Edward Gorey: lover of cats, ballet, Victorian/Edwardian era aesthetics, fur coats, pen-and-ink drawings, the color black and bats. Becoming a fan of Gorey has come in/out of fashion many times over the years, but since his death in 2000 he has only grown in the public consciousness. If you don’t know Edward Gorey’s work you surely know of the legions of other artists who were inspired by his work. From Tim Burton to Lemony Snicket, and goth culture to steampunk Gorey’s influence is felt far and wide. And from Neil Gaiman to Emily the Strange, and Lenore all things, dark, atmospheric and vaguely historical likely started with a love of Edward Gorey. Gorey’s black and white aesthetic lends itself to tattoo work, and often seeing a Gorey inspired tattoo will be for some their first glimpse into his macabre and hypnotizing world view. Many people also discover Gorey from the many New Yorker covers he did, as well as the animated credits for PBS's Mystery!
Unsettled: The Work of Edward Gorey @ the Cranbrook Art Museum, in Bloomfield Hills, MI opened September 18, 2016 and will be on display through March 12, 2017. The show is a perfect primer for entering the pen-and-ink world of Gorey’s illustrations. Gorey was a prolific illustrator who started working in the 1950’s for Doubleday publishers in NYC as their in house illustrator. It was here he honed his craft and illustrated classics like Dracula by Bram Stoker, The War of the Worlds by H. G. Wells, and Old Possum's Book of Practical Cats by T. S. Eliot. Later, he became known for illustrating most of children’s author, John Bellairs’s books, starting in the 1970s and continuing in the 90s.
The exhibit is a collection on loan to the museum from a local collector and it serves as an excellent overview and entree to the work of Edward Gorey. Newbies and devoted fans will both enjoy the variety of work on display and the opportunity to ponder and look closely at his detailed drawings. The size of the works and his simple yet complex use of black pen and ink begs to be more closely inspected.
The majority of what is on display are the wide variety of books that Gorey illustrated for others as well as his own works such as: The Curious Sofa, The Beastly Baby The Sopping Thursday, and his most well known book The Gashlycrumb Tinies. Knowing that most of his original illustrations were the size that they were published makes his meticulous detail even more impressive.
The original prints, posters and ephemera are also a thrill to see. From the large framed poster print of the 1977 Broadway revival production of Dracula that he designed the sets for to the 3D replica of the stage set, that allows you to do your own version of the play, it’s a wonderful sampling. A bean bag filled Gorey bat with red rhinestone eyes, The Fantod Pack - Gorey’s version of a Tarot card as well as a few rare stuffed cats and pigs were also on display. The impossibly miniature and rare books on display are a joy to see - smaller than 2 inches in diameter with full, detailed illustrations.
Gorey’s humor is dark, clever and at times make you feel uncomfortable, but you may also find yourself smirking with knowing glee at the black humor and the dangerous places he fearlessly takes his audience.
Erin Helmrich is a librarian at the Ann Arbor District Library and an avid collector of Edward Gorey's books and more. She has three tattoos of Gorey's work - all black of course.
Unsettled: The Work of Edward Gorey is on display through March 12, 2017. Museum admission is $10 for adults and the exhibit is included in this fee. More information about the exhibit and the museum can be found here.
Have you guys ever noticed that Art Fair is HUGE? Or that it's unbearably hot (not just this year, but somehow every year)? It can make it pretty difficult to hit all of the thousands of booths that are set up to find the best of the best. This year, Pulp staffers decided to help by heading out on opening day and finding our favorites. These artists are all definitely worth checking out, whether you are looking to buy or looking to look.
