The fanciful world of Dr. Seuss will come to life on the Mendelssohn Theater stage this weekend when Ann Arbor Civic Theatre presents Seussical, the Musical

“We were looking for a family fare kind of show,” said director Denyse Clayton. “Most every show for families is a ‘feel good’ show, but in the particular political climate we’re living in now, I think that to buy a ticket and go someplace magical to escape it all for a while feels particularly good.”

Although the Ann Arbor/Ypsilanti area is certainly home to many talented jazz musicians, sometimes it might seem that they fly a little under the radar. The A2 Jazz Fest is out to change that.

The free admission, two-day festival returns for its second edition Friday and Saturday, September 8 and 9. Friday evening’s venue is the First Congregational Church, while on Saturday the festival takes over LIVE nightclub. (This is a change from the initially announced location at the Ann Arbor Distilling Co.)

“Currently jazz is featured at a number of restaurants and bars, once or twice a week, but there is no longer a dedicated jazz club in Ann Arbor or Ypsilanti," says Dave Sharp, local bassist, bandleader, and organizer of the A2 Jazz Fest. "UMS and the Kerrytown Concert House certainly feature amazing jazz groups, but not on the scale or frequency of a jazz club or jazz festival."

New York meets New Orleans in Ann Arbor on Friday, Sept. 8, as Butler, Bernstein & The Hot 9 bring their unique twist on classic jazz to a special concert at Downtown Home & Garden/Bill's Beer Garden.

The show, which opens the new season of the University Musical Society, continues a successful partnership of the great New Orleans pianist and singer Henry Butler with Steven Bernstein, the accomplished New York trumpeter and bandleader known for working in a number of different styles with various ensembles.

Downloads:
➥ MP3 for "Behind the Sky"
➥ 720p video

Tools Crew Live is an ongoing video series where we invite artists to perform with gear borrowed from the Ann Arbor District Library's Music Tools collection: aadl.org/musictools.

The most common use for effects pedals in AADL's collection is to change the sound of electric instruments, such as guitars and keyboards -- not acoustic gear, such as trumpets and drums. But there's nothing common about the music of Mark Kirschenmann, PhD. He's been experimenting with changing the tone of his trumpet through electronics since the '70s after he heard Miles Davis' electro-jazz-funk classic On the Corner.

Kirschenmann is a U-M lecturer of jazz and contemporary improvisation, and he also leads the music school's Creative Arts Orchestra, which includes drummer Adam Shead, a grad student at U-M studying "cultural memory, tradition, and narrative in improvised music communities." Shead augments his standard drum setup with electronics and straight-up knick-knacks, such as a dishtowel or his wallet, so he can explore different tonalities on his kit.

Together, Kirschenmann and Shead combine their extended techniques -- such as playing the trumpet without a mouthpiece or putting a leg on the snare drum -- to create an improvised universe of sound.

We talked to the duo about why they began applying electronic effects to their acoustic instruments, Kirschenmann's use of AADL music tools in his classes, and the stories behind the two songs they recorded for us in the library's Secret Lab on April 20, 2017.

The release of a new Chris Bathgate album is a major occasion for fans of great songwriting and enticing sounds -- especially in Michigan, where he has strong ties.

He released the Old Factory EP last year, but this spring’s Dizzy Seas is Bathgate’s first full-length album since 2011’s acclaimed Salt Year. (All came out on the Ann Arbor-based Quite Scientific label.) The songs on Dizzy Seas are as strong as ever, presented in a sound that’s simultaneously rich and stripped down. And although Bathgate now lives in California, Michigan has definitely left an impression.

He agreed to answer a few questions via email about the new record, the themes of his songs, and Michigan music.

Downloads:
➥ 720p Video
➥ MP3

During the Ann Arbor Comics Art Festival -- aka A2CAF -- in June, cartoonist Jerzy Drozd interviewed his fellow author-illustrator Ben Hatke about his work. The two were on the third floor of the downtown branch of the Ann Arbor District Library, standing in front of the framed works that comprise the exhibition Ben Hatke: Art and Adventure:

Explore the plucky heroes, eerie monsters, and fabulous realms of artist and author Ben Hatke in an exhibition of original art from his picture books and graphic novels. Illustrations and watercolors from Nobody Likes a Goblin, Zita the Spacegirl, Julia’s House for Lost Creatures, and a few surprises. (The exhibition runs through August 31.)

The talk between Drozd and Hatke runs 41 minutes. Pressed for time? Grab the MP3; the conversation works fine as a podcast. Or if you want to skip around, see the list below with the topics discussed and their times in the video/MP3:

What do the performers and writers for WordFest Two -- "a spoken word variety show, (with) original works by local wordsmiths" -- have in common? A limited investigation revealed overlapping histories that include performing on an Ann Arbor Civic Theatre stage, participating in the Ann Arbor Storyteller's Guild (AASG), or having written, then recited, poetry in public, doing improvisation, or producing small theater events.

