BACKYARD BRAINS' GREG GAGE AND TIM MARZULLO HELP PEOPLE EXPLORE NEUROSCIENCE IN THEIR NEW BOOK, "How Your Brain Works"

WRITTEN WORD INTERVIEW

The "How Your Brain Works" book cover on the left with authors Tim Marzullo on the top right and Greg Gage on the bottom right.

How Your Brain Works makes neuroscience available to everyone. Authors Tim Marzullo (top) and Greg Gage offer humor alongside science via illustrative drawings. Artwork by Cristina Mezuk.

Have you ever wondered how sleep can improve memory? Or considered how your eyes perceive color? It turns out that you do not have to be a degreed scientist or even work in a lab to find out! 

These questions all pertain to neuroscience, and it is possible to research them yourself by conducting the experiments in neuroscientists Greg Gage and Tim Marzullo’s new book, How Your Brain Works. Gage and Marzullo, the founders of Backyard Brains in Ann Arbor, make neuroscience available to everyone via more than 45 at-home tests outlined in their manual. The chapters keep the reader on the edge of their seat with the questions that the authors ask and the methods through which they answer them. As the two neuroscientists write, “Scientific discoveries can happen anywhere.” Plus, it is not only science – Gage and Marzullo offer humor alongside the science via illustrative drawings.

Neuroscience has long been an expensive endeavor, but tools that appeared in the early 2000s changed the landscape and brought neuroscience out of institutions and into anyone’s hands, Gage and Marzullo write. The premise of How Your Brain Works hinges on these technologies: 

Sites and Sound: The Regenerate! Orchestra aims to fill the Ypsilanti Freighthouse with community-made music

MUSIC PREVIEW INTERVIEW

A black and white photo of J. Clay Gonzalez standing on top of a mountain with a river down below.

J. Clay Gonzalez's The Regenerate! Orchestra encourages music-making, no matter your skill level. Photo courtesy of the artist.

The Ypsilanti Freighthouse was built in 1878 to host train-bound goods.

On April 26, it will host 85 musicians in The Regenerate! Orchestra for a performance that's part of UMS’s new concert and event series at the venue.

The ensemble will perform four or five works created by J. Clay Gonzalez, a composer who leads the orchestra. All of the music is improvisational to a degree and arranged specifically for the unique ensemble of 85 musicians, nonmusicians, and children that Regenerate! assembled for this event.

To accommodate the personnel's varied skill sets, and to achieve the freely structured sound that typifies Regenerate! Orchestra's aesthetic goals, Gonzalez prepares intricate sets of guidelines and instructions for each performer. These range from traditional music notation to text and images demonstrating how someone may make noise with a piece of paper, egg shaker, or found object. Flutists Michael Avitabile and Justine Sedkey, both University of Michigan alumni, will also appear as soloists for a new concerto-like composition.

All of the pieces in this concert were created specifically with the Freighthouse in mind.

“We will present a large number of musicians spread out in the 360-degree field and they will create these wild soundscapes that a lot of people will find immersive," Gonzalez says. “During the big piece, the audience will be invited to move throughout the space."

Take a Leap: Fifth Wall's new abstract chamber-rock opera "The Precipice" debuts at Riverside Arts in Ypsilanti

THEATER & DANCE PREVIEW INTERVIEW

Grey Rose Grant and Karl Ronneburg rehearse their original abstract rock-opera The Precipice.

Grey Rose Grant and Karl Ronneburg rehearse their original abstract rock-opera The Precipice. Photo courtesy of Fifth Wall Performing Arts.

Our lives are not static.

We go through changes, we ask questions.

What does leaving home involve? What's it like to move on from relationships? What does any life change entail?

Fifth Wall Performing Arts, a multidisciplinary troupe that does experimental musical theater, tackles questions like these in Karl Ronneburg‘s The Precipice.

Karl, who uses only his first name professionally, created a collage, woven from journal entries, poems, letters to friends, music, and voice memos—his own and those of Grey Rose Grant—to create the abstract chamber-rock opera.

Audiences at Riverside Arts in Ypsilanti on April 29 and 30 will witness the world premiere of The Precipice before the company brings the piece to New York City. 

