Singing Truths: Mary Gauthier's raw, vulnerable songs are like short stories

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Mary Gauthier

Mary Gauthier's forthcoming LP, Rifles and Rosary Beads, was co-written with wounded veterans. Photo by Jack Spencer.

[http://www.marygauthier.com|Mary Gauthier] is the perfect songwriter and performer for an intimate venue like the [http://greenwoodcoffeehouse.org|Green Wood Coffee House], where she plays Friday, Oct. 27.

Her voice is untutored and unassuming but deeply evocative and powerful, and her songs go straight to the heart in a way that is personal, candid, and unaffected by artifice or unnecessary frills. Every line of every song is its own entire world, its own little gem of a thought. Her straightforward and relaxed style of performance lends these songs a truthfulness which is best experienced up close.

“Small venues lend themselves to a more personal show. Small rooms suit my music and storytelling,” she says.

Civic Theatre prepares a "Cabaret" for our unsettled times

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Civic Theatre, Cabaret

Trish Fountain takes on the traditionally male role of the Emcee in Civic Theatre's updated version of Cabaret. Photo by Lisa Gavan.

When the musical Cabaret opened on Broadway in 1966, memories of World War II and revelations about Nazi concentration camps were still fresh for the majority of Americans. The story of Weimar Germany’s plunge into nihilism and the rise of the Nazi Third Reich resonated with audiences as a reminder of how insidious evil can be.

Kat Walsh and Jennifer Goltz-Taylor hope their production of [http://www.a2ct.org/shows/cabaret|Cabaret] for the Ann Arbor Civic Theatre is equally relevant for our troubled times.

“When Jennifer and I first proposed the show, we were looking at how polarized people are around a number of issues in our country and around the world,” said Walsh, the show’s director. “There’s a feeling of being unsettled on all sides of the political world. When we looked at the cabaret world in the 1930s, there was that same feeling of unsettledness. David Mamet said we’re here to engage with our audience and create a community, to ask what in the hell is going on it this world.”

Youth Theater Productions: Fall 2017

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High School Musical

So literal: The Pioneer High School musical cast of High School Musical.

Area high school drama clubs and other youth-theater ensembles are about to stage their annual fall productions. Below are descriptions of the shows provided by the theaters and production companies.

Mythological Duty: "Welcome to Night Vale" creators visit Ann Arbor

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Jen Mann

It Devours is the new novel by Welcome to Night Vale podcast creators Joseph Fink and Jeffrey Cranor. Photo by Nina Subin.

One article about the popular, fiercely beloved [http://www.welcometonightvale.com|Welcome to Night Vale] podcast begins with the line, “Unless you’ve been living under a rock, you’ve heard of” the show.

But until I’d received a copy of the novel [http://www.aadl.org/catalog/record/1516068|It Devours!] written by the podcast's creators, Joseph Fink and Jeffrey Cranor, and researched Night Vale in preparation for a recent phone interview with Cranor, I’d been one such under-the-rock dweller.

Yet because the podcast could be described as the David Lynch version of A Prairie Home Companion -- focusing on a fictional desert town in the American Southwest, where all conspiracy theories are true -- I asked Cranor if any of Night Vale’s residents also live under rocks.

“No, but one of the characters is a rock -- the dean of the Night Vale Community College, Sarah Sultan,” said Cranor without missing a beat, referring to a character who communicates via telepathy.

Well, then. At least I might have some company.

Joseph Fink and Jeffrey Cranor will be with artist and illustrator Jessica Hayworth at U-M's Lydia Mendelssohn Theatre on October 23 at 7 pm, [http://www.literatibookstore.com/event/literati-bookstore-presents-jose…|courtesy of Literati Bookstore]. The three will be interviewed by Detroit writer, actor, comedienne, and The Moth Storyslam Ann Arbor host Satori Shakoor, followed by an audience Q&A and signing.

Cranor answered questions for Pulp about Welcome to Night Vale and It Devours!.

Imaginary Landscapes: UMMA concert explores the sonic side of abstraction

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Jonathan Ovalle

U-M assistant professor of percussion Jonathan Ovalle compiled a program of music that complements the visual art in the exhibit Victors for Art: Michigan's Alumni Collectors -- Part II: Abstraction.

When most of us think about the word “abstract” our minds go directly to pieces by artists like Jackson Pollock or Pablo Picasso. But "Angles of Abstraction" will let guests see -- well, hear -- that the word abstract can apply to much more than just visual art.

Curated by University of Michigan's Jonathan Ovalle, "Angles of Abstraction" (Sunday, Oct. 22, UMMA) started to come together after the assistant professor of percussion was approached by a colleague over the summer and asked him to create a concert that tied into the themes of the UMMA exhibit [http://umma.umich.edu/events/4028/smtdumma-performance-angles-abstracti…|Victors for Art: Michigan's Alumni Collectors -- Part II: Abstraction].

“The big buzz words were ‘abstract’ and ‘exploration,’” Ovalle said. “Both of those words are super intriguing to me.”

