When the Independent Film Festival Ypsilanti (iFFY) was announced in January 2020, it was scheduled to take place at the Riverside Arts Center that April. A big worldwide something happened the month before, however, and the iFFY crew had to improvise, and the festival was held online and as a drive-in screening in a parking lot.

In other words, iFFY is malleable, and for this year's edition—which will run at the Riverside Arts Center, April 17-19—the festival welcomed changing things up a bit.

“Transformation and germination is really central to the festival this year," said iFFY co-director Micah Vanderhoof in a press release. "As the festival moves into its sixth year, we’re aiming to cultivate those elements which have resonated with the community and fostered a sense of connection, and incorporate new ideas and suggestions as we go. We hope to provide a space to share new perspectives, become inspired, and grow as artists, while remaining uniquely reflective of our Ypsilanti community.”

While iFFY brings in films from around the world, it also highlights some creatives here at home by kicking off the fest with Michigan-ish (April 17, 7:30 pm), a selection of short films made in our state—three of which were shot entirely or partially in Washtenaw County:

Three-band bills are common in the concert world.

But three back-to-back-ish author talks split between churches within a strollable distance?

That's the working model for the Chelsea District Library's annual Midwest Literary Walk, which happens on Saturday, April 12.

Shelby Van Pelt (Remarkably Bright Creatures), Angie Kim (Happiness Falls), and Sarah Vowell (Lafayette in the Somewhat United States) are this year's writers.

The Midwest Literary Walk started in 2008, and like SculptureWalk Chelsea, it takes advantage of the small city's charming and easily navigable downtown to present big-time talent—all for free.

Here's the schedule and a selection of interviews with the authors:

“How do you / keep stones from sinking like that, I wonder? / How do you hold the wild shoots / of spring inside you, instead?” Now is the right season of year to contemplate these questions from the poem “Preparing” by Ellen Stone in her new poetry collection, Everybody Wants to Keep the Moon Inside Them.

The Ann Arbor poet will debut her book and be joined by two other local poets, Monica Rico and Ashwini Bhasi, on Wednesday, April 9, at 6:30 pm at AADL's Downtown branch. The event will include a reading and Q&A. On Saturday, April 26, Stone will be one of the poets in the Celebration of Jewish Poetry from 2 pm to 6 pm at Temple Beth Emeth. One of Stone’s poems is on display at Comet Coffee in the Poet Tree Town project throughout Ann Arbor and Ypsilanti during April.

The appearances of the moon in various forms generate a comforting presence in Stone’s collection as the simile “tidal as the pull toward moon” in “How I want the road to you” illustrates. In the second poem of the book, called “Bright side of the moon,” the poet shares how some things are nevertheless amiss since there is “Scarlet fruit scattered in the garden straw as if / the strawberry moon splintered. I gathered shards.” The poet discovers and picks up such shards for the rest of the book. The poems tell stories of lives unfolding through the natural order of marriages and motherhood as well as the pain of sexual assault and loss.

The Guild of Artists & Artisans' Gutman Gallery is a fashion-forward exhibition space—at least from April 4 to May 17 when the glam squad comes to town.

The Ann Arbor gallery is hosting In Style: Fashion + Wearables, which features 26 designers and artists working in a variety of media. These dedicated followers of fashion were selected by guest juror Cheryl Zemke, proprietor of the Wyandotte boutique that bears her name.

There's an opening reception at Gutman Gallery on Friday, April 4 from 6-8 pm, with The Guild of Artists & Artisans inviting you to this free event with a simple request: "dress to impress." (In my case, that means my finest sweatpants.) DJ Batz will spin jams, the South African winemaker Babylonstoren will pour the vino, and Sweet Heather Anne cakes and TeaHaus will provide some nosh and drinkables. (There's also a "live mannequin fashion show," which sounds like nightmare material—but if things get hairy, I'll be wearing my sweatpants and can dash away tout suite because I love depeche mode.)

Some of the works in In Style: Fashion + Wearables include: 

Poet Tree Town infuses public places with poems in windows around town as well as online. The poems are ephemeral, just up from April 1 to 30, during National Poetry Month.

The third rendition of Poet Tree Town is expanding to Ypsilanti, continuing in Ann Arbor, and launching with a kick-off event on April 1, 6-9 pm, at Dzanc House. The event includes an open mic, book swap, a community-written poem, desserts by local baker Fragola Forno, and a meet-and-greet with your local poets.

“Welcome to all, whether you are a poet yourself or a poetry appreciator!” said Poet Tree Town founder and organizer, Cameron (Cam) Finch, about the event.

The poems, written by community members, number 157 on display at 66 locations for 2025—up from 87 poets/poems at 38 locations in 2024. Ypsi will host 30 of the poems for the first time this year.