No Restrictions: Independent Film Festival Ypsilanti returns with a full slate

FILM & VIDEO PREVIEW INTERVIEW

iFFY logo

When Martin Thoburn and Donald Harrison launched the Independent Film Festival Ypsilanti (iFFY) in 2020, they offered cinema fans socially distanced, drive-in-style screenings and a momentary reprieve from the pandemic, which had shuttered movie theaters across the country.

Three years later—and one year after finding a new home at the Riverside Arts Center—iFFY is solidifying its spot on the local film scene with an ambitious scope and schedule, running April 19-23. 

"There's also double the amount of programming. An extra day-and-a-half," said Micah Vanderhoof, iFFY operations manager and a University of Michigan alum with a bachelor's degree in screen arts and cultures who previously worked as a programmer for the Portland International Film Festival.

"Michigan-ish," a competitive program of a dozen short films produced in and around the region, kicks off the fest on Wednesday, April 19 at 7:30 pm, followed by an after-party at Ziggy's featuring DJ sets and decorations by House of Jealous Lovers.   

Doors of Perception: J. Michael & The Heavy Burden explores folk-rock and winding jams on its debut album

MUSIC INTERVIEW

J. Michael and the Heavy Burden group photo.

J. Michael & The Heavy Burden's Chris Peters, Chris Georges, Andrew Pfeiffer, Jeff Brach, and Shannon Lee. Photo courtesy of J. Michael & The Heavy Burden.

When one door closes, another may open.

That was the case in 2021 for J. Michael & The Heavy Burden leader Jeff Brach when he parted ways with one band to start another.

“I’d recently decided to close the chapter on another similar project that went by the name Stella Noon,” said the guitarist and singer. “I asked one of the newer members from that band, [singer] Shannon Lee, to join me in this new project and she soon thereafter introduced me to our drummer, Chris Georges.”

Brach combed through social media to fill out the rest of the band, which includes lead guitarist Andrew Pfeiffer and bassist Chris Peters, and the Ann Arbor area group recorded a few singles in early 2021 at Rooftop Studios in Grand Blanc.

“We fully intended on just having something out there to help garner some gigs until we had more time to record a full album,” said Brach, whose first initial and middle name provide the J. Michael part of The Heavy Burden.

That time finally came toward the end of 2022 when the band returned to Grand Blanc to record its self-titled debut and once again work with David Roof, who ended up joining the band as its keyboardist and plays various other instruments on the album.

'Til Tuesday: Terry McClymonds' idiosyncratic trivia nights have built an enthusiastic community over the past 12 years

PULP LIFE INTERVIEW

Terry McClymonds surrounded by trivia players at Argus Farm Stop's Packard Cafe wearing T-shirts with his face on them.

Terry McClymonds (third from left) is surrounded by trivia players at Argus Farm Stop's Packard Cafe wearing T-shirts with his face on them. Photo courtesy of Argus Farm Stop.

Trivia nights in Ann Arbor are not uncommon, but Terry McClymonds' event might have the longest legacy. He started Trivia Night With Terry! in 2011 and has garnered a devoted following for his twice-a-month game, now at Argus Farm Stop’s Packard Cafe.

“It’s like a community,” McClymonds says. “There are students and graduate students, people from that neighborhood and my neighborhood, lots of ages. They’re all so enthusiastic.”

Nature's Way: Cathy Barry's "Connatural" paintings at Matthaei Botanical Gardens explore biological patterns

VISUAL ART INTERVIEW

Cathy Berry's painting Biosphere

Cathy Berry, Biosphere

Cathy Barry’s Connatural exhibit at the University of Michigan's Matthaei Botanical Gardens inspires the viewer to look at the natural world through a new lens. 

“Nature is the big umbrella of what inspires and has always informed my work,” the Ann Arbor painter writes in her artist’s statement. “My most recent work focuses on collecting and referencing biological sources and patterns found in nature.”

Some of those biological sources even provide colors for Barry's paintings as well as textures embedded into the works.

"I am extracting colors from local sources—in the backyard or the grocery store—including buckthorn, cattail, turmeric root, forsythia, beets, mulberry, yellow and purple onion skins," the Stamps lecturer writes in her artist's statement. "I then reference older practices by experimenting with inlay work of painted paper, traditionally used to create jewelry, furniture, mosaics and textiles. I am creating motifs and abstract compositions by cutting shapes from my plant-based paintings, fitting them together and assembling them. I am integrating materials with form and subject in my painting to evoke a peaceful wholeness that references the innate wisdom of nature."

