Beloved community institution UMGASS (The University of Michigan Gilbert and Sullivan Society) is back this weekend with a lovely production of Gilbert & Sullivan's last hit, The Gondoliers, or the King of Barataria.
Director and UMGASS staple Lee Vahlsing points out in the show notes that The Gondoliers was the product of a compromise by producer Richard D'Oyly Carte to get another comic opera out of the simmering tensions of the relationship between Gilbert and Sullivan (at the time in 1889, Sullivan had already been knighted by Queen Victoria, but Gilbert would not be knighted until years later, in 1907, by King Edward); if they would collaborate on another comic opera, D'Oyly Carte would produce Sullivan's Grand Opera, Ivanhoe, and he would be taken seriously by high society at last, or something.
At any rate, as Vahlsing notes, this arrangement led to greater collaboration between the two than the rut they had fallen into, and the result is one of their best and most beloved Operettas. Lovingly staged with two charming sets and including truly impressive costuming, the only hint of modernity in this faithful production is a bit of Charleston in the choreography -- and perhaps a touch of Iron Maiden here and there.
"Orion"'s Return: Mark di Suvero comes to Ann Arbor with his iconic sculpture for a rededication at UMMA
The Diag. The Arb. Nickels Arcade. Kerrytown. Michigan Stadium.
These are among the most popular sights of Ann Arbor.
But another equally famous landmark has been missing from Tree Town for the past year.
Mark di Suvero’s Orion -- the tall, orange-red sculpture outside the University of Michigan Museum of Art -- was removed in April 2018 when UMMA made upgrades to its grounds to deal with storm-water repairs. Orion was shipped back to di Suvero's studio in New York for conservation work, including a new coat of paint.
On April 23, di Suvero's 53-foot high, 21,220-pound steel sculpture will be reinstalled in front of UMMA, taking up its familiar spot on the front lawn, not far from Shang, the artist's other piece that welcomes visitors to the museum. The kinetic sculpture outside UMMA's entrance invites passersby to swing on its suspended platform.
In Ray Bradbury’s classic 1953 dystopian novel Fahrenheit 451, firemen don’t put out fires, they start them with a temperature that burns book paper.
An authoritarian government has decided that books just confuse people with too many ideas, too many alternatives. They prefer people who like to watch hours of mindless television while their minds gently drift away on drugs.
David Widmayer is directing Bradbury’s stage version of Fahrenheit for the Ann Arbor Civic Theatre. He said Bradbury’s fears may be more relevant than they’ve ever been. Fahrenheit, along with 1984, Brave New World, and a slew of modern dystopian stories have been in vogue in the last few years.
The Ann Arbor District Library's Fifth Avenue Press helps local authors produce a print-ready book at no cost -- from copyediting to cover design -- and the writers retain all rights. In return, the library gets to distribute ebooks to its patrons without paying royalties, but authors can sell their books -- print, digital, or audio -- however they choose and keep all the proceeds.
Started in 2017, Fifth Avenue launches its third round of books on Sunday, May 5, with a free catered reception from 1-3 pm in the lobby of AADL's downtown location, featuring author readings from the imprint's five new titles.
Click the book titles below to read interviews with the authors:
I was a fan of JD McPherson’s music the moment I heard his debut album, Signs & Signifiers, around seven years ago. This was high-energy rock 'n' roll that immediately brought to mind the early masters of the genre -- think Buddy Holly, Gene Vincent, Eddie Cochrane, Bo Diddley.
Rural Oklahoma native McPherson specializes in original material, not cover versions, and he and his dynamite group -- together for eight years -- put a fresh spin on music too often thought of as golden oldies, something safe and nostalgic. McPherson’s discography is thoroughly listenable and also includes 2015’s Let the Good Times Roll, 2017’s Undivided Heart & Soul (my personal favorite), plus Socks, his delightful album of new Christmas songs released late last year.
McPherson and his band -- bassist Jimmy Sutton, keyboardist Raynier Jacob Jacildo, drummer Jason Smay, and saxophonist/guitarist Doug Corcoran -- were in fantastic form when they played in Ann Arbor last summer as part of Bank of Ann Arbor’s Sonic Lunch concert series, and they return to town this Wednesday, April 17 for a show at The Blind Pig. I caught up with JD McPherson by phone last week as he was getting ready for a concert in Calgary, Alberta and had a lively discussion about everything from favorite recording studios to Socks to the reasons behind his rock 'n' roll sensibility.
