Pursuing a career in film and music is an unusual route for a former quarterback to take, but that’s exactly what former Michigan QB David Cone has done.

“Fortunately, I grew up in a household that valued a renaissance way of life,” said Cone, who played for the Wolverines from 2006-2009. “When I discovered a talent for football, I pursued it. I love songs, so I write them. I enjoy films, so I make them. I want to exhaust life in such a way that when I looked back, I’ve left no stone unturned.”

Now back in his home state of Georgia, Cone splits his time between Atlanta and Nashville and just released his debut album, Welcome Home.

Serendipity isn't something that just happens; you have to work on putting yourself in a position to make it happen.

Jazz vocalist Estar Cohen puts in the work.

"On December 26, 2016, I recorded my piece 'Moments' with a string quartet live for The River Street Anthology Project at Cultivate in Ypsilanti," said the Toledo-raised, Ypsilanti-based singer. "Ben Lorenz of Willis Sound happened to be in the audience that night. He told me about a church he was in the midst of converting into a studio and invited me to hold a concert there."

That concert was recorded and released last year as Live at Willis Sound, the second album by The Estar Cohen Project.

Sean Curtis Patrick's film Exo is a sumptuous work of art. It also happens to be a music video for Bana Haffar's song of the same name from her recent Matiere 12-inch single, but it could slot easily into a multimedia exhibition at a museum.

"Exo," the song, is filled with clicks, blips, buzzing, and bells that eventually build into a spiraling passage of ambient arpeggios. Haffar recorded the song live, with no overdubs, using a custom-built Eurorack synthesizer featuring modules by Make Noise, whose in-house record label put out the 12-inch. The song is abstract and lovely, just like Patrick's video.

Patrick performed at the Mini MoogFest in November 2017, and I spoke with him back then about his musical plans for that day; the interview below talks about his background as a multifaceted artist -- he also works in ceramics and is a graphic designer -- and the inspiration, research, and details behind the gooey and gorgeous images in Exo. (I embedded the video in this post, but you should watch it full screen and use good headphones for the full effect.)

The rock trio minihorse was featured in Detroit Metro Times' “12 Detroit Bands to Watch in 2018," with the qualifier that the trio is actually from Ypsi.

The band is comprised of Ben Collins on lead vocals and guitar, AADL’s own Christian Anderson on bass, and John Fossum on drums who create loud, fuzzy songs that are rich in melody. Collins' lyrics are reflected in minihorse’s responses to my questions: vacillating between insightful self-reflection and cheeky humor. Take the standout track “Blueblack” from last year's Big Lack five-song mini-LP: “The mailman’s dressing in all black / at least that’s who I think it is through the pinhole. / That’s him tilting his head back / I think I should let him into my VIP.”

Over tea and biscuits, we talked with minihorse about the band's forthcoming debut LP, inspiration, meditation, and mental health.

Although it's far more polished than your average basement club, The Leon Loft still boasts the same hush-hush cool that surrounds a good underground venue. You likely won't just buy a ticket to see a show at the venue on the second floor of Leon Speakers' custom audio business adjacent the Ann Arbor Municipal Airport. In addition to hosting various private events, the Loft's signature offering is its ongoing free concert series hosted by Acoustic Café's Rob Reinhart. The series has presented an eclectic mix of over 30 artists including Michael Franti, Fitz and the Tantrums, and City and Colour. The concerts are broadcast live on 107.1 FM and archived online in video form, but to catch one live you'll have to win tickets on 107.1. 

But once you get in, you're in for a treat.

The version of The Gershwins’ Porgy and Bess that will be performed at Hill Auditorium on Saturday, Feb. 17, won’t be tremendously different from other renditions familiar to audiences through the decades. But it will be the closest thing anyone’s heard in quite some time to the “folk opera” performed just the way its creators intended.

Saturday’s opera is part of the Gershwin Initiative -- a long-term partnership between the Gershwin family and the University of Michigan. Presented by the University Musical Society and the U-M School of Music, Theatre & Dance, the event will mark the public debut of a new, scholarly edition of the opera’s score. Morris Robinson as Porgy and Talise Trevigne as Bess lead the cast; the performance will also include the University Symphony Orchestra conducted by Kenneth Kiesler; the UMSMTD Chamber Choir, directed by Jerry Blackstone; and the Our Own Thing Chorale, directed by Willis Patterson.

Evolution is real, but it's usually something that's out of view, the process hidden over the course of many years. But the Ann Arbor group Hydropark evolved before our ears -- and quickly.

The band formed as a trio in 2013 when drummer Chad Pratt, keyboardist Chuck Sipperley, and guitarist/keyboardist Fred Thomas would get together and create noisy instrumental jams that focused more on texture than melody, hammering out aggressive, improvised space rock. You can hear these practice-room freak-outs on four cassettes the group released in 2013-2014, two of which are on Hydropark's Bandcamp page.

Time, space, and matters of the heart converge in Mia Chung’s surreal drama You for Me for You.

Chung’s 2012 play hits on two red-hot topics -- immigration and the tension between North Korea and the United States -- in a story of two loving sisters who become separated in time and space.

You for Me for You will be presented Feb. 15-18 by the University of Michigan’s Department of Theatre and Drama at the Lydia Mendelssohn Theatre.

Joseph Keckler is a writer, artist, actor, musician, and singer with a three-octave range, and he often blends all those talents while creating his art. Because of his multidimensional skills, Keckler is frequently called a performance artist, which is fine by him.

“I didn’t intend to be one," the Michigan native said, "but it’s a good umbrella term for me and people like me who don’t fit into a particular discipline. ... So while I’m still not sure I am (a performance artist), the label has given me a great deal of permission to create my own way of working and to pursue certain traditions outside the traditional realm.”

Keckler graduated from the University of Michigan and he makes his triumphant return to Ann Arbor on Wednesday, Feb. 7 as part of the Penny Stamps Speaker Series where he'll read from his recently published book of essays, Dragon at the Edge of a Flat World: Portraits and Revelation.

Anıl Çamcı is a builder, but the materials he uses aren't wood and nails. The assistant professor of Performing Arts Technology at the University of Michigan creates worlds from soundwaves, constructing sonic cities with software and synthesizers.

This is Çamcı's first year teaching at U-M, coming from the University of Illinois at Chicago's Electronic Visualization Laboratory and, previous to that, Istanbul Technical University's Center for Advanced Studies in Music. But he's already managed to rework some of his compositions to take full advantage of the Chip Davis Technology Studio, a multimedia lab funded by the U-M grad and Mannheim Steamroller founder.