Nature isn't the only thing referenced in Connatural, though only fans of one of the world's biggest pop stars might notice.

"For any Swifties out there, take a closer look at some of the titles in the exhibition," she said with a smile.

Barry answered a few questions about the exhibit, which runs through April 30.

Gilbert and Sullivan’s 1881 comic opera "Patience" skewers a popular art movement of the day—and the satire still stings

THEATER & DANCE PREVIEW INTERVIEW

Detail from the program cover for the Savoy Theatre's 1881 production of Patience

Detail from the program cover for the Savoy Theatre's 1881 production of Patience.

When Gilbert and Sullivan’s operetta Patience opened on April 23, 1881, London’s Savoy Theatre had another hit from the popular duo. Patience had another witty and stinging libretto from W.S. Gilbert and a witty and lush score from Arthur Sullivan.

Gilbert and Sullivan once again tapped into the latest fad by lampooning the aesthetic movement of the 1880s and '90s. The art-for-arts-sake approach to the arts, including theater, was itself a critique of art with a message or political manifestos. Though the movement preceded Oscar Wilde, he is often cited as an example of the aesthetic approach.

Over time, Patience has not been performed as frequently as Gilbert and Sullivan’s other comic operas, HMS PinaforeThe Pirates of Penzance, and The Mikado

Cameron Graham is directing the University of Michigan Gilbert and Sullivan Society production of Patience, which runs April 13-16 at the Lydia Mendelssohn Theater, and believes it has a lot to say about our own self-involved times as it did when it first wowed the London audiences.

10 Years After: Acoustic Routes Celebrates Decade of Concerts, Hosts Benefit Show with Rosanne Cash

MUSIC INTERVIEW

Rosanne Cash performs May 13 at the Michigan Theater to benefit the Breakfast Program.

Rosanne Cash performs May 13 at Ann Arbor's Michigan Theater as part of the Acoustic Routes concert series to benefit the Breakfast Program. Photo courtesy of Jim Cain.

In the late ‘80s, Jim Cain didn’t expect a Midwest tour with his friends’ punk band would lead to a love of acoustic music.

As the band’s roadie and road manager in college, he heard artists like Ralph Stanley, Lyle Lovett, and Bill Monroe while traveling in a crammed Oldsmobile Cutlass with his Michigan State University pals and became intrigued.

“My tastes growing up were more The Beatles, The Stones, and The Who,” said Cain, now the founder and curator of Saline’s Acoustic Routes concert series, which celebrates its 10th anniversary this month.

“A couple of friends at the same time started exploring more traditional artists like The Louvin Brothers and really went deep into the mix, and that’s just grown over time. I first got exposed to artists like Doc Watson and Mississippi John Hurt when I got inspired to attempt to learn the guitar. All of these things just kinda dovetailed.”

By 2010, Cain’s passion for country, bluegrass, folk, and other traditional acoustic-based music resulted in curating a live show at The Ark with Bonnie Rideout, Duck Baker, Bill Bynum & Co., and Rev. Robert Jones and Sister Bernice Jones.

Executive director of Ypsilanti's ÆPEX Contemporary Performance discusses the music of Julia Perry with mezzo-soprano Olivia Johnson

MUSIC INTERVIEW

Garrett Schumann, executive director of the Ypsilanti-based ÆPEX Contemporary Performance, and mezzo-soprano Olivia Johnson (Detroit Opera House, Seattle Opera) talked about the life and music of African-American composer Julia Perry (1924-1979) on May 28, 2022, in a Zoom discussion sponsored by the Ann Arbor District Library. The event featured rare archival materials from Perry's career as well as the first public screening of ÆPEX's video recordings from June 2021 of two of Perry's compositions, in which Johnson participated as a vocal soloist: "Pastoral" (1959) and "Stabat Mater" (1951).

A Tanglewood fellow and graduate of the Juilliard School, Perry built an accomplished international career as a composer and conductor in the face of enormous obstacles. Despite receiving a commission from the New York Philharmonic and awards from both the American Academy of Arts & Letters and Guggenheim Foundation, Perry's music fell all but silent following her death.

This presentation explores the reasons behind Perry's muted posthumous legacy by diving into the constellation of documents that record her life and career, including archival audio of the composer describing her music at a Columbia University forum in 1954.