Edgefest & Piotr Michalowski have helped make A2 a haven for avant jazz

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Ballister by Geert-Vandepoele

Piotr Michalowski, Andrew Drury, and Joe McPhee played Encore Records on October 17 as a warm-up to Kerrytown Concert House's annual Edgefest (Oct. 18-21). Photo by Eric Gallippo.

As free-jazz hero Joe McPhee got started on the third movement of Tuesday night's Fringe at the Edge concert at Encore Records, he settled into a minimalist, two-beat groove that was sometimes barely audible.

While McPhee patted his palm against the mouthpiece of his pocket trumpet, drummer Andrew Drury fell in, lightly tapping skins, rims, and cymbals for a nervous, anti-beat.

Piotr Michalowski held his sopranino saxophone and listened a moment, then completed the percussive theme by popping and puffing through his horn, before the trio opened up into long-toned exuberance. When it was over, Drury made Michalowski jump and then grin, as he frantically bowed away at some metal for a screeching effect.

In Their Own Voices: Michelle Held & Frank Allison at Crazy Wisdom

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Frank Allison & Michelle Held

Frank Allison and Michelle Held have found their voices through song. Allison photo by Doug Coombe.

Detroit-based [https://www.facebook.com/michelleheldmusic|Michelle Held] was a professional actress, appearing at the best theaters in Michigan, including the Purple Rose, where she trained, and the Williamston Theatre near Lansing. Her then-boyfriend gave her a guitar, but Held hardly touched it because she was busy with day jobs and rehearsals. And when she did try to play it, it didn't go well. “I would pick it up and get frustrated,” Held says.

When she took a full-time job at a production house, Held took her guitar to work but had too little time to do more than tinker with it. It wasn't until she was laid off from that job in 2009 that Held could work on her guitar skills and, finally, she says “began to get the hang of it.” In 2011, she wrote her first song.

Musical Royalty: Ann Arbor Symphony performs "Ludwig and the Kings"

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Katie Geddes and David Vaughn at The Ark

Arie Lipsky will conduct cellist Zlatomir Fung and the Ann Arbor Symphony is an eclectic program of music that evokes King Solomon.

On Saturday, Oct. 21, the [https://www.a2so.com|Ann Arbor Symphony] will present a program called “[https://www.a2so.com/events/ludwig-the-kings|Ludwig and the Kings].” “Ludwig,” of course, represents luminary German composer Ludwig van Beethoven. But who is the King in question?

“Growing up in Israel, I had daily bible studies and was fascinated with the complex characters of some of the prophets and kings," said conductor Arie Lipsky, who has led the symphony for 17 seasons. "This concert presents a rare musical outlook on King Solomon, known to be the wisest man on earth.”

A Wilde Afterlife: Laura Lee, "Oscar’s Ghost" at AADL

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Bookbound open mic

Author Laura Lee dug deep into the mystery that helped shape Oscar Wilde's legacy. She'll [http://www.aadl.org/node/365701|discuss and sign] Oscar’s Ghost at AADL's downtown branch on Tuesday, Oct. 17 at 7 pm.

[http://www.aadl.org/catalog/search/author/Wilde%252C%2BOscar%252C%2B185…|Oscar Wilde] said the truth is rarely pure and never simple. These words apply to many facets of his life, including the feud between Wilde’s lovers Lord Alfred Douglas and Robert Ross. [https://www.lauraleeauthor.com|Laura Lee] set out to find the truth of what happened between these men after Wilde’s death in her new book, [https://www.lauraleeauthor.com/oscar-s-ghost|Oscar’s Ghost: The Battle for Oscar Wilde’s Legacy], which [http://www.aadl.org/node/365701|she'll discuss] at AADL's downtown branch on Tuesday, Oct. 17.

Douglas and Ross each blamed the other for Wilde's downfall and early death as well the way the latter handled Wilde’s prison manuscript, [https://en.wikipedia.org/wiki/De_Profundis_(letter)|De Profundis]. Their feud escalated to include stalking, blackmail, witness tampering, prison, and lawsuits.

“When I first got a Kindle, I downloaded and read (Wilde’s) De Profundis," Lee says. "I discovered that this was actually an edited version of the book and that a longer version existed.”

Protect Your Neck: Author, throat puncher Jen Mann hosts a moms' night out at AADL

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Jen Mann

Jen Mann's publishing career began when a blog post about Elf on the Shelf mania went viral.

When you put the wrong date in your calendar for an interview with Jen Mann, the blogger/author behind [http://www.peopleiwanttopunchinthethroat.com|People I Want to Punch in the Throat], you kind of fear that you’ll be added to the list.

But Mann -- who will be coming to the downtown library for a [http://www.aadl.org/node/362580|moms’ night out event] on Wednesday, October 11 at 7 pm, as part of a book tour to promote her latest humorous essay collection, Working with People I Want to Punch in the Throat -- couldn’t have been more understanding, despite her famously feisty, tell-it-like-it-is persona.