Vision for Flint: Dr. Mona Hanna-Attisha's “What the Eyes Don’t See” tracks the city's public health crisis
While it’s easy to see the Flint water crisis as a story of government failing the people it’s supposed to serve, it’s a lot more than that. It’s also the story of a resilient community, the determined people who live there, and the activists who helped bring the situation to light.
Those stories meet in the work of Dr. Mona Hanna-Attisha, director of the pediatric residency program at Hurley Medical Center. She played a pivotal role in the crisis, conducting research and publicizing results that showed how lead levels rose alarmingly in Flint children after the city switched its water source.
Now “Dr. Mona” has published a book about her experience, What the Eyes Don’t See. She will discuss the book at Rackham Auditorium with Chris Kolb of the Michigan Environmental Council, an event sponsored by Literati Bookstore and the U-M School for Environment and Sustainability, where Hanna-Attisha earned her bachelor’s degree (under its earlier name, the School for Natural Resources and the Environment).
“I never set out to write a book in my career,” Hanna-Attisha said in a recent phone interview. “It’s not about Flint, it’s about who we are and who we want to be.”
If you don’t necessarily consider Michigan a hotbed of the modern design movement, you’re not alone. But two recent books aim to change that perception, and their authors will appear in Ann Arbor this weekend as part of the Kerrytown Bookfest.
“People do not think of Michigan as a design center," says Brian Conway, Michigan’s state historic preservation officer. "They think of New York or Los Angeles but skip over the Midwest. But there was this very strong design industry here in Michigan, and it actually still exists.”
Every August for the last 12 years, a bit of Nashville has visited Ann Arbor for the Kerrytown District Association’s Nashbash music festival.
Thursday’s edition of the event coped with extensive road construction around its location at the Ann Arbor Farmers Market, along with threatening weather for much of the day. But by the time the festival kicked off, the weather was flawless, the fans dodged the construction barrels, and the smell of barbecue filled the air.
For anyone who believes in the power of pop music to communicate in a powerful, even transcendent way, the idea of Bettye LaVette singing the songs of Bob Dylan creates some pretty high hopes. On August 9, the Sonic Lunch concert series brought that pairing to downtown Ann Arbor, and the results were just as good as expected.
Local singer Antwaun Stanley and his tight band opened the show with a sharp, energetic set that brought a modern spin to a 1970s soul/funk sound. A couple of terrific covers -- Maze’s “Running Away” and Al Green’s “Simply Beautiful” -- demonstrated his compelling stage presence and showcased his vocal range.
But the highlight of Stanley’s set was “Where Are We Now?,” a song he wrote with Tyler Duncan and Theo Katzman in the wake of the 2016 presidential election. Something of a modern-day “What’s Going On,” the song drew a huge response from the crowd. “Are we breaking through, or are we breaking down?” Stanley sang. “We’ve got to be the change; we’ve got to preach the change.”
LaVette opened her set with the title song of her recent Dylan album, Things Have Changed. One of the best of Dylan’s latter-day works, it carries a new, ominous impact in the current social climate, and LaVette brought all of that to her performance.
Over the first four years of its existence, the Broken Branch Breakdown roots-music festival has established itself as a truly grassroots event in the Ann Arbor community.
Admission is free. The vibe is casual and family friendly. The music itself is rootsy, mostly falling somewhere into the Americana/folk/jam-band genres.
It’s almost like somebody just invites all of Ann Arbor over to relax and listen to some tunes in the backyard. And in fact, that’s exactly what happens.
Over more than 40 years making music together, Mustard’s Retreat has established a reputation around the region as a talented and entertaining folk duo -- two guys and two guitars.
However, the group actually started out as a trio -- and for a new album and current concerts, original member Libby Glover has rejoined David Tamulevich and Michael Hough. Her presence brings a whole new dimension to the Mustard’s Retreat sound, yet the transition sounds just like it feels -- perfectly natural.
“When David and I first began singing together, something happened. We didn’t have the words to articulate what it was, but we both felt it was important. Then when Libby and David began singing together, something more happened,” Hough says of the group’s 1970s roots. They soon started working as a trio and found a special sound. But life took Glover out of state and Mustard’s Retreat made its reputation as a duo.
Zach Lupetin fell in love with the Ann Arbor Summer Festival and its free, outdoor Top of the Park concerts during his time as a University of Michigan student. Wednesday evening, some 11 years after graduating, he returned as a performer, leading his LA-based acoustic band The Dustbowl Revival in a joyous, spirited set.
Recalling his U-M years, when he led an earlier local band called the The Midnight Special, he spoke of the community’s deep appreciation for live music. “People come together no matter what,” he said mid-show. “It’s an honor to play music here.”
The Dustbowl Revival made a name for itself more or less in the Americana genre, with some flavors of old-time jazz and western swing woven in. The band’s latest album expands its sound further, and Wednesday’s set started with a trio of songs -- the sexy “Call My Name,” the clever and danceable “Gonna Fix You,” and the intense “If You Could See Me Now -- that incorporated more elements of rock, soul, and funk.
Los Gatos have kept the Latin music flame burning in Ann Arbor for some 20 years, with essentially the same lineup most of the time. But there have certainly been some changes along the way.
For one, the band has outlasted two of its important homes for regular gigs, the now-defunct Bird of Paradise and the Firefly Club. It’s also undergone a shift in musical styles: Originally conceived as a purely Latin jazz ensemble, in later years the band has found itself getting deeper into salsa.
In fact, the Los Gatos recently released a new album, Guarachéate! -- its third ever, and first since 2007 -- that focuses primarily on the band’s salsa side. It’s a great snapshot of the band’s current sound and it displays their reverence for the music, their instrumental skills, and their joy in sharing what they love.
“I don’t think we could have predicted the band would last this long,” says pianist Brian DiBlassio, recently reflecting on their history.
In a quiet corner of Briarwood Mall zombies are being destroyed, robot attacks are being fought off, and an Ann Arbor-based startup company is showcasing the potential of virtual-reality video gaming.
Dreamgate VR involves up to four game players in a 400-foot arena. Virtual-reality headsets transform the courtyard near Sears into a completely new world -- either a futuristic cityscape or an apocalyptic war zone.
The company bills itself as “the first free-roaming, multiplayer virtual reality experience” in Michigan. And in less than a year since launching, the effort is already a success, with plans in the works to add a third game and expand to other locations.
Dreamgate founder and CEO Craig Albert has had an affinity for computers since his family bought one when he was in first grade. Growing up, he taught himself how to build web pages and do graphic design. And he played a lot of online games.
It’s perhaps a little surprising that over the 18 years that the University of Michigan Residential College has presented a Shakespeare play in Nichols Arboretum, this year’s production is the first time for Romeo and Juliet.
Of course, it’s one of Shakespeare’s best-loved works, packed with some of his most memorable lines and phrases. Certainly, any play with romance at its core has a place in the idyllic Arb. So whatever the reasons that it hasn’t been done before, the important thing is that it’s being done now. For fans of Shakespeare, of the Arb, and especially of both, it’s a treat.