It was New Year’s Eve 2011 and we wanted a low-key way to celebrate.

My husband Brian suggested seeing The Artist, a critically acclaimed black-and-white-silent French film, at Ann Arbor’s Michigan Theater that evening.

The theater’s Screening Room featured a couple of showings, and we opted for the 9 pm show. That way, we could see the film and still get home to watch the Times Square ball drop at midnight on Dick Clark’s New Year’s Rockin’ Eve.

When we arrived at the theater, we saw a musician playing a Hammond organ about 20 minutes before The Artist started.

The organist provided pre-show entertainment and didn’t accompany The Artist during its screening, but his performance sparked our curiosity about the instrument, including the 1927 Barton pipe organ in the Michigan’s Main Auditorium.

For us, the theater organ served as a brief musical portal to the past, recalling a bygone era when it accompanied silent films at movie palaces from the 1900s to the 1920s.

Over the years, we’ve enjoyed seeing organists perform on Barton pipe organs at the Michigan Theater—the only one left in Ann Arbor—and Detroit’s Redford Theatre. Those beautiful theater organs offered warm welcomes as we took our seats to watch different films.

Nearly a decade later, I wanted to learn more about local theater organs, the theaters that housed them, and the organists who play them. 

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features New Orleans jazz by Alex Belhaj's Crescent City Quintet, post-bop jazz by Josie Ala Quartet, ambient-gospel jazz by Galen Bundy & Travis Aukerman, spiritual jazz by Mark de Clive-Lowe, Shigeto & Melanie Charles, and chamber-bluegrass jazz by Westbound Situation.

This is a very late, backdated edition of the Friday Five because you can't stream jams when you're sans electricity. Shout-out to the 2023 ice storm.

“So we’ll take process over outcome,” Jordan Mosley sings—or rather yells— on the sixth track, “settle,” from Normal Park’s this was it.

Mosley is the lead vocalist of an Ypsilanti fuzz-rock band of three high school friends who have been making music together for over a decade. Mosley is joined by drummer McKinnon Main and guitarist Anthony (Tony) Scott. Last October, the group finally finished the process and seized an outcome: its debut album, this was it.

Nestled midway through the album is one of the group’s favorite and most important tracks, “settle.” Like any great Midwest emo song, it begins on the porch. You can practically smell the American Spirits when you tune in.

“‘Cause staying in is much like going out / at least when we still had the choice / but since we don’t we can just make it easier to / settle the mind behind these red-laced bedroom eyes,” the chorus rings. 

Although it may sound like an ode to quarantine, “settle” raises questions about fate, the promise of temporary relief, and what the future holds. It starts with a dance on the porch, teetering between going out and staying in, and by the end, you’re invited inside.

“It was kind of a lynchpin where it seemed to connect all the songs around it,” Scott said. “But it also felt like a real step forward lyrically for us. To step out of our comfort zone instrumentally was also a driving factor, and we really felt like we had something at that point.”

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features art song by Electrifying Audiences, soundtrack vibes by KUZbeats, rap by Blaine Nash, solo piano by Gabriel Sadat Ferguson, and vaporwave by Unblo-Fact.

Back in October, two Michigan folk singer-songwriters formed an unexpected partnership.

Ann Arbor’s Annie Bacon and Alto’s Kyle Rasche met at the Folk Alliance Region Midwest conference outside Chicago and quickly learned they would be ideal collaborators for a new musical.

“I think we both knew of each other, and I was a fan of Annie before we [had] actually met in person because she had written this amazing folk opera a few years ago,” said Rasche, who writes, records, and performs under the moniker Chain of Lakes. 

Within only a few short hours of meeting Rasche, Bacon started writing the initial songs for a full-blown, stage-ready musical called The Keeper and shared them with him.

“I’d done my stalking and knew she’d be great to work with and immediately shared my dream with her to write a musical that had been germinating for a few years,” he said. “She came back to my room later to work on it with a bunch of it already written.”

