolla Playhouse. The works are free to access online for everyone and are aimed, respectively, at elementary, middle, and high school students. The plays can be performed with two to six people, depending on the story, with no requirements for costumes, props, or sets -- since we all know the set will be your adequately clean living room or even your mostly maintained backyard.
When Pulp published this article on May 4 about how area theater companies were dealing with the Covid-19 crisis, all had lost their current seasons and canceled most of the next ones.
But in the two-plus months since then, theater companies -- like the rest of us -- have had time to navigate this plague and try to make plans for what they can offer creatively knowing this pandemic isn't ending soon.
So we decided to check in with the Washtenaw County theater world and see how their plans may have changed.
Theaters in the Absurd: Washtenaw-area drama troupes announce cancellations, postponements, and out-of-business news due to the covid-19 pandemic
On March 12, Kickshaw Theatre announced on its Facebook page that it had to cut short its then-current production of Lungs, and because the show didn't have a full run, it seemed reasonable to wonder if the play might be rescheduled.
But on May 1, the cancellation became permanent: Kickshaw Theatre sent out a note that said the organization was closing permanently after five seasons. It also canceled the final scheduled event for the current season, Madeleine George's The (curious case of the) Watson Intelligence, which was to run July 9-26.
With the sad news of Kickshaw's demise in mind, we decided to check the updates of other theater groups in Washtenaw County to see how they were doing.
Two major arts presenters in Ann Arbor have announced their upcoming schedules:
The University Music Society (UMS) released its full calendar of 2020/2021 season events and the Ann Arbor Summer Festival (AASF) has canceled all its traditional outdoor Top of the Park events, following the late March announcement terminating all indoor performances.
While UMS's schedule is based on the idea that we'll be able to attend indoor shows by September, AASF's June 12 to July 5 outdoor series is coming up too soon to know if the quarantine will be over. But the AASF is coming up with alternate plans to it traditional fest, "including digital offerings, collaborative art projects, and live music reimagined," it said in a press release. "Today, the public can participate in the first of those programs, Kooky Kreatures, a community art project presented in partnership with the Ann Arbor District Library’s Bummer Game. In the coming weeks, the Festival will share additional elements of an adapted season."
UMS's schedule begins September 11, 2020, with a two-night stand by the Paul Taylor Dance Company at the Power Center and ends April 24, 2021, with the Jerusalem Quartet featuring Pinchas Zukerman and Amanda Forsyth. In between is UMS's usual mix of jazz/classical/world music, dance, and theater. The only obvious things missing are the National Theatre Live series of filmed performances by the British theater group and the big, free, outdoor kick-off event.
This interview originally ran on March 9, 2017. Braunger returns to the Ann Arbor Comedy Club from March 12-14, 2020.
Portland-raised, Los Angeles-based stand-up comedian Matt Braunger has been a regular fixture in comedy clubs and on late night talk shows for over 10 years with his brand of introspective observational comedy. Braunger, 42, will be getting married later this year for the first time and is currently working on new material for a new hour-long special during his Enraged to be Married tour that hits Ann Arbor this week.
In the late 1990s, fresh out of college, Braunger moved to Chicago where he worked with improvisational guru Del Close, and along with comedians like Hannibal Buress and Kyle Kinane helped create an alternative comedy scene in a city that didn’t have one. Finally deciding on stand-up instead of improv, Braunger moved to Los Angeles to further his career, eventually landing a spot on the final season of MADtv in 2009.
Since the end of MADtv, Braunger has been a regular on the NBC comedy Up All Night, had a recurring role in the second season of Agent Carter on ABC, and most recently appeared on Cameron Esposito and Rhea Butcher’s Seeso comedy Take My Wife. Along with his acting appearances, Braunger has also released three comedy albums and appeared as Bruce Springsteen in the Channel 101 series Yacht Rock.
Braunger will appear
Thursday, March 9 through Saturday, March 11 March 12-14, 2020, at the Ann Arbor Comedy Showcase, and we talked to him about Midwestern comedy scenes, his upcoming special, politics, his podcast, a new Amazon Prime series, and Bob Seger.
Tanya Shaffer and Vienna Teng's musical "The Fourth Messenger" offers a contemporary view of the Buddha
Meditation is meant to focus the mind by clearing away random thoughts. But sometimes meditation may inspire a radical new idea.
Playwright Tanya Shaffer had such an inspiration that led to the creation of The Fourth Messenger, an unusual musical about the Buddha that will be given a concert staging at The Ark on March 14 as a fundraiser for the venue's Spotlight Series.
“The idea came to me on a nine-day silent retreat when I was supposed to be clearing my mind,” she said. “I was thinking about the story of Buddha’s enlightenment, where he sat under a tree and vowed not to get up until he found enlightenment. Then for many days and nights, all the temptations of the world are trying to get him up. And it came to me that would be cool as a song and dance, the temptations standing under a tree and then thinking the whole story would be a musical because it has that scale of a hero’s quest and so I got excited on the retreat and for many hours forgot about my breath and I thought about the musical.”