Stan H. Baker
Stan H. Baker, ceramic artist from Ann Arbor, was set up on Main Street selling his map plates and wall globes. The wonderful details of the wall-mounted half moons caught my attention – each one depicts a different phase of the moon. What drew me in further was when I realized that he is masterfully using the raku firing technique for the purpose of depicting the dark portion of the moon. He is also able to get beautiful iridescent glaze effects. I’m a big fan of maps and his didn’t disappoint. -Anne
Jen Callahan, Coastal Colors
Jen Callahan is a Florida-based artist whose artwork looks like a paint-aisle explosion in the best way possible. Her artwork features beachy, seaside settings and underwater creatures, made all the more enchanting by her vibrant color palette that seems to include everything from tranquil blues and purples to luminous greens and pinks. If you've never seen a rainbow-coated jellyfish or a sea turtle painted like a stained-glass window, it's definitely time to upgrade your life. -Nicole
D & M Wooden Flowers
D & M is local, based out of Saline, and their brilliantly-colored wooden flowers are some of the most impressive wood carvings I have ever seen. Their basswood lilies, tulips, and daffodils are painted in sunny colors that render them bright, detailed, and so realistic that I almost can't remember why I bother to buy real flowers when I could be buying breathtaking wooden daises that my cats can't destroy and eat. -Nicole
ISMS - Holly Ulm
Minnesota-native Holly Ulm drew my eye through the natural colors of her incredibly delicate-looking butterfly jewelry and art prints. Her art is offbeat and whimsical, featuring things like a black and white cat with brightly-colored Monarch wings or a mermaid with a tail that changes smoothly into the wings of a moth. All of Ulm's art uses the wings of real butterflies who have completed their life cycles and died of natural causes at butterfly conservation farms. Ulm then uses what I can only imagine is a 100-bajillion-step process to preserve the wings in as close to their natural state as possible--and she does a beautiful job. Each piece of jewelry is gorgeous and every art print manages to incorporate the wings in a way that lets their natural beauty speak for itself. -Nicole
Katydids Kritters is another local artist who makes art of the 3-dimensional variety. Her adorable hand-sewn wares are not only decorative, but functional! Owl-shaped doorstops, little critter sleep masks, and hot and cold therapy plushies that can be used on sore muscles and other pains. Because how could you possible still feel bad with an adorable stuffed penguin hanging out on your sore knee? You can't, that's how. -Nicole
When looking through booths I might take a closer look at before going out (you've got to make a plan on these 95 degree days), Katie Musolff's work didn't make my list. Interesting photographs, but that's not really my thing. But this is because thumbnails don't do her work justice. Those plants and animals, all apparently photographed from above in museum cases or on kitchen tables, aren't photographs at all but exquisitely rendered gouache paintings. They are done with such skill that they appear at a distance to be the real thing, but this is not photorealism or trompe-l'oeil. Musolff has simply mastered her tools so well that her paintings communicate all the essence and form of her natural subjects. Mushrooms pop off the page and fiddlehead ferns are in their brightest April green. Musolff conveys the life of these items, freshly ripped out of the ground for their moment of immortality. As you look, you can almost smell them.
Michelina Risbeck is a University of Michigan student. She creates mixed media works using household paint and joint compound on Plexiglass that explore the interplay of texture and color. Often reminding me of landscapes or abstract renditions of microscopic biological processes--like the division of cells--or the chaos that was the beginning of the universe. One of the artists I was totally blown away by in the Street Art Fair's New Art, New Artists (NANA) booth, selected to participate in this one-on-one mentoring program and are exhibiting for the first time at the Art Fair.-Anne
Chris Rom & Geoff Buddie