Shannon Lee wanted her new album to progress like an emotional journey, from the pain of a broken relationship and the loss of a loved one to the rediscovery of love. The seven songs on Stars trace that quest, though it’s a subtle sojourn.

“I’m not sure if other listeners can tell but I wanted to start the album off with my heartache and loss and have the album move toward lighter themes, which I think I accomplished,” said the Ypsilanti-based Lee.

“Anymore” and “I’ve Gone Away” cover the break-up phase, while “Brother” recounts the tragic loss of her brother on New Year’s Day four years ago and “Stars” imagines his light shining down on her. Lee then pays tribute to a fellow songwriter on “Sunni Leilani” and closes Stars with two songs, “Here to Stay” and “Sing to Me,” that revel in love.

Lee’s songs share elements reminiscent of folk and Americana artists such as Emmylou Harris, Brandi Carlile, Patty Griffin, and Lucinda Williams, and cites artists who were played in her house while growing up as influences.

“I always had an ear for music; ever since I was a kid,” Lee said. “I had a knack for picking out harmonies in three or more part harmony singing, too, and always found myself singing along to my dad’s records. His collection of course had Fleetwood Mac, Led Zeppelin, Crosby, Stills and Nash, and many more in that classic rock vein.”

It’s been a while since local acoustic music fans have heard from Misty Lyn Bergeron, the accomplished singer, songwriter, and leader of the standout roots band Misty Lyn & the Big Beautiful. 

A serious car crash, a global pandemic, and other issues created some challenges and delays, but at last there’s a new album out, Narrows, and it’s more than worth the wait. It features Bergeron’s warm, expressive voice; her first-rate band, and a fresh batch of well-crafted songs about some big themes like love, friendship, and perseverance.

To celebrate Narrows, Misty Lyn & the Big Beautiful are having a record-release show at The Ark in Ann Arbor on February 17.

"Jim Roll will be our special guest, and it’s also how I’m celebrating my birthday," Bergeron said. "The Ark is my absolute favorite venue, and it has been years since my whole band has been on that stage. I am so excited to share this music alongside these amazing artists. It’s going to be a special night for us!"

Bergeron is also a talented photographer, but we focused on her music in this email interview.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features meditative electronica by Tetra Music Project, folk-pop by Big Chemical, rock 'n' roll by Cracked & Hooked, a ballad by Brad Phillips, and a compilation from the Calculated Beats collective.

Annie Capps doesn’t hesitate to reveal her authentic self—both past and present—on her latest album, How Can I Say This?

The Chelsea folk singer-songwriter embraces both vulnerability and courage across the album’s dozen reflective tracks, which revisit pivotal life lessons about forgiveness, family, and growth.

“I think we’re always vulnerable, and I don’t want to take anything away from people who aren’t willing to go where I went,” said Capps about her first solo release. (She usually writes, records, and performs with husband and longtime musical partner Rod Capps.)

“Just the act of standing up in front of people and singing a song, whether it’s your own or not, is a very vulnerable situation. That’s brave, and I commend anybody who does it or tries it.”

Collectively, those thoughts merge into an overarching love letter Capps writes to her younger self throughout How Can I Say This? Forthright lyrics and demonstrative Americana-folk-jazz instrumentation provide an emotive setting as she excavates deeply buried experiences.

Some say reaching 40 is a milestone but that each decade lived should be celebrated.

Ann Arbor singer-songwriter Jess Merritt will take The Ark stage on February 13 to celebrate all of her decades as well as her 40th birthday, recent life changes, and what is yet to come. 

“I’m so grateful to be celebrating this new chapter of life with The Ark and that they were willing to put this on,” said Merritt who used to be known as Jess McCumons when she co-led the soul, rock, and blues band The Understorey. “It feels so great to be getting back to the stage after a few years away, and this is a really big way to kick things off at my favorite place to perform.”