U-M alumna Penny W. Stamps died from leukemia on Dec. 18, 2018, but her dedication to bringing arts and ideas to Ann Arbor community continues with the school and speaker series named in her honor.
The winter lineup of U-M Stamps School of Art & Design's Penny Stamps Distinguished Speaker Series was announced Jan. 11 with 12 events, primarily at the Michigan Theater and many in conjunction with other performances and events at the university and in the community.
Raylan Givens has been to a lot of places: Miami, Florida; Harlan County, Kentucky; Glynco, Georgia. And now he’s come to the Motor City in the riveting Raylan Goes to Detroit by Michigan-based author Peter Leonard.
After an altercation with his boss, Raylan is given two choices: retire or take a job on the fugitive task force in Detroit. “His former boss gets him reinstated but the only opening is in Detroit and he takes it,” Leonard says. “Raylan’s been in a lot of places, so I decided to do something different. I live in the Detroit area, let’s bring him here.”
The folk-music duo Gemini has been a vital part of the Ann Arbor music scene for more than 45 years.
Twin brothers San and Laz Slomovits started singing together with their cantor father in their native Hungary when they were very young and started learning instruments at age 7. They continued performing as the family moved to Israel and then the U.S., but things really took off after the brothers formed a folk duo post-college and then moved to Ann Arbor in 1973. For decades they’ve been known for their beautiful harmonies, multi-instrumental talents, and original songs, particularly for youth and family audiences, throughout Michigan and beyond.
Now, the twins are turning 70 and their music is still going strong. They’re planning a “140th Birthday Celebration” on Jan. 3 at The Ark, where the duo has performed countless times over the years. A number of special guests will join the brothers, and the concert will be recorded for possible release. Proceeds will benefit The Ark, where former leaders Dave and Linda Siglin and others have supported Gemini for decades.
“We literally can’t imagine what our music and career would have been like without them. This is a small gesture of gratitude on our part,” the brothers agreed. They answered a few questions about the concert and their career for Pulp.
Isaac Levine is a restless creator and organizer. Whether it's fighting against unsustainable development, booking DIY shows at houses and small venues, or making music in numerous bands and solo projects, this Washtenaw County resident's proactive drive is admirable.
Levine's latest recording is the guitar-centric A Death So Obsessed With Living, which is his third album in the past 365 days, following May's auto-chord organ LP Cloudpleasers under his own name and last December's Pee on These Hands with one of his bands, The Platonic Boyfriends.
A Death So Obsessed With Living was recorded in November by Spencer Tweedy, son of Jeff and a member of his dad's band, Wilco. We talked to the Levine about the story behind recording the new album, the themes on his last two LPs, and the pros and cons of living in Ann Arbor.
Isaak Levine + Friends celebrate their record release with a concert at Unity Vibration in Ypsilanti on Friday, December 21.
UMGASS is back this weekend with the last of Gilbert & Sullivan's 14 operettas: The Grand Duke. Originally set about a hundred years before its 1896 debut, UMGASS has gently updated the setting and costumes to about a hundred years ago, in 1907.
Directed by David Andrews and starring a cast of UMGASS regulars along with some fresh faces, The Grand Duke features a play-within-a-play (with a clever, unique twist for true G&S Fans) and the wish-fulfillment theme of a theater company bending the aristocracy to their will through the power of their production (with some help from archaic statutes).
Three years ago, I nervously walked on a warmly lit stage as the last performer, and only freshman, in Poetry Night in Ann Arbor. An annual tradition that returns Dec. 15 at the Mendelssohn Theater, Poetry Night is an outstanding opportunity for teen poets to bleed part of their written body out into the world.
The structure of this event was refined recently by the new Neutral Zone Literary Arts Director, Molly Raynor. What once was a mass performance of youths ranging from beginners to seasoned poets is now a nurturing and intimate evening of some of the best performers Ann Arbor has to offer.
A friend of mine once almost gleefully described her hometown as having a great shop for all her foodie needs. A place to get cheese. A butcher with local meats. A restaurant selling pies. All nearby and not big-box stores. I thought of her joy in this collection of local businesses when I first encountered Sister Pie: The Recipes and Stories of a Big-Hearted Bakery in Detroit, a new cookbook by Lisa Ludwinski based on her bakery of the same name, Sister Pie. Ludwinski started the business in 2012 in her parents’ kitchen in Milford, Michigan, and joins the many excellent establishments in the Detroit area that provide baked goods.
But not just any baked goods.
Director Daniel Cantor finds a great deal of modern relevance in Shakespeare’s comedy Twelfth Night, or What You Will. The nature of the human soul, the roots of romantic attraction, and the power of disguise are among its timeless themes, played out through a plot that involves a gender-bending love triangle.
Longtime Hamtramck resident Steve Hughes is a force of nature in his hometown. For over half a decade, Hughes curated the Hamtramck Neighborhood Arts’ Festival where artists opened up the studios in their homes and attendees went on an “art crawl.” Hughes is also a founding member of Public Pool, an art cooperative that formed in 2010 with the goal of creating and supporting a wide range of art experiences. A year later, Hughes then decided that a literary component of the visual arts events was needed and so he created the Good Tyme Writers Buffet.
The literary series began with a dozen authors reading for about 10 minutes; it has since cut the number of readers and added a DJ. Hughes received a grant through the Knight Foundation and shaped the project into what it is today: a space for audiences to enjoy an evening of reading based on a theme. “We get people from the neighborhood, friends of the authors, readers," Hughes says. "A good mix of people who come out on a Saturday to hear the readers, listen to music, eat and drink.”
The readings are connected to the visual arts show in the space. “This month the show is called Bread and Clutter,” Hughes says. “So our six authors will read about food.”
For each event, Hughes writes a short story that connects to the theme. “I give myself an assignment every month,” he says. “And the only constraint is that it has to be read within a 10-15 minute time frame.”
This series and these stories led to the book, Stiff.
The Rob Crozier Jazz Ensemble’s new recording, Ocean Blue, explores the theme of nature in general -- and water in particular -- in a variety of settings and styles. The nine original songs benefit from the support of a rock-solid band: primarily bassist Crozier on bass, Rafael Statin on horns, Keaton Royer on keyboards, Rob Avsharian on drums, and Aron Kaufman on percussion.
The follow-up to last year’s Tall Trees, the new album features Crozier’s compositions and the band’s skilled playing, which make for a powerful combination. The slightly mysterious quality of “Autumn Moon” does indeed evoke its namesake and would make a good soundtrack for Halloween. “Ocean Blue” is built around a sweet and somehow sad flute line courtesy of guest artist Kelly McDermott, Crozier’s wife. “Water Snakes” gives Crozier the chance to show his chops on, of all things, a didgeridoo.
While most of Ocean Blue is instrumental, the opening and closing tracks do feature vocals. On “Water,” Terry Jackson recites a poem that inspired the music. “Into the Gloaming” features a funky beat, atmospheric charming vocals from Emma McDermott, and a compelling bass solo.
On two occasions, the album departs from its nature theme. “Keaton’s Blues” sounds like it belongs in a smoky New York piano bar in the 1940s, highlighted by Royer’s swinging and shuffling piano. Meanwhile, “R Is For Richko,” with its sharp drumming and inventive sax solo, might have fit comfortably in that same bar a couple decades later.
Crozier took the time to answer a few questions about the new album in advance of a show on Friday, Nov. 16, at Kerrytown Concert House.