Ohio husband and wife team Chris Rom and Geoff Buddie are back for their ninth Ann Arbor Art Fair. Their work is a collaborative effort; they use porcelain, wood, fiber, and mixed media to create elegant minimalistic works. Repetition of shape creates visual interest and the hint of sequence. Their work ranges from familiar objects, such as bottles made of porcelain with a clear glaze and minimal black line decoration, to larger more abstract wall installations made up of repeating geometric 3D shapes. Intricate shadows add to the overall composition, which changes with the angle of light or the viewer’s angle of perspective. There is an order to their work that evokes a sense of calm. Though neither Chris nor Geoff would admit to an overtly mathematical background, they did mention that there is at least one engineer in their family. An earlier work of theirs is on permanent display at the Downtown Library (first floor near the new books). -Anne
Christine Schub has been showing at the Street Art Fair for about 20 years now, and there's a reason why she is a staple. Her work never disappoints in its intricacy and liveliness. Strictly nonrepresentational, her paintings lead the viewer to imprint their own loves on them; I see city buses, building facades, aerial views of landscapes, and geological layers, all dancing around each other. She says that hearing what people see is one of the most enjoyable parts of being a painter and coming to the Fair. There are certainly echoes of Mondrian before he went full-on neoplasticist, but you won't find any rigidly straight lines here. These paintings almost appear ready to drip right off the canvas, and it's that life and presence that has made Schub's work worth checking out all of these years. -Andrew
I was drawn to the red phone box sitting like a Tardis at the center of Kyle Spears’ “London, England” color photograph. A string of white lights runs behind it and down the receding sidewalk, while further beyond lies the London Eye and the Houses of Parliament lit in bright blue. Other prints in Spears’s booth are similarly alive with color, light, and contrasting edges or textures, an effect enhanced through long exposure using a medium format film camera and a combination of traditional and digital printing techniques. A couple black and white photographs focus on what Spears calls “moments of beauty amid chaos”: In “Notions of Time, Paris, France,” an odd-shaped corner building and striped crosswalk precede a curved alley and a ghostly time-lapsed figure; in “Fragile, Tokyo, Japan,” a jumble of squares, rectangles, and lines define the back of a building complex while simultaneously framing a woman’s face on a billboard. Spears not only shows us the world we see, he shows us the world as we’d want to see it. -Amy
Impermanence #713 by Nha Vuu.">
Nha Vuu had a few different things on offer, including some beautiful, large-scale renderings of flowers and other plants that evoke traditional Chinese paintings, but the things that drew me in were the rooftops. Vuu has a number of large works that depict the roofs of crowded residential areas, just lines of ink applied with a brush that hint at actual structures, occasionally with a splash of color, all on handmade paper. These remind one a bit of those same traditional Chinese paintings, but also of Cezanne's Provencal landscapes, Russian Constructivism, and Richard Thompson's Cul de Sac. In the smaller works, the rooftops dissolve into unrecognizable abstractions, easy to take as being not at all representational, simply a pleasing arrangement of lines and shapes. Each of the works shows a mastery of composition, whitespace, and the daringness to eschew all but a very limited palette, used in a very limited way. The alleys and backstreets between these houses are ones you'll want to explore up close. -Andrew
The best art is almost never the same piece at two feet away that it was at twenty. Christopher Wheeler's mixed media pieces fit this bill very nicely, changing as you approach, inviting you to come in closer, and then requiring that you back up again to take it all in. As you pass by the booth, his large pieces seem to just be paintings: flattened, geometric representations of trees and building facades. Lovely, but sterile in a midcentury modern sort of a way. But upon closer inspection, you find that those flattened shapes are not flat at all but made up of small pieces of paper, painted and then applied to make up a color area with subtle texture. Each of the birch limbs is a Matisse-like cutout, lightly painted in a way that, as you back up, makes you marvel that four cuts with scissors and one pass with a brush can give such a perfect illusion. It all combines to create works that draw you in to inspect, then pull back out to look at the whole again, then zoom in on another aspect. If you buy one, be sure to place it where people can look at it up close and where the light can show off those beautiful textural variations.
