Imagine that you have an urge to disappear and be unreachable.
Then, imagine that someone whom you care about has that urge, but you don’t know where they went or why.
Now, add many more layers of complexity to the woman who disappears given that she has a family, including a child, and a career.
These circumstances would raise many questions, and the premise of Molly Lynch’s new novel does just that.
The Forbidden Territory of a Terrifying Woman tracks Ada, a mother and wife who goes missing suddenly. Her husband, Danny, and son, Gilles, are left behind, bereft and confused. Yet, Ada is following her thoughts and feelings. With an omniscient third-person narrator, the reader gets insights into all the characters.
Early on in the book, the bond that Ada, Danny, and Gilles have with each other becomes clear, as “All three of them were one connected thing.” Yet, there are challenges:
The debut novel by Ann Arbor author and therapist Jan Leland follows characters processing emotions in the early days of the pandemic
We all collectively endured the pandemic, but we each had an individual experience of it.
The circumstances in which Leland’s characters’ find themselves all differ, but they converge at the same time—when COVID-19 emerges—and in the same place: the Clearview Inn on Orchard Lake in Keego Harbor, Michigan. Through these characters, Leland portrays the stress and anguish—as well as the triumphs and coping mechanisms—of the early days of the pandemic.
One of these characters, Ashley Cooper who is known as Ash, works at The Book Shelf in town. The coronavirus affects her early on when her boss and close friend, Marla Phillips, sickens and passes away. As Leland is attentive to character development, we learn about Ash in detail:
Pretty and petite with shiny shoulder length curly brown hair and brown eyes, high cheekbones and dimples, Ashley was smart and curious. Although Marla felt Ashley needed life experience, she perceived an inner strength to Ashley. It did not take much for Marla to convince Ashley to take the position of Store Manager at The Book Shelf.
The job offered, in Ashley’s eyes at least, the opportunity to work and live in a small town where people were friendly and easy-going and where Ashley felt important and sophisticated in providing literary knowledge and expertise.
This opportunity for Ash allows her to not only engage with books but also meet many others with whom she becomes close.
The Ann Arbor District Library's Fifth Avenue Press, which started in 2017, helps local authors produce a print-ready book at no cost—from copyediting to cover design—and the writers retain all rights. In return, the library gets to distribute ebooks to its patrons without paying royalties, but authors can sell their books—print, digital, or audio—in whatever ways they choose and keep all the proceeds.
The Fifth Avenue Press event is part of the A2 Community Bookfest, which runs from 10 am to 5 pm at AADL Downtown, also on September 10, with a full schedule of renowned authors including J. Ryan Stradal, Sonali Dev, and Stephen Mack Jones.
Four new Fifth Avenue creators answered a questionnaire to help readers understand a bit more about the press process and their journey as authors. Also below is a list and descriptions of all the other Fifth Avenue books available on Sunday; click the titles to visit the books' web pages for more info on each. Many of the authors will be there to do readings and signings, too.
The Dating Game: Julia Argy’s Debut Novel “The One” Chronicles the Fallacy of Finding True Love on a Reality TV Show
“‘I’m actually in the market for a new opportunity,’ I answered, and thus my journey to find love began.”
So starts The One, a novel by Julia Argy, a University of Michigan Helen Zell Writers’ Program alum. The main character, Emily, embarks on a whim as a contender on a reality television show, which is designed to whittle a group of women down to the individual who the male love interest, Dylan, selects to marry. Emily describes the show and the book’s premise:
At the base level, this is all a psychological experiment with a desired economic outcome: trap thirty people together as they fight for a limited quantity of the same thing, something everyone wants, true love, and the result will be scintillating enough to attract millions of viewers to sell advertising. And that, the real hypothesis, has proven true, season after season.
Emily must learn how the program works as it goes along because she has not watched past seasons, so she takes a critical approach rather than suspending her disbelief. As Emily further reflects, “Maybe the first set of contestants are meant to showcase the vast scope of women who desire Dylan, like going to a big-box store where at the head of each aisle is a sample stand, enticing you down to the rest of the similar wares. I need to figure out what brand of woman I’m supposed to be.” The “brand” she turns out to be is not what she expects.
Literati Bookstore has a relatively small physical footprint. But what the space lacks in size, it makes up for in reputation and has become one of the most beloved independent bookstores in the literature world.
Scheduled to come out in 2024, the documentary tracks Engel—a self-described "struggling writer"—traveling to 50 states in 50 days to interview 50 authors about 50 books. His Literati / Ann Arbor stop includes an interview with author and University of Michigan professor Peter Ho Davies.
Some of the other authors who appear in Books Across America include James Patterson, David Baldacci, and Joyce Carol Oates.
The press release calls the film a "real-life version of the Great American novel," and says the "characters are all obsessed with books, and they’re all searching for a happily ever after."
In an interview with The Atlanta Journal-Constitution, Engel explained the reason why he decided to make a film rather than write about his experience: "[T]he film is to introduce or to depict reading to people who typically don’t read in a way that makes them want to pick up a book. I’m trying to meet people, my target audience, where they are—which is not in a bookstore, but on Netflix, on public television, on anywhere you find movies and shows."
Watch the trailer below:
Flow State: Katie Hartsock’s Poems Fluidly Move from One Place to the Next in New "Wolf Trees" Poetry Collection
Katie Hartsock’s poetry collection, Wolf Trees, surveys what persists amidst trials that must be weathered. One poem defines the titular term as, “A tree that is the forest that is / the island.” A wolf tree is also, “A tree to lean / against and think, I’m there.”
