Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features the many guises of rock from Mother Night, Younger Dryas, and Cracked & Hooked, drum 'n' bass by Aikanã, and emo-indie chiptunes from the Battle of the Bits forum.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features lo-fi chill by Whimsical Beats, hyperpop from The Cicada, rampant eclecticism via Isolation Sundaze, modular synths by Luminous Fridge, and political grunge by History History.

Ann Arbor has celebrated its 200th anniversary throughout 2024 with numerous citywide events and initiatives. But a recent exhibit drills down to the first 50 years of the town's formation.

The Museum on Main is a two-story yellow-beige house just north of downtown, at the five-point intersection where Main and Kingsley Streets meet with the end of one-way Beakes Street.

The museum is hosting Ann Arbor's Story: The First 50 Years, a revealing look at the beginnings of European settlement in the area, through its first half-century of officially existing as a village, long before it became a city. Photographs, maps, and original documents provide a revealing and humanizing view of a past, which can seem so foreign to 21st-century America, making the exhibit worth the 15 minutes or so most people will take to go through it.

The Museum on Main's website explains the people, places, and things that comprise the exhibition:

Sequels aren’t exactly rare or novel. As a creative enterprise, they’re safer than a wholly original property because they thread a narrative needle, providing readers/viewers with something both familiar and unknown—a new story featuring characters and a world we already “get,” no exposition necessary.

More recently, of course, we’ve witnessed the rise of the prequel (Wicked, anyone? The Joker? Cruella?), which offers the same artistic advantages but projects backward in time rather than forward.

With all this in mind, allow me pause to sing the praises of prolific, Michigan-native playwright Joseph Zettelmaier (now based in Florida) for breathing new air into an old form with his latest play, The Men of Sherwood, now having its world premiere via Penny Seats Theatre Company through December 8.

While most sequels lean in hard on a story’s central character, depending on their allure to draw fans back, Zettelmaier instead kills off a beloved, charismatic hero and asks: What happens to a story’s minor characters, the followers, when the nucleus that long held them together perishes? Can a body, without its beating heart, function? (And even if it can, should it?)

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features hard rock from Black Note Graffiti, worldly electronica via KUZbeats, psych-funk by Davis Caruso, modern classical by Alexis C. Lamb & Andy P. Smith, and folk-pop by Bekka Madeleine.

"Ripped from the headlines!" is a dramatic tagline frequently used for gritty police procedurals. But it can, perhaps increasingly, also be applied to broad slapstick comedies.

Inspired by real events in a small town Up North, Jeff Daniels' Office Christmas Party Grinch in Fight with Rudolph Police Called (styled without punctuation) imagines the chain of events leading to the title bout between Whoville's most notorious thief and the most famous reindeer of all. Directed by Daniels and starring Ryan Carlson, Paul Strolli, Henri Franklin, Juji Berry, and Ruth Crawford, it is playing at The Purple Rose Theatre in Chelsea through December 22.  

Office Christmas Party Grinch in Fight with Rudolph Police Called, which writer, director, and Purple Rose founder Jeff Daniels describes as "the longest title of anything I've ever written," takes place in the aftermath of the titular skirmish. Wally Wilkins Jr., the third-generation head of Middletown Fudge Company, berates employees Jerry Cornicelli, a.k.a The Grinch Who Stole Christmas, and Lamar Johnson, wearing a homemade Rudolph the Red-Nosed Reindeer costume, about the mayhem that ensued after a disagreement about the tempo of "Silent Night." Wilkins' daughter Bernice is thrilled that their company is part of a viral moment, but Wilkins himself fears the negative attention may sink his already struggling business. The gang is offered a holiday miracle, of sorts, from a sleazy media company offering big money for a Grinch/Rudolph rematch—now the challenge for Wilkins is convincing the would-be pugilists to get back in the ring for the "Fight Before Christmas."

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features beautiful voices from the University of Michigan Men's Glee Club, chill beats from White China, white noise and bleeps from The Chillennial, remixed and realigned R&B by Skyline, and icy post-punk indie by Modern Lady Fitness.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features indie-folk by Timothy Monger, genre-hopping by Isolation Sundaze, avant-garde torch songs by Olivia Cirisan, operatic shoegaze by Marty Gray, and screamo by Youth Novel.

Silver Linings: Celebrating the  Spelman Art Collection at the University of Michigan Museum of Art (UMMA) is an eclectic collection of 40 works of sculptures, lithographs, photographs, paintings, and a gelatin silver print. The media includes acrylic, ink, pastels, graphite, crayon, oils, metals, wood, glass, and even 24-carat gold. 

Styles and subjects vary, too. 

What unifies this exhibition is that all of the work represents Black artists and expresses feelings or thoughts about Black culture or life. 

“The exhibition came to be through decades and decades and decades of Spelman College’s commitment to collecting art by Black artists,” says Liz Andrews, Ph.D., director of the Spelman College Museum of Fine Art.  Andrews says the immediate reasons for putting together a touring exhibit, the museum’s first, are less significant than Spelman’s groundbreaking efforts over the years in prioritizing art by and about women of the African diaspora. 

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features psych-rock by Cloudburst, R&B by Sam Watson, synth-pop by Same Eyes, techno-rock by Michael Skib, and dreamy balladry by Chris DuPont.