Systems & Shtetls: Mother Cyborg's "Crafting Our Digital Legacy" & Ruth Weisberg's "Of Memory, Time & Place" at Stamps Gallery

VISUAL ART REVIEW

Mother Cyborg, The System’s System, quilt, 2021

Mother Cyborg, The System’s System, quilt, 2021

Stamps Gallery’s two simultaneous exhibitions have little in common visually, but they do share some overarching themes.

Mother Cyborg's Crafting Our Digital Legacy exhibit offers bright and captivating quilts that focus “upon our collective relationship with internet technologies, identity, legacy, and the future,” according to the text placed in the front of the gallery. 

Ruth Weisberg's Of Memory, Time & Place showcases her ethereal designs and controlled color palettes in her mixed-media works.

While Weisberg’s often-muted tones and figural works contrast visually with Mother Cyborg’s dynamic abstract textiles, both artists ask us to consider where we came from and where we might be going.

You Are Invited: UMMA's "You Are Here" exhibit welcomes visitors back to the museum with works that help viewers experience the space

VISUAL ART REVIEW

Keshawn Warren, Saint Francis of Assisi, 2008

Kehinde Wiley, Saint Francis of Assisi, 2008, oil wash and graphite on paper, in artist's frame. © Kehinde Wiley, Courtesy: Sean Kelly, New York.

​​In March 2020, the University of Michigan Museum of Art (UMMA) was closed to the public along with countless other businesses and organizations after the announcement of a global pandemic caused by COVID-19. During that time, we were offered virtual exhibits at UMMA; then, in June 2021, in-person exhibits resumed followed by the October 2021 reopening of the museum’s classic Jonathan and Lizzie Tisch Apse, revitalized with bright, vibrant walls and artworks that interact with visitors’ senses. 

UMMA’s first exhibit in the remodeled Tisch Apse is You Are Here. Curator Jennifer M. Friess writes about the joys of our renewed ability to come together in person, but she also notes that we still carry the past two and a half years with us: “While it is exciting to be together again and to see the world slowly reopen, we are also deeply impacted by what we’ve been through. This exhibition holds both of those feelings.” 

​​Even works that have been in the space for decades seem imbued with new life.

Sock It to Me: Bob Seger’s eight most crucial forgotten songs

MUSIC REVIEW

Bob Seger by Tom Weschler

Photo by Tom Weschler

This story was originally published June 6, 2019, just before Bob Seger brought his farewell tour to Michigan. We're rerunning it because another Seger-related event is happening on June 26, 2022 from 3 pm to 4:30 pm at the Ann Arbor District Library's downtown location:

"Turn the Page: The Bob Seger Story with Edward Sarkis Balian"

Dr. Edward Sarkis Balian grew up in Detroit and was in a local band at the same time that Bob Seger was breaking into the music business during the tumultuous 1960s. Dr. Balian’s association has continued with Mr. Seger, as they have both shared the same entertainment attorney for over 40 years. In this interactive presentation, Dr. Balian answers questions in-depth, discusses video highlights of Seger's career, and shares many facets of Seger's personal and professional life.

Interdimensional Transmissions’ No Way Back party was 14 hours of transformational bliss

MUSIC REVIEW

Carlos Souffront at Interdimensional Transmissions' No Way Back Party, May 26, 2022. Photo by Rosewyn Gold.

Carlos Souffront at Interdimensional Transmissions' No Way Back Party, May 26, 2022. Photo by Rosewyn Gold.

Resident Advisor, one of the most important websites covering electronic music, previewed Interdimensional Transmissions' annual No Way Back event as "the kind of party that can change your life if you let it."

Reading that, you might scoff, roll your eyes, and chalk it up as hyperbole.

That is until you go and experience the transformative power of No Way Back yourself, as I did on Sunday, May 26, at Detroit's Tangent Gallery.

No more scoffing.

What Price Genius? Theatre Nova’s "Relativity" explores the complicated life of Albert Einstein

THEATER & DANCE REVIEW

Phil Powers and Anne Damman in Theatre Nova's production of <em>Relativity</em> by Mark St. Germain, directed by Carla Milarch. Photography by Sean Carter Photography.

Phil Powers and Anne Damman in Theatre Nova's production of Relativity by Mark St. Germain, directed by Carla Milarch. Photography by Sean Carter Photography.

Can a great man also be a good man? What do the words great and good mean?

This is the theme of Mark St. Germain’s play Relativity, which explores the character of physicist Albert Einstein, who has become the very definition of genius.

Germain takes a troubling decision by Einstein and its impact on his professional and personal life to explore the complex balances and compromises that people make to follow their passions, in Einstein’s case a passion that would change forever the way we look at the universe.

Carla Milarch directs the Theatre Nova production of Relativity, which strikes a complex balance of its own, weighing gentle comedy against serious inquiry into the compromises Einstein made to follow his genius. 

The Share Zone: Ann Arbor Art Center launches multimedia exhibit "Sharing Space," the first show in its new building

VISUAL ART REVIEW

Ann Arbor Art Center entrance to the Sharing Space exhibition

Entrance to the Ann Arbor Art Center's new building and Sharing Space exhibition. Photo courtesy of A2AC.

What is space?

Is it the physical area around you?

Is it your mental perceptions of isolation versus intimacy, distance versus closeness? Finding your place in a crowd versus being alone with your thoughts?

Is space the place where we should launch Elon Musk on a Major Tom-like mission to Mars?

The artists in Sharing Space, a new multimedia exhibit at the Ann Arbor Art Gallery (A2AC), ask variations of these questions—except the one about an Elonaut floating around a tin can, that's all on me.