Retired engineer Jack White’s photography is sharp and full of wonderful contrasts. Though he’s from Pinckney, MI, his Rocks and Roots series was shot in New England. Tree roots and granite form a symbiotic relationship as they become entangled over time. Jack has an eye for framing the perfect shot and capturing just the right moment when the light hits it just so. Most of his photographs are black and white, but if you look closely you’ll catch a hint of color (added by hand) in some. Another of the artists I was totally blown away by in the Street Art Fair's New Art, New Artists (NANA) booth-Anne
I'm a sucker for block printing so as I was exploring the S. University Fair I was drawn to Laura Wilder's booth immediately. The intensity of the colors, contrast, and the use of negative space are magnetic in block printing. Wilder's work pulls you in and a close inspection is required. I was drawn initially to her depictions of nature, seasons, ferns, and other flora. I particularly liked her block print entitled Hiawatha Lake because she uses the willow trees to softly frame the structure in the background. Once in her booth I was equally drawn to her whimsical and lovely serigraph, The Scottie, just one of her many dog breed pieces. Wilder's Seasons IV, a four-season woods/stream framed piece would make a dramatic and soothing addition to a room. The panoramic layout, the use of color and the intensity of the work evoke the movement and shadows in nature. My favorite pieces were traditional block prints. Wilder describes the process: usually created with wood or linoleum blocks; non-image area is cut away, leaving only the image surface raised above non-printing areas. The ink is usually applied with rollers; may be printed with a press, a baren, a rolling pin, or a wooden spoon. Wilder offered her work in lush wood frames as well as limited edition giclees, note cards, mini-prints, posters, and more. Wilder is from Rochester, NY, and some of her work is off landmarks and popular spots in that region. -Erin
Printmaker Nick Wroblewski’s woodblock prints are breathtaking. Obviously he is inspired by the Japanese woodblock tradition, but his subjects and colors are unmistakably North American. Beautiful forest scenes, wetlands, and birds are all masterfully recreated. He uses the reduction printing method where a multi-color print is created using only one block by cutting away more and more of the surface in-between each color printing. The block is ultimately destroyed as each new color is carved. He has an example of the carved blocks on display to illustrate the process. Definitely worth a look. -Anne
Pulp staffers declined to write about their real Art Fair Picks: water bottles, t-shirts, umbrellas, and shady trees.
The 2016 Ann Arbor Art Fair will continue through Sunday, July 24, 2016.
Every spring in Ann Arbor, there are telltale signs that things are going to change, bloom, and get warmer: dirty piles of snow & leftover grit, giant potholes, crocuses poking from the soil, Hash Bash attendees filling the Diag with plumes of smoke, and a weekend of April Fools fun! Mark your calendars for Friday, April 1 and Sunday, April 3 for two of the most anticipated, dynamic, and artful events in town: FoolMoon and Festifools!
Friday’s FoolMoon is the newer of the two events with a slightly edgier feel, if only because it happens at night and beer can be consumed. The fun starts at three gathering places (Kerrytown Farmers Market, University of Michigan Art Museum, and Slauson Middle School) where revelers can assemble with their carefully crafted illuminated sculptures. The crowds at each stop march through town, proudly displaying their handiwork, to gather at Washington St. & Ashley St. for a lighted street party with a beer tent, music, glowing puppets, wild and luminous costumes, movies & images projected on buildings and moonlit, shining sights. From dusk 'til midnight, people of all ages dance, play, and marvel at all of the illuminated art. This year’s theme is Metamor-FOOL-sis!
AADL always has a tent at FoolMoon and we’ll be hosting rousing games of Johann Sebastian Joust, an all ages, no-graphics, digitally enabled playground game using illuminated motion-sensitive controllers. Attendees can play with our lighted hula-hoops and other fun digital instruments and tools that can be checked out from the library.
Festifools is celebrating 10 years of foolishness this year with the annual event happening on Sunday from 4-5 pm on Main St. between William St. and Washington St. - parking is free on Sundays! This year’s theme is Rev-FOOL-ution! Community members and U-M students work for months to create the large, wild, colorful, and frequently topical papier-mâché puppets that will be marched, pranced, danced, and displayed during Festifools. In addition to the puppets there's music, joyful noise, drumming, and an enthusiastic crowd of all ages!
As has also become tradition, the library hosts an annual Robot Making event on Saturday, April 2 from 2-3:30 pm for families to come and make their own robot costume to wear and then march in during the Festifools parade on Sunday!
The origins of these special events start with Mark Tucker, Arts Director at the University of Michigan Lloyd Hall Scholars Program, who began his professional artistic career as Art Director for the Michigan Thanksgiving Parade. While in this role, Mark traveled to Europe to learn the fine art of cartapesta (papier mâché) from esteemed float builders in Viareggio, Italy. If you’re familiar with New York City's Superior Concept Monsters, then you may have an inkling of the FestiFools vibe.