Hartsock, a professor at Oakland University, connects the mundane and discouraging aspects of one’s personal and family life to the natural world and also to different points in time. In the poem “Decent Seas,” the setting is a Chicago harbor. The poet instructs us to, “Think of a desire turned into a satisfaction turned into a joy / turned into a joke. That’s how to name your boat.” Whether the topic is boats, local parks, wolf trees, art, or Greek mythology, Hartsock has, “my gaze trained / on earth’s colors as they shift, / ready for invention.” The poet’s attention to nature leads the reader to new associations and even new ways of being in this world.
Hartsock’s poems take sweeping journeys through the woods, as “you see something and think of something else.” The poems’ lines make sharp observations about having children, managing a chronic health condition, and traversing both regular days and other countries. “It’s all a little Sisyphean,” Hartsock writes.
Blair Austin's Dioramas, which won the Dzanc Books Prize for Fiction, is described by the publisher as “part essay, part prose poem, part travel narrative.”
The author—an Ann Arbor native and University of Michigan MFA alum—describes dioramas to “view” through the eyes of the main character, Wiggins, whose stream-of-consciousness narration means that the reader must piece his world together as the book progresses.
Austin creates a semblance of beauty in the slow-growing shock of what is contained in the dioramas' preserved scenes.
Wiggins, a lecturer, is a scholar of dioramas and builds them, too, even in retirement. He studies the works of experts Michaux and Goll, both of whom made dioramas and contributed their theories about the art form to the field. Regarding Michaux, Wiggins reveals:
“Do I even know one woman who hasn’t been subjected to male violence? Do you? Why doesn’t that admission stop us in our tracks?” asks EMU professor Christine Hume in her new essay collection, Everything I Never Wanted to Know.
Hume in turn does just that—she stops in her tracks to examine the violence and the imperfect structures meant to address it. She takes a critical lens to the ways that women’s bodies have been controlled through expressing productive outrage and through creating a mapping of this issue in our community. Her persistent questioning illuminates the injustices by compelling the reader to consider a response.
Take the National Sex Offender Registry: “Not a single man who has harassed or assaulted me or anyone I know is on that official list. How many men is that? How many men not on the registry does it take to make that registry itself an offense? How many men are we talking?” Hume accentuates the failings of a system that is supposed to contribute to safety. She goes on to scrutinize the laws that prevent offenders from living near a school or passing out Halloween candy, the design of the water tower in Ypsilanti, and a sexual assault case at Eastern Michigan University.
The essay “Icy Girls, Frigid Bitches, Frozen Dolls” looks at the implications of the once-popular Frozen Charlotte dolls in conjunction with a health issue that the author endures. Dolls in general are of interest, as Hume wonders, “What draws me to the doll is the vague but persistent sense of having lost my true and best self. A feeling of having once been more free, disciplined, attentive, athletic, daring, intelligent, and attractive.” The doll becomes a reflection of oneself:
Follow the Reindeer: Hanna Pylväinen's novel tracks missionaries and herders living on the Scandinavian tundra in 1851
How do you know when an action is a mistake or a choice?
As character Risten Tomma reflects on her decision to marry Mikkol:
But was that all it was, then? You said a thing and then it all changed, you lived with another man now, someone else came into your lávvu and slept with you across the fire from your parents. There would be a new dog, and even their dogs would have to learn to get along.
Some changes are anticlimactic, while other changes are catastrophic.
The sweeping, well-paced novel is set in 1851 in the Scandinavian tundra with missionaries and reindeer herders both vying for their ways of life. Another one of the main characters, Willa, the daughter of the pastor Lars Levi Laestadius, faces numerous life-altering decisions over the course of the book. Early on "she was a kettle left at a gentle boil, and with her heat she did nothing more than make coffee or tea.” Yet, when she starts encountering Ivvár Rasti on her walks, a stronger wave begins to roil in her for him, despite the fact that he calls her “a good little báhpa nieida, good little church-girl.”
Willa steps deeper and deeper into an irreversible series of events in which:
Ice Capades & Identity: Caroline Huntoon’s “Skating on Mars” follows a nonbinary middle schooler trying to find their place in the world
In the new middle-grade novel Skating on Mars by Ypsilanti writer and educator Caroline Huntoon, Mars is a nonbinary figure skater who is not only navigating how to be who they are but also grieving their father and experiencing the tumult of middle school friendships.
One of Mars’ challenges is to figure out how to express themselves in different aspects of their life, from revealing their preferred name and pronouns to their mom and sister to dealing with critical peers. Even though skating has always been a refuge for them, one of their coaches pushes them to bring their own style to their skating program. After demonstrating, Dmitri clarifies his request, which Mars questions:
“See, that’s not you,” Dmitri says.
“What?” I ask.
“It was the same steps, but not what you did before. And not what you should do in your own program.”
“Okay…” I’m still not sure what he expects from me.
“You have to find yourself. And the rest will come.”
“Yeah,” I say, my voice flat and low. In my head, I’m screaming, JUST TELL ME WHAT TO DO! And somewhere else altogether, I feel this horrible uncertainty about what Dmitri is telling me to do. Find myself? I’m not lost. That’s not the problem. Not really.
This issue is one for which Mars must live their way into an answer. The book chronicles their journey in first-person narration by Mars, including their perspective on their sport, friends’ betrayals, a first crush, and emotional processing.
Mars’ competitive nature sets the scene for a showdown with another skater and for pushing the gender boundaries on the ice. Whether they can manage the pressure, shift their family and friend’s understanding of who they are, and continue doing what they love become ongoing questions through the book. One thing is clear: Mars cannot chart their own path solely by themself.
AADL’s Downtown Library is hosting Huntoon for a reading, Q&A, and signing Thursday, June 15, at 2 pm.
I caught up with Huntoon for an interview.