“The past is never dead," wrote William Faulkner. "It's not even past.”
The Sri Lankan civil war lasted more than 25 years, officially ending in 2009. The 10 interlinked stories in Half Gods tell the story of Nalini and her family, for whom the war is neither dead nor past. After the slaughter of her mother and brothers, Nalini and her father escape to New Jersey with their grief following right along with them. The stories travel through narrators with some of the focus on Nalini as a child and then as a grown woman with children of her own. Other stories include a man in Sri Lanka looking for a missing child, a butcher from Botswana transplanted to New Jersey who falls in love with Nalini all told through short stories.
How do obligations and desires compete in our lives?
Li presents a broad cast, ranging from restaurant staff to the family members who own the Beijing Duck House. In fact, the family tree -- or rather the map of characters -- is on the inside cover of the book, which proves quite useful when reading. (You can have your book signed by Li at Nicola’s Books on September 20 at 7 pm.)
The Ann Arbor-based Li teaches at the University of Michigan and works at Literati Bookstore. She earned her MFA from the University of Michigan and is originally from the D.C. metro area.
Vision for Flint: Dr. Mona Hanna-Attisha's “What the Eyes Don’t See” tracks the city's public health crisis
While it’s easy to see the Flint water crisis as a story of government failing the people it’s supposed to serve, it’s a lot more than that. It’s also the story of a resilient community, the determined people who live there, and the activists who helped bring the situation to light.
Those stories meet in the work of Dr. Mona Hanna-Attisha, director of the pediatric residency program at Hurley Medical Center. She played a pivotal role in the crisis, conducting research and publicizing results that showed how lead levels rose alarmingly in Flint children after the city switched its water source.
Now “Dr. Mona” has published a book about her experience, What the Eyes Don’t See. She will discuss the book at Rackham Auditorium with Chris Kolb of the Michigan Environmental Council, an event sponsored by Literati Bookstore and the U-M School for Environment and Sustainability, where Hanna-Attisha earned her bachelor’s degree (under its earlier name, the School for Natural Resources and the Environment).
“I never set out to write a book in my career,” Hanna-Attisha said in a recent phone interview. “It’s not about Flint, it’s about who we are and who we want to be.”
Theatre Nova’s September offering, The Totalitarians, centers on a campaign manager trying to help her candidate win an election in Nebraska. The candidate, Penelope Easter, is an earthy, compulsive woman whose tenuous relationship to facts seems, well, familiar. Peter Sinn Nachtrieb’s dark, witty comedy touches on politics, revolutions, and the twists, turns, and perils that come with both.
Pulp spoke with Diane Hill, who plays Penelope Easter, director Carla Milarch.
If you don’t necessarily consider Michigan a hotbed of the modern design movement, you’re not alone. But two recent books aim to change that perception, and their authors will appear in Ann Arbor this weekend as part of the Kerrytown Bookfest.
“People do not think of Michigan as a design center," says Brian Conway, Michigan’s state historic preservation officer. "They think of New York or Los Angeles but skip over the Midwest. But there was this very strong design industry here in Michigan, and it actually still exists.”
Saxophonist Kenji Lee is a final year University of Michigan student who is entering his third year as Concert Series coordinator at Canterbury House, the home of U-M’s Episcopal Chaplaincy, and a welcoming space in which U-M music students, their friends, and local and touring musicians can share their work and have fellowship amongst themselves and the broader community.
Journey to U-M Ann Arbor
For the group that puts the Ann Arbor Russian Festival together every year, it’s about much more than simply having a fun time, it’s about sharing their culture.
“Nobody knows what is Orthodox church,” laughed Leta Nikulshina, the festival’s entertainment director. “People think, ‘Are you Catholic?’ ‘No, we’re not.’ Or, ‘Are you Jewish?’ ‘No, we’re not.’
“Its kind of the way to open up who we are and bring us closer to everyone else,” she said.
The festival’s beginnings also had a slight ulterior motive.
After directing seven serious dramas in a row, including Jean-Paul Sartre’s vision of hell, No Exit, Glenn Bugala was ready for some laughs.
Bugala is directing the musical comedy version of Dirty Rotten Scoundrels for the Ann Arbor Civic Theatre. Bugala, who has a Master of Fine Arts in acting from Purdue University, has performed and directed numerous productions at Civic since he became involved with the theater in 1997. His credits include directing Rent, Chess, Tommy, A Midsummer’s Night’s Dream, and Front Page.
Scoundrels, with book by Jeffrey Lane and music by David Yazbek, is based on the 1988 movie starring Steve Martin and Michael Caine as an odd couple of conmen engaged in fleecing rich women on the French Riviera. Caine played a smooth-talking gentleman who cons wealthy women to Martin’s rowdy, lowbrow who is happy snagging $20 from anyone he can.
“I think these days, with the news cycle, we could all use a comedy,” Bugala said. “I’ve known the movie since it came out, and I’ve kept a VHS tape of it since then.”
Art forms will interconnect during "Poetry Through the Ages," one of the many events of the second Rasa Festival, which goes from September 1 to October 7. Visual art, dance, and music are to embody the words of Indian poetry in this new addition to the festival on Saturday, September 15, from 8-9:30 pm at the Arthur Miller Theatre in Ann Arbor.
Sreyashi Dey is a conceptual artist, choreographer, and dancer for this event, as well as director of the Rasa Festival and president and artistic director of Akshara, the organization producing the festival. She described the concept of "Poetry Through the Ages" by saying "words of the poetry will find expression in the diverse art forms that will work together to create a new aesthetic tapestry."
This my not seem an obvious time for a play titled Humble Boy -- ahem -- but Ypsilanti-based community theater company PTD Productions will be presenting Charlotte Jones’ award-winning 2001 comic drama at the Riverside Arts Center nonetheless.
“I love plays that are both funny and poignant at the same time, and this certainly qualifies,” said director Laura Bird. “The main character is grieving the loss of his father, but he’s also getting grief from other people about how he’s grieving. And this is a subject I’m passionate about -- that there’s no wrong way to grieve. ... Plus [the play] has these great characters, and flirts with Hamlet in a lighthearted way.”