Inspired by the magnificent, huge, bizarre, politically incorrect, human-powered, and fully animated floats, Mark decided to see if this kind of creative energy could find an audience back home.
FoolMoon and Festifools are produced by WonderFool Productions, a nonprofit organization dedicated to engaging communities in dynamic, educational, collaborative and entertaining public art experiences.
Erin Helmrich is a librarian at AADL, and she'll be smothering her sadness at missing this year's festivities with margaritas in Mexico.
FoolMoon is Friday, April 1, from dusk 'til midnight in downtown Ann Arbor (Washington & Ashley) and Festifools is Sunday, April 3 from 4-5 pm in downtown Ann Arbor on Main St. between William and Washington.
If the combination of puppets, moody robots, and quiet romance – all accompanied by a pop culture-inspired string quartet, moving fluidly from synth to pop to jazz – sounds intriguing and magical, then you need to go see Nufonia Must Fall.
Nufonia Must Fall is based on a nearly-wordless graphic novel published in 2003 by Kid Koala, a D.J., producer, composer, and studio contributor for the band Gorillaz, based in Montreal. As evidenced by his artistic output, Kid Koala, is comfortable in a wildly idiosyncratic, exciting, and whimsical world of raw beats and emotionally-charged stories. Sadly, the graphic novel is out of print, but this live performance uses mixed media to bring the story to life in ways the book alone never could.
The story takes place in Nufonia, a drab, monochromatic place, where T4, a robot, falls in love with a customer at the sandwich shop where he works – after having been fired and replaced by a newer model robot at his old job. The customer reciprocates T4's love and a romance unfolds. The adorable puppets are all white and stand about 10 inches tall. The simple intimacy of the story draws you in and holds you as the highs and lows of their romance play out.
All of the action is projected on a large screen, as the action takes place on a stage of shoebox-sized sets. It’s thrilling to watch the shadowy shapes of the puppeteers create the action in real time – offering up the skin-tingling sensation that only a live performance can evoke.
Kid Koala has said that "Nufonia" is derived from “no fun,” and for those who live there, “what’s going on in their mind gets in the way of having fun.”
Abandon any preconceived notions you may have about puppets, robot love, or marsupial DJs, and come out for a moving and magical evening of unusual storytelling.
Erin Helmrich is a Production Librarian at the Ann Arbor District Library, a fan of the Gorillaz, graphic novels, and adorable stuff in all forms.
"Nufonia Must Fall" runs Friday, March 10 and Saturday, March 11 at 8 pm at The Power Center. The performance is presented by UMS as part of the International Theater Series UMS on Film.
Fall is fully upon us with the falling leaves, colder temps, and strong winds, but it's still a fantastic time of year to be outside and soak up everything that Ann Arbor's parks have to offer! There are now sculptures located in four of Ann Arbor's parks: Broadway Park, Gallup Park, Island Park, and Bandemeer Park. Canoe Imagine Art (CIA), which debuted in August, is a unique partnership created by The Arts Alliance, in cooperation with the City of Ann Arbor (the City) and the Ann Arbor Public Art Commission (AAPAC). CIA repurposes retired canoes and celebrates everything about the Huron River and the City's extraordinary park system. Four works of art were selected through a juried and public vote process.
The "Turbine" sculpture in Broadway Park is a kinetic piece that uses the canoes to create a visual wheel that spins and was inspired by the movement and occasional turbulence of the river. Gallup Park has a "Canoe Fan" that evokes the feeling of a rising sun. This piece really showcases the shape of the canoe and heightens it to a different beautiful form. Island Park is home to "Canoe-vue", turning two canoes cut in half into a functional place to sit - sitting in art to observe the art of nature. Lastly, Bandemeer Park is home to "Tulip" - 10 canoes standing vertically and meeting at one point in the middle. This piece celebrates the shape of the canoe while emulating a shape found in nature.
Before the rains turn to ice and the snow we're all hoping doesn't come (fingers crossed, El Nino!) covers the canoes get out there and explore the natural and sustainable art!
Erin Helmrich is a Production Librarian at the Ann Arbor District Library - when it comes to water she prefers kayaks.