John Belushi said it. Christopher Hitchens also said it. Jerry Lewis said it, too. They all said the thing that they likely would have never said about any other group: women aren’t funny.
If you need proof that women are funny -- and you shouldn’t, but in case you do -- come out to Ladies Laugh Night at the Ann Arbor Comedy Showcase on Thursday, April 11. The show features an all-woman lineup of Brandi Alexander, Nicole Majdali, Kate Brindle, and Connie Ettinger.
Comedy Showcase owner Claudia Neeb includes more female comedians in the club’s lineup because “we believe in seeking out diverse types of comedians, including women. As a club, we try to ‘grow’ comedians by encouraging them to work on and strengthen their talent and then move onto the next level.”
The musical theater students at the University of Michigan will take a walk on the dark side when they present their production of Sweeney Todd: The Demon Barber of Fleet Street at the Power Center, April 18-21.
Sweeney Todd is an unusual show, combining dark humor, odd characters, a bit of the music hall, a bit of the opera and quite a lot of blood.
Stephen Sondheim, the master of modern musical theater, has often taken on unorthodox musical theatre material from a survey of presidential assassins to a grim take on fairy tales to a bittersweet reworking of an Ingmar Bergman film.
But Sweeney Todd goes a few steps further into a grim story of revenge that balances horror with some deliciously off-kilter humor and some complex and compelling music.
This Woman's Work: Camille Noe Pagan’s "I’m Fine and Neither Are You" tracks the troubles and radical honesty of a working mom
The opening chapters of Camille Noe Pagan’s fifth book, I’m Fine and Neither Are You, communicate the struggles of the modern-day working mother. Penelope Ruiz-Kar is in it up to her eyeballs, “which is pretty much every woman I know these days," says the Ann Arbor-based Pagan.
The book follows Penelope as she juggles a full-time job, an underemployed husband, and rambunctious children as well as day-to-day adulting. Meantime, Penelope’s best friend Jenny seems to have the perfect life -- a wealthy husband, an enviable marriage, the luxury of not having to work, one child who always behaved impeccably. Jenny appears to have it all, have it made. But everything is not what it seems.
A breathtakingly brilliant harmonica player who’s been an essential part of the Ann Arbor music scene for decades, Peter Madcat Ruth will officially celebrate his 70th birthday on Tuesday, April 2. But his big birthday bash will happen two days later at The Ark on Thursday, April 4, when he’ll be joined by an impressive number of special guests for a roof-raising celebration. Joining Madcat at The Ark will be Howard Levy, Chris Brubeck, Joshua Davis, Corky Siegel, Shari Kane, Seth Bernard, Rachael Davis, Drew Howard, Michael Shimmin, Mark Schrock, Dominic Davis, William Apostol, Dick Siegel, and Joel Brown, with the proceedings emceed by WEMU-FM music host Michael Jewett.
Madcat is understandably best known for his virtuosic harmonica playing, but he’s also a gifted vocalist and just as impressive on ukulele, guitar, and a host of other instruments.
Recently I spoke to the laid-back, always friendly American roots music practitioner about his career, his upcoming birthday bash, and some of the top artists he’s worked with over the last 50 years or so.
Women who want babies. Women who do not. Women who try hard for a baby, and women who easily become pregnant. Women who lose a baby, and women who have one.
These women populate the stories in Look How Happy I’m Making You, the debut collection by Polly Rosenwaike. Efforts to conceive and be mothers -- and the effects of those efforts on these women -- engage them.
Rosenwaike’s stories, however, do not only center on the processes and acts of conceiving, birthing, and parenting. This collection moreover illustrates the complexities of the feelings and relationships surrounding motherhood and the wish for it.
Rosenwaike draws inspiration from her own experiences as a mother and often works from branches of the Ann Arbor District Library. A resident of Ann Arbor, she is the fiction editor of Michigan Quarterly Review, is widely published in literary magazines, reviews books, teaches at Eastern Michigan University, and has two daughters with her partner, poet Cody Walker.
Rosenwaike will read and discuss Look How Happy I’m Making You at Literati Bookstore Wednesday, April 3, at 7 pm. She answered questions about life in Ann Arbor and her new collection.