Wynton Marsalis' "All Rise" stirred souls at Hill Auditorium—and his trumpet fired up The Big House crowd

MUSIC REVIEW

More than 200 musicians on stage at Hill Auditorium rehearsing Wynton Marsalis' "All Rise."

More than 200 musicians are shown rehearsing Wynton Marsalis' "All Rise" on stage at Hill Auditorium. Photo courtesy UMS. 

For nearly two decades, I've attended Jazz at Lincoln Center Orchestra with Wynton Marsalis concerts hosted by the University Music Society (UMS). The shows and attendant residency are an institution now in Ann Arbor, and under Marsalis' stewardship, the Jazz at Lincoln Center Orchestra (JLCO) is the current reigning G.O.A.T. of large ensembles.

But Marsalis' latest Ann Arbor production with the JLCO was the most ambitious undertaking of his 22-year association with UMS. 

You can always bank on Marsalis to deliver monumental projects like culturally and politically relevant recordings such as From the Plantation to the PenitentiaryThe Abyssinian Mass, and his 1997 Pulitzer Prize-winning oratorio Blood on the Fields. On Friday, October 14, at Hill Auditorium, Marsalis pulled off another massive undertaking: "All Rise (Symphony No. 1.) For Symphony Orchestra Jazz Orchestra, and Chorus."