Siblings always have issues.
Sometimes the older they get the testier they become, especially when their paths diverge.
This idea became the inspiration for Christopher Durang’s Tony Award-winning play Vanya and Sonia and Masha and Spike, a comedy about sibling resentments that takes some inspiration from Russian short-story writer and playwright Anton Chekhov.
Cassie Mann, who is directing a production of Vanya for the Ann Arbor Civic Theatre, March 14-17, said she fell in love with the play when she read it.
Ypsilanti writer and Eastern Michigan University professor Rob Halpern considers the relationship between the personal body and political violence in his new book, Weak Link. Through several forms ranging from poetry to numerical essay, Weak Link examines physicality, art, politics, and war, among other topics, and also is self-referential.
How the writing is working and what it is doing are explicitly addressed and questioned within the text itself. How do we understand and connect with that which we haven’t experienced? How do we go beyond ourselves and situations while still recognizing where we are and what is? What can poetry be and do? These questions and many more populate the collection.
The text expresses a desire to make connections between the public and the personal, between socio-political issues and the self who is interacting with them. At times reading like a stream of consciousness and at others like a well-plotted argument, Weak Link simultaneously consists of a thought experiment, aspirational view of poetry, and penetrating depiction of reality.
Miles Okazaki is among the greatest living improvisers on the guitar. An assistant professor of jazz guitar at the University of Michigan, he has his own deep and well-conceived ideas about rhythm, harmony, and melody. A few weeks ago I had the opportunity to sit down with Okazaki to discuss his latest release, a massive six-volume solo-guitar project entitled Work in which he recorded every song by Thelonious Monk -- 70 in total -- with no effects, overdubs, key or time changes.
It’s difficult to overstate the importance of Monk in American music. His approach to harmony, melody, and especially rhythm has influenced virtually every musician who has followed him. It was a privilege to be able to get into the weeds with Okazaki on the topic of Monk’s music.
Our conversation is below, with some edits for flow.
Kristianna didn't mean to write a concept record about relationships. The Ypsilanti native wrote the five songs on Too Late to Be Sorry over five years "and once I came up with the concept, I placed them carefully in order to tell the story," she said.
The slow-jam R&B tunes are bookended by two voicemails, which tie together the tale.
"The album concept is all about communication, or the lack of, using telecommunication, and is meant to be heard in the track order," said Kristianna. "So the intro is the girl calling this guy letting him know her feelings through these songs, then you hear voicemails throughout the project back and forth from the female and the male perspective. The outro is him calling back after he listened to the mixtape that was made for him, leaving the listener ready for part two."
“Overnight I found my love affair with Detroit slipping away. My worldview changed," said author Vern Smith, speaking of his experience in the wake of the September 11, 2001, terrorist attacks in New York City.
Growing up in Windsor, Ontario, Smith said, “Detroit was my second hometown. I started sneaking over the border when I was 11 and found my culture there. Can’t tell you how many live shows I’ve seen there because it was so easy to access pre-9/11. Then it changed so abruptly and [the two cities] were being kept apart.”
Smith’s novel The Green Ghetto takes place a year after the New York attacks, which was about the same time the former journalist and broadcaster started working on short stories.
It may sound like a movie title ripe for a Mystery Science Theater 3000 show, but Robots vs. Aliens is the name of a new multimedia art project by Joe Bauer, an Ann Arbor-based musician and co-founder of the North Coast Modular Collective.
Produced under Bauer's stage name, Verzerren, Robots vs. Aliens is comprised of a concept album featuring modular synthesizers, illustrations, mailed letters and postcards, and performances at Riverside Arts Center in conjunction with the new exhibition Towards/Past the Future, which explores "technology, society, and identity through the lens of science fiction."
Set 100 years into the future, Robots vs. Aliens tells the story of humans and cyborgs living together, but their equilibrium is disrupted when peaceful dispatches from extraterrestrials are misinterpreted. The robots revolt, aliens invade, at the Earth is devastated. But the remaining humans have a chance at redemption when intercepted messages are sent back in time in hopes that people will read them and make different choices to induce an alternative future. This is where the postcards and letters by Bauer and artist Aaron Graff come into play: participants will receive these documents in the mail over a two-week period with the object of piecing together the story and solving the mystery of how humanity can save itself.