“The expansion to Ypsilanti felt like a very natural next step for this project,” Finch told Pulp. “At the same time, it was important for me to maintain the name Poet Tree Town, as a nod to where this project was born, and where it is growing out and up from.”

The lives of sisters Consuelo and Graciela intertwine and unravel, both with each other and separately, and then crisscross the globe in The Volcano Daughters, the debut novel by Gina María Balibrera.

Much of what happens to the sisters is not their choice. They suffer great losses of their mother and loved ones, abuse at the hands of the General in El Salvador, and repeated setbacks in their efforts to regain a home, sustenance, and love.

These two daughters of mother Socorrito begin their lives on a volcano where the women harvest coffee for el patrón of la finca (the boss of the estate). When their lives converge with the rising dictator, who despite despising their Indigenous roots also finds them attractive, the girls find themselves in significant danger, which they only fully comprehend looking back:

When I was a lad I served a term
As office boy at an attorneys firm
I cleaned the window and I swept the floor
As I polished up the handle on the big front door
I polished up the handle so carefully
That now I am the ruler of the Queen’s Navee
                                                           —W.S. Gilbert

It seems like Gilbert and Sullivan’s comic operas never grow old.

Whether it’s Sir Joseph Porter bragging that he never went to sea and became the Ruler of the Queen’s Navee in H.M.S. Pinafore or the ambitious Lord High Executioner KoKo making a list of enemies (who never will be missed) in The Mikado, the biting satire still rings as strong as ever, maybe even stronger. Arthur Sullivan’s pliable music still moves gracefully from comic to lushly romantic and W.S. Gilbert’s librettos are as fresh now as they were in the 1870s..

The University of Michigan’s Gilbert and Sullivan Society (UMGASS) is presenting H.M.S. Pinafore at the Lydia Mendelssohn Theatre, April 3-6.

The word "cosplay" is a portmanteau of “costume play,” and the activity's participants—cosplayers—wear costumes and fashion accessories to represent specific characters.

For playwright Shavonne Coleman, cosplay is a way to open the doors of creativity to children and put them on the road to being superheroes.

Eastern Michigan University Theatre is presenting the world premiere production of Coleman’s Cause Play on April 3-6, with school matinee performances on April 7-8.

Last year a staged reading of Cause Play was presented in May at EMU in collaboration with Ann Arbor Spinning Dot Theatre as part of the TYA BIPOC Superhero Project. That collaboration continues with the premiere of the fully acted production.

Coleman is an alumna of EMU and an associate professor of theater at the University of Michigan's Department of Music, Theatre, and Dance.

Cause Play centers on three middle school students, Zuvi, Zipper and Aaron, who meet at an after-school cosplay club at the Southwest Academy Magnet Middle School in Detroit. They discover their talents in creating costumes and adopting identities with the goal of attending a Comic Con—as well as developing their secret powers along the way. Coleman said there were changes made following the staged reading in response to the audiences who wanted the students to go to the Comic Con.

The party was going on too late, with people milling inside my Ypsilanti group house way past when my roommates and I wanted them there. Gentle prods of "Time to go home" and "Get the hell out" were unheeded by the bad-beer masses, so it was going to take a sonic bouncer to clear the joint.

That's when we played Devo's "U Got Me Bugged" at energy-dome-shattering volume, utilizing the CD player's repeat function for the maximum annoyance we could wring out of a song that runs 2 minutes and 49 seconds. I don't recall how many times we played "Bugged"—a modular-synth squelch-fest revealed on the then newly released Hardcore Devo: Hardcore Devo: Volume Two, 1974-1977, which collected demos and experiments from the Akron, Ohio surrealists who were still years away from the mainstream success of 1980's "Whip It."

But I do remember "Bugged" worked like a can of Raid made from waveforms, making our unwanted guests (and perhaps some wanted ones) scurry off into the night.

Sasha Gusikhin founded NeuroArts Productions in response to a tragedy.

Luke Balstad was Gusikhin’s best friend, and a straight-A student at Harvard, but he also knew that he needed mental help assistance. Balstad was in therapy, was honest and open about his bipolar condition, and was attended to by a supportive network—but it still ended with him dying by suicide in 2022.

Balstad was being treated with medications—he tried at least 10—and therapy in the standardized modern way, but Gusikhin believes that let her friend slip through the cracks.

“No amount of checking in on Luke would have been able to save him," says Gusikhin, a University of Michigan senior double majoring in biopsychology, cognition, and neuroscience along with voice performance. "He had all of this care and yet there was all this impression with this one size fits all, this ‘let’s try this, and that, and that.' When we do that we are never attuned to: ‘What if this medication [causes a] toxic reaction to that person’s brain chemistry?’ It’s very dangerous, and it can cause very dangerous situations and even loss of life in this case.”

Gusikhin's NeuroArts Productions organizes multidisciplinary arts events to promote mental health education and reform.