As an archivist, Pat Thomas is focused on letting the subject speak or sing unadulterated. So, whether it's working on album reissues for the Light in the Attic label and others, or writing about the Black Panthers and other political movements, Thomas wants voices and ideas to be presented as the artists and activists intended.

Thomas' latest search for the truth is Did It! From Yippie To Yuppie: Jerry Rubin, An American Revolutionary, which follows his other graphics-heavy book for Fantagraphics, Listen, Whitey!: The Sounds of Black Power 1965-1975.

Those who don't closely follow the opera world may not think of the artform as a medium that addresses issues any less than a century old. But the 2014 opera As One, which will run April 6-7 at the Kerrytown Concert House, addresses one of the biggest social issues in our current public discourse: the experience and rights of transgender people.

The U-M Institute for Research on Women and Gender and the Department of Women’s Studies exhibition Labors of Love and Loss is a collection of mixed-media pieces exploring gender and race and "considers the intertwined lives of caregivers, their dependents and charges.” The exhibition presents the works of Marianetta Porter and Lisa Olson, featuring processes such as letterpress combined with found objects. Though Porter and Olson’s works differ in some respects, they create a cohesive, important dialogue about the history of women’s work and the intersections between race, gender, and class, expertly portrayed through text and object. 

What exactly is the exhibit, and what are the Labors of Love and Loss that the title refers?

When Michael Gustafson, co-owner of Literati Bookstore with his wife, Hilary, put a typewriter out for public use in the basement of the store, he wasn’t sure what would come of it. 

"There was no concrete plan,” he says. “It was more of an experiment.”

Literati’s logo features a typewriter based on a Smith Corona that Gustafson inherited from his grandfather, and he decided it would be fun to give customers the chance to use a typewriter when they visited the store.

He had no idea it would be as popular as it is.

Some authors would give their right arm for a book deal. Others would give a kidney or two.

Author Michael A. Ferro gave an eye.

“It started when I noticed that I couldn’t see out of my left eye,” Ferro says. After a visit to the emergency room (following a quick stop to Google the symptoms), the Ann Arbor-based Ferro learned he had Central Serous Chorioretinopathy. This disease largely strikes men between the ages of 30-50, and while its exact cause is unknown, it's believed that stress plays a major part -- for instance, the enormous stress and hard work associated with publishing a book.

On the positive side, that stress and hard work produced a spectacular debut novel called Title 13.

Ann Arbor-based novelist Camille Pagán (Forever Is the Worst Long Time, Life and Other Near Death Experiences) was in the midst of writing a book that wasn’t going anywhere when she had an unnerving grocery-store experience.

“This guy, a college kid ... bumped into me and didn’t even look at me or say anything,” said Pagán, who also noted that on other occasions while out shopping, she’d observed “when a cashier would talk to and make conversation with a middle-aged man but then not talk to the middle-aged woman who was next in line. This seemed to me to really be saying something about our society and how we view and treat women as they age.”

What makes someplace feel like home?

That’s the main question that threads throughout Lin-Manuel Miranda’s semi-autobiographical musical In the Heights, a story about the neighborhood Washington Heights and all of the people who live there. Miranda is best known for creating Hamilton a few years back, but he first rocketed to Broadway fame as the writer and lead actor in In the Heights.

“It’s unbelievable how he was able to encapsulate this whole community into music,” said Bruna D'Avila recently, the director of an entirely student-produced and acted University of Michigan Musket production of the show that runs March 16-18.

Kirsten Carey shreds on guitar like free-jazz icon Derek Bailey.

She also wears a paper bag on her head like The Gong Show's Unknown Comic.

That combination of avant-garde string slaying and performative humor defines Carey's art-punk duo Throwaway, which just released the songs "Bonathan Jyers" and "Exotic Bird" as a digital single and booked several shows in Southeast Michigan, including March 16 at Ziggy's in Ypsilanti.

Vicki Honeyman knows a thing or two about film.

As executive director of the Ann Arbor Film Fest from 1988-2002, Honeyman nurtured and expanded the event by acquiring sponsorships, personally screening films for the festival, and much more. 

Honeyman is now the owner of the hand-crafted jewelry store Heavenly Metal at 208 N. Fourth Ave. in Kerrytown, but she's been invited to use her cinematic curatorial skills once again for AAFF's 56th anniversary, March 20-25. "Vick’s Picks," shown March 24 at 9:15 in the Michigan Theater, features 13 films from Honeyman's 15-year tenure as AAFF's leader.

We chatted with Honeyman at Heavenly Metal about her picks for this year's AAFF. 

If you don't yet know the work of Yvonne Rainer, after the 56th annual Ann Arbor Film Festival, you most certainly will.

The post-modern dance maverick and her work will be highlighted during AAFF, which runs Tuesday, March 20 to Sunday, March 25. Rainer, who is known for her provocative style of dance and fragmented narrative style of film, began her career in the 1960s as a founder of the Judson Dance Theater. She then transitioned to film-making in the mid-'70s. After making seven experimental feature-length films, Rainer returned to choreography in 2000 when she choreographed After Many A Summer Dies a Swan for the Baryshnikov Dance Foundation. Currently, Rainer works with a troupe of talented people who take her dance to Europe and across the United States. 

Rainer will present her essay-turned-lecture "A Truncated History of the Universe for Dummies: A Rant Dance" at the Michigan Theater on March 22 at 5:10 p.m. as part of the Penny Stamps Speakers series. (The documentary Feelings Are Facts: The Life of Yvonne Rainer screened at UMMA on March 7.) 

On March 23 at 7 pm, Rainer's sixth feature film, Privilege, will be shown at the Michigan Theater screening room. Privilege is a pioneering take on menopause and was called her "most accessible film" by the Village Voice. Five Easy Pieces, her collection of short films made 1966-1969, screens Saturday, March 24, 4 pm at the Michigan Theater.

We chatted with Rainer about Privilege, Five Easy Pieces, filmmaking, and dance.