I asked Bauer some questions over email about the inspirations and ideas behind Robots vs. Aliens, which you can also listen to below.
Playwrights begin with an idea. They imagine a setting, develop a cast of characters, and write a script. But that’s just the beginning. A director and actors will breathe life into the writer’s words. Only then can a writer get a feel for whether his or her play hits its mark.
That’s where the semi-annual Michigan Playwrights Festival at Theatre Nova provides an important service to playwrights and a great opportunity for theatergoers to see an original play in its infancy.
“Playwrights tell us how valuable it is to hear their play read out loud by professional actors in front of an audience,” said Diane Hill, producing artistic director of Theatre Nova, in an email interview. “They can see if what they thought was funny actually receives laughs or if what they thought might be a poignant moment falls flat. They also listen to the audience discussion that follows the reading concerning its positives and negatives which can sometimes lead to script alterations.”
Five new plays by Michigan playwrights will be presented March 6-10 in staged readings at Theatre Nova in Ann Arbor.
The local indie folk-rock band Little Traps brings sharp musicianship, an off-center outlook, and a distinctive sound with a banjo leading the way. Released late last year, their first full-length album, Can’t Count, is a welcome showcase of their work.
The band charms listeners with its warm, inviting sound, but underneath lies a somewhat more complex tone. “Uncertainty, ambivalence, and second-guessing are the bread and butter of my lyrics,” singer-songwriter-guitarist Nick Bertsos says.
In addition to Bertsos, the core band consists of singer-banjoist Annie Palmer and guitarist/pedal steel player Thomas Green. At various times other musicians help fill out the sound; on Can’t Count, Howard White plays bass and keyboards, while Ali Snyder plays drums. On New Tricks, a recently released EP of cover songs, Jessiah Hall is the drummer.
Bertsos answered a few questions recently via email:
John Coltrane on the saxophone.
Eddie Van Halen on the guitar.
Link on the ocarina.
These are giants of their instruments.
Comprised of accomplished jazz and experimental artists Kirsten Carey (guitar), Andrew Hintzen (keyboard), Neal Anderson (EWI / trumpet), Jon Hammonds (bass), and Jonathan Taylor (drums), The Seven Sages make their debut at Ziggy's in Ypsilanti on February 21 -- the 33rd anniversary of the first Legend of Zelda game being released.
Carey and Hammonds answered some questions in an email interview about how The Seven Sages materialized, which Zelda songs the band will play, and their favorite tunes from the games. The queries were posed by myself and Eli Neiburger, who is deputy director of the Ann Arbor District Library and a member of the Nintendoland Family Band.
A Genuine Act of Discovery: U-M's Juan Cole on his book "Muhammad: Prophet of Peace Amid the Clash of Empires"
Dr. Juan Cole has spent his life dedicated to the study of the Middle East, Muslim South Asia, and religion. He’s been at University of Michigan since 1984, quoted in papers from the L.A. Times to the Baltimore Sun, and appeared on PBS Newshour, Nightline, and The Colbert Report. He received a National Endowment for the Humanities grant for research on Shiite Muslim thought and history, published translations of Arabic literature by Kahlil Gibran (and later, sponsored an exhibit of Gibran’s paintings at the Detroit Institute of Arts), acted as the director of the Center for Middle Eastern and North African Studies at U-M, served as editor in chief of the International Journal of Middle East Studies, and wrote or translated nearly 20 books.
This past October, Bold Type Books published Cole’s most recent book, Muhammad: Prophet of Peace Amid the Clash of Empires. The book’s publication at this particular time is in response to recent events around the world. “Extremist groups are misusing or using religious text in dishonest ways," Cole says. "North America and Europe have seen a rise in Islamophobia and the smearing of the prophet Muhammad.”
Cole originally studied early Islam and its foundations while in graduate school in Cairo and later at UCLA. “I got pulled away from the medieval studies," Cole says, "and pulled into writing about modern and contemporary issues in the Middle East by several events,” including the Iranian Revolution. “Although I had this earlier training, I didn’t put it to use in a whole book until now. I tried to tell the story as a response to this moment that we find ourselves in.”