Sharing Space is A2AC's inaugural full exhibit in its newly increased footprint, which came about because the venerable institution bought and expanded into the building next door, reconfiguring nearly everything throughout the three floors of both structures. (MLive did a nice story on the renovation.)

The name Sharing Space is also a nod to a driving idea behind A2AC's newly configured galleries and workspaces. While A2AC has always been about sharing space with the community—the exhibits are free; the paid art classes welcoming to newcomers—its commitment to expanding deeper into the general public is front and center now.

The pandemic has also made us reconsider how and when we share spaces with others. Even though covid variants are still raging everywhere, the world has made the conscious decision to open up again, which means whether or not we're emotionally or physically ready, we have to figure out how to share spaces once again.

"I wanted our first exhibition to be something that spoke to our own process of coming back into the public emerging with our new space," said Interim Gallery Director Ashley Miller.

Feel Good Friday the 13th: UMMA's monthly series offered no bad luck, just great music

MUSIC REVIEW

A participant at UMMA's Feel Good Friday, May 13, 2022. Photo by Marc-Grégor Campredon

Somebody feels good at UMMA's Feel Good Friday on May 13, 2022. Photo by Marc-Grégor Campredon

The University of Michigan Museum of Art (UMMA) showed that Friday the 13th doesn’t have to be an unlucky day.

Every second Friday the museum presents a self-described "gathering of art and humans." The May 13 edition of Feel Good Friday featured Detroit- and Ann Arbor-based DJs and artists showcasing experimental film and Detroit techno, along with all the UMMA galleries being open for viewing.

Ann Arbor artists Mark Tucker (FestiFools) and Alvin Hill opened the evening by leading a hands-on workshop to celebrate the opening of FUN, UMMA's latest exhibit, which is in the Stenn gallery facing State Street. It's a space where visitors can contribute to a summer-long creation using materials provided in the gallery.

The up-and-coming Detroit-based DJ AK then took listeners through a musical history of Afrofuturism, spinning ghettotech, dubstep, and deep house in the Lizzie and Jonathan Tisch Apse. The crowd, whose ages ranged from young to old, all got to dancing, whether it was right in front of the speakers or as they took in the UMMA galleries. 

Five Minutes of Bravery: The Moth GrandSLAM returned to The Ark after a three-year break

PULP LIFE REVIEW

The Moth logo

Leaping out of indecision, or into a new love, or over a chicken coop—these were some of the jumps storytellers shared at The Moth’s GrandSLAM championship on May 12 at The Ark in Ann Arbor.

In the first Ann Arbor GrandSLAM since 2019, nine storytellers who were previous winners of the regular StorySLAM events each received five minutes to tell a true personal story, without any notes to guide them. Three groups of judges—naming themselves Quantum, The 229s, and The Bullfrogs—secretly rated each story, not even revealing the scores after a winner was determined. Amir Badghdadchi, a past GrandSLAM winner, was the host and kept the energy high. 

With this year's theme being "leaps," the GrandSLAM invited the audience to listen to "stories of springing into action, clearing hurdles, impulsive decisions or concentrating everything they have on a single bound. In short: busting a move."

Wherever You Are: Geoff Sobelle’s experimental theater piece explores what it means to be "Home"

THEATER & DANCE REVIEW

Full stage of actors on stage in a production of Home

Photo courtesy of UMS

Among the many, many things that have changed over the last two years is our sense of “home.” 

While traditionally associated with comfort and family and love, our homes became claustrophobic prisons of a kind during the pandemic as we holed up to protect ourselves and each other; and though home provided many of us with some semblance of safety, we were nonetheless terrified of being with others and of this dangerous thing that was out in the world that we didn’t yet understand.

So although the UMS presentation of Geoff Sobelle’s Home—a genre-defying hybrid of theater, dance, and interactive performance art that often has the feel of a live silent film—had been originally scheduled for April 2020, seeing it instead this past weekend during its two-day run at the Power Center inevitably meant the audience watched it with COVID-era eyes.

That’s not to say we collectively arrived at the venue with a jaundiced, wary perception filter firmly in place. But for many of us, the abstract idea of “home” as an emotional palette has expanded to include some darker hues, right alongside the more conventionally bright, cozy, warm ones.

(Not Quite) A MoodSwing Reunion: Jazz all-stars electrify Hill Auditorium despite missing a key member

MUSIC REVIEW

Brian Blade, Christian McBride, Joshua Redman, and Brad Mehldau by Michael Wilson

Brian Blade, Christian McBride, Joshua Redman, and Brad Mehldau—a MoodSwing reunion. Photo by Michael Wilson.

Joshua Redman comes across as surprisingly shy for one of the best saxophonists in the world. Instrument held slightly off to the side, he addressed the immense crowd at Hill Auditorium on Thursday night from behind his reading glasses and with an endearing timidity, almost apologetically searching for the right words as he gave titles for the night’s first two pieces and introduced his band. Never once did he betray even a hint of the fact that a minute before he’d delivered the kind of virtuosic performance only a handful of people in the world could give. 

The saxophonist and composer was joined onstage by talents no less ferocious than his own, almost a full reunion of the Joshua Redman Quartet lineup from the ‘90s. Bassist Christian McBride and drummer Brian Blade—Grammy winners both—grounded the ensemble as its rhythm section throughout the night, occasionally breaking out for breathtaking solos, and the only absence from the old days was pianist Brad Mehldau, who was originally slated to appear but called in sick at the last minute.