Here are a series of articles on Ann Arbor, Michigan culture in the late 1950s and 1960s. It is mostly some history of the time from my view and experience. I could add more to them, but I’m getting older by the day and I feel it is better to get something out there for those few who want to get a sense of Ann Arbor back in those times.
I hope there are some out there who can remember these times too. As for those of were not there, here is a taste as to what Ann Arbor was like back then.
Long before he became a software pioneer who created astrological programs and, later, the All Music franchise and its spinoffs, Erlewine was an integral member of Ann Arbor's 1960s counterculture scene as co-founder of blues band The Prime Movers, which eventually featured Iggy Pop on drums.
Bill Wylie-Kellermann’s "Dying Well" looks at his wife's well-lived life and how she handled the end
We are a society that doesn’t talk much about dying well -- heck, we don’t really like to talk about dying, period.
But Bill Wylie-Kellermann ponders both in a loving memoir about his wife, Dying Well: The Resurrected Life of Jeanie Wylie-Kellermann, which he will discuss at Nicola’s Books in Ann Arbor on Thursday, January 24 at 7 pm.
The love story began when Bill met Jeanie in 1982. Both were arrested and charged with conspiracy charges after protest actions at Williams International in Walled Lake, Michigan.
“We were both nonviolent community activists,” says Bill. “And we both were held at the Oakland County jail after the arrests. We had to go back and forth to court pretty regularly. We always tried to make sure we were handcuffed side by side in the van that took us to circuit court.”
Those close quarters eventually led to love and marriage as the couple continued their work in Detroit, where Bill was born and where he attended Cooley High School. Jeanie served as a journalist, filmmaker, and writer. Bill grew into roles as a writer, teacher, United Methodist minister, and community activist. They had children, settled into a meaningful life together.
But then in 1998, something happened.
“Detroit is a very diverse city -- most people outside of Detroit don’t realize how diverse it is. They see only in terms of black and white. But … a variety of people from all over who wound up here," Jones says. "I wanted to create a character that was representative of the two largest minorities in Detroit: African-American and Mexican-American. These are two minority groups that have never really seen eye to eye. And for August, I wanted him to be the product of two cultures that have often clashed but feel no personal dichotomy. He feels he has the best of both worlds ... he has pride in both cultures. And he’s comfortable with himself. I wanted people to know that is achievable -- that you can be a product of two cultures, two peoples and be at peace with who you are.”
Before the Civil Rights era, women couldn’t go to most Ivy League schools, get credit cards in their own names, or serve on juries in all 50 states.
So what was it like for a smart, headstrong young woman in 1960s era Deep South growing up in a family that wants her to either be a “Southern belle” or a tomboy?
C.A. Collins’ book Sunshine Through the Rain examines at that very question in the character of Christie Ann Cook, a wise-beyond-her-years teenager who speaks her truth as she comes of age during a period of extreme social change.
While the Concordia University grad and Michigan-based writer didn’t grow up in that era, Collins says, “I have always had an interest in those tumultuous years in the South. I raised in Louisiana where the 'n' word was the norm, but my parents taught me to judge someone by their character, not the color of their skin. In this book, I really wanted to show a young girl who had diverse people in her life that she loved and cared for and how she was torn between her small insular world and the uncertain bigger world around her.”
UMMA's exhibit Art in the Age of the Internet, 1989 to Today tracks the impact of the web on visual art over the past 30 years. While comic books aren't represented in the exhibit, it is a visual art form that has been radically modified over the past three decades by digital culture.
Inspired by the exhibit, UMMA and Vault of Midnight - Ann Arbor are combining forces for a new comic book club: "The Age of the Internet in Comic Books and Graphic Novels." Vault of Midnight will host the meetups once a month in its Ultralounge, all of which are on a Sunday at 2 pm.
The series will include the following titles:
U-M alumna Penny W. Stamps died from leukemia on Dec. 18, 2018, but her dedication to bringing arts and ideas to Ann Arbor community continues with the school and speaker series named in her honor.
The winter lineup of U-M Stamps School of Art & Design's Penny Stamps Distinguished Speaker Series was announced Jan. 11 with 12 events, primarily at the Michigan Theater and many in conjunction with other performances and events at the university and in the community.
Raylan Givens has been to a lot of places: Miami, Florida; Harlan County, Kentucky; Glynco, Georgia. And now he’s come to the Motor City in the riveting Raylan Goes to Detroit by Michigan-based author Peter Leonard.
After an altercation with his boss, Raylan is given two choices: retire or take a job on the fugitive task force in Detroit. “His former boss gets him reinstated but the only opening is in Detroit and he takes it,” Leonard says. “Raylan’s been in a lot of places, so I decided to do something different. I live in the Detroit area, let’s bring him here.”
You may come to the Ann Arbor District Library to pick up a book or movie or sewing machine or electric guitar knowing well in advance that’s why you’ve entered one of AADL’s five locations.
But if you come to visit us and you can’t quite figure out what you want to check out, you might ask someone on staff for suggestions -- and we’re always happy to oblige.
In that way, our 2018 staff picks for books, film, music, TV, podcasts, and more is one massive suggestion list.
We don’t limit our picks to material that came out in 2018; we list things that made an impact on us during the year, no matter when the media was released. Plus, we’ve added a Pulp Life category -- both on the blog and in this year-end roundup -- to note life experiences that we loved in 2018, from parks to restaurants.
And if you need help finding the material, or you’re looking for even more suggestions, just ask. We've already started making our lists for 2019.
Jessica Care Moore and Ursula Rucker are rockstars.
Google that shit.
On December 11 at the University of Michigan’s Trotter Multicultural Center in conjunction with the Department of Afroamerican and African Studies hosted Jessica Care Moore and Ursula Rucker for an hour-long discussion titled "Herstory: Hip Hop and Poetry."
Moore, a Detroit native, is most noted for her five straight victories at the "Showtime at the Apollo” competition as well as her publishing company Black Moore Press and her numerous books of poetry.
Rucker, who hails from Philadelphia, has released six albums of her poetry and has collaborated with many well-known hip-hop acts including fellow Philadelphians the Roots.
On Tuesday the women were resplendent. Moore sported a high-crowned red fedora and a colorful denim jacket adorned with an image of the late Ntozake Shange (Google that shit). Rucker had her hair pulled back and her face framed with black cats-eye glasses. Both women were performance-ready and engaged the audience with their own poetry and, perhaps most importantly, historical perspective.
Three years ago, I nervously walked on a warmly lit stage as the last performer, and only freshman, in Poetry Night in Ann Arbor. An annual tradition that returns Dec. 15 at the Mendelssohn Theater, Poetry Night is an outstanding opportunity for teen poets to bleed part of their written body out into the world.
The structure of this event was refined recently by the new Neutral Zone Literary Arts Director, Molly Raynor. What once was a mass performance of youths ranging from beginners to seasoned poets is now a nurturing and intimate evening of some of the best performers Ann Arbor has to offer.