Although the performers come from varied backgrounds, they all seem to have one thing in common: the desire for a live audience, which WordFest performers will get August 25 and 26 at Ann Arbor Civic Theatre (AACT).

"Live performance is about communicating -- sharing with the people in the room," says Catherine Zudak, one of the participants with extensive theater experience. "With film -- I've been in films, it's completely different. You lose a lot of intimacy. Facebook, YouTube -- it's like candy. Not very nourishing."

As adults, we often forget how pleasurable it can be shut everything off, stop talking for a while, and just listen to someone read a story out loud.

But Ann Arbor educator -- and frequent Pulp contributor -- Patti F. Smith remembered that childhood joy while skimming local event listings.

“There were all these different storytimes for children, and I thought about how much I loved story time as a kid when I was in school,” she said, adding that she then noticed that a group of young Detroiters “had an event that had interesting people reading interesting things. I went to it, and a woman -- not an author -- brought a book she just really liked, a memoir, and read some quick little lines from it. There was a brunch with mimosas, and it was just a lovely event. It wasn’t political, it wasn’t deep, it only lasted about an hour, but it just made me remember that it’s really, really nice to be read to. So I thought, well, why not have something in Ann Arbor?”

With this in mind, Smith has planned Grown Folks Story Time at BookBound on Thursday, August 24, at 7 pm. The theme is “childhood,” since the three participants will read from books they loved as kids.

It's been a rough few decades for Alejandro Escovedo, but at age 66 the musician seems to be enjoying a new lease on life. Born to Mexican immigrants in Texas, Escovedo cut his teeth in the punk band The Nuns and blended in rootsier influences with his later bands Rank and File and The True Believers. He embarked on a solo career in the '90s, winning the auspicious designation "Artist of the Decade" from roots and country music magazine No Depression in 1998. But behind the scenes of that professional achievement, Escovedo had only begun a prolonged personal battle. He was diagnosed with hepatitis C in 1996, and a combination of financial troubles and negative reactions to traditional treatment caused him to struggle with the disease for nearly 20 years.

Escovedo collapsed onstage in 2003, which led him to seek non-traditional treatment for his condition. He was finally cured of hepatitis in 2015 -- but not before he and his new wife, Nancy Rankin Escovedo, underwent a different kind of harrowing experience. Hurricane Odile struck during the couple's 2014 honeymoon in Mexico, tearing off the front of the beachfront home they were staying in. Both the Escovedos were diagnosed with PTSD following the experience.

In the wake of all this hardship, however, Alejandro Escovedo has experienced considerable rejuvenation both personally and creatively. Last year he released Burn Something Beautiful, a new album co-written with former R.E.M. guitarist Peter Buck and Scott McCaughey, frontman of The Minus 5 and The Young Fresh Fellows (and a regular R.E.M. collaborator). As with Escovedo himself, the scrappy, hooky record has far more energy than anyone might expect of the average senior citizen.

Escovedo will play The Ark on Wednesday, August 23, sharing the stage and swapping songs and stories with fellow Texas rocker Joe Ely. We caught up with Escovedo while he was visiting Austin, where he lived for over three decades before a recent move to Dallas.

Actor Bruce Campbell has had some iconic roles in his life, but at age 65 he seems to have finally landed on the role he was truly born to play: that of a game show host.

The Royal Oak native is best known as the cocky zombie-dismemberer Ash Williams in the three original Evil Dead movies and the more recent Starz series Ash vs. Evil Dead, and as the washed-up military man Sam Axe on Burn Notice. But after hosting a charity game show for the military in 2015, Campbell was inspired to start pitching what he calls "a game show for geeks": Last Fan Standing. The comic con-themed streaming platform CONtv produced 10 episodes of the show, which may now be viewed online. Campbell is clearly in his element on the show, mercilessly razzing his contestants, handing out dollar bills from his own pocket to those who do well, and generally reveling in his role as an elder statesman -- or perhaps just a dorky old dad -- of nerd culture.

Campbell has continued Last Fan Standing in select promotional appearances for his newly released second autobiography, Hail to the Chin: Further Confessions of a B Movie Actor. Following up on his 2001 New York Times bestseller, If Chins Could Kill: Confessions of a B Movie Actor, Campbell's latest tell-all proves that he's still just as willing to turn his smart-aleck sense of humor on himself. From his tale of wrecking a tank while on a USO tour in Iraq to his epic story of almost getting cut from his minuscule role in Evil Dead director Sam Raimi's Oz the Great and Powerful, Campbell maintains a level head, a sense of humor, and a true passion for his business.

Campbell will appear at the Michigan Theater on Wednesday, August 30, to host Last Fan Standing and talk about his latest autobiographical book. We chatted with him about game shows, changing perceptions of B movies, and whether he really cares about reviews.