The local indie folk-rock band Little Traps brings sharp musicianship, an off-center outlook, and a distinctive sound with a banjo leading the way. Released late last year, their first full-length album, Can’t Count, is a welcome showcase of their work. 

The band charms listeners with its warm, inviting sound, but underneath lies a somewhat more complex tone. “Uncertainty, ambivalence, and second-guessing are the bread and butter of my lyrics,” singer-songwriter-guitarist Nick Bertsos says. 

In addition to Bertsos, the core band consists of singer-banjoist Annie Palmer and guitarist/pedal steel player Thomas Green. At various times other musicians help fill out the sound; on Can’t Count, Howard White plays bass and keyboards, while Ali Snyder plays drums. On New Tricks, a recently released EP of cover songs, Jessiah Hall is the drummer.

Bertsos answered a few questions recently via email:

John Coltrane on the saxophone.

Eddie Van Halen on the guitar.

Link on the ocarina.

These are giants of their instruments.

But only one of these masters will be feted by The Seven Sages, a new quintet dedicated to playing music from The Legend of Zelda video game series.

Comprised of accomplished jazz and experimental artists Kirsten Carey (guitar), Andrew Hintzen (keyboard), Neal Anderson (EWI / trumpet), Jon Hammonds (bass), and Jonathan Taylor (drums), The Seven Sages make their debut at Ziggy's in Ypsilanti on February 21 -- the 33rd anniversary of the first Legend of Zelda game being released.

Carey and Hammonds answered some questions in an email interview about how The Seven Sages materialized, which Zelda songs the band will play, and their favorite tunes from the games. The queries were posed by myself and Eli Neiburger, who is deputy director of the Ann Arbor District Library and a member of the Nintendoland Family Band.

Dr. Juan Cole has spent his life dedicated to the study of the Middle East, Muslim South Asia, and religion. He’s been at University of Michigan since 1984, quoted in papers from the L.A. Times to the Baltimore Sun, and appeared on PBS Newshour, Nightline, and The Colbert Report. He received a National Endowment for the Humanities grant for research on Shiite Muslim thought and history, published translations of Arabic literature by Kahlil Gibran (and later, sponsored an exhibit of Gibran’s paintings at the Detroit Institute of Arts), acted as the director of the Center for Middle Eastern and North African Studies at U-M, served as editor in chief of the International Journal of Middle East Studies, and wrote or translated nearly 20 books. 

This past October, Bold Type Books published Cole’s most recent book, Muhammad: Prophet of Peace Amid the Clash of Empires. The book’s publication at this particular time is in response to recent events around the world. “Extremist groups are misusing or using religious text in dishonest ways," Cole says. "North America and Europe have seen a rise in Islamophobia and the smearing of the prophet Muhammad.”

Cole originally studied early Islam and its foundations while in graduate school in Cairo and later at UCLA. “I got pulled away from the medieval studies," Cole says, "and pulled into writing about modern and contemporary issues in the Middle East by several events,” including the Iranian Revolution. “Although I had this earlier training, I didn’t put it to use in a whole book until now. I tried to tell the story as a response to this moment that we find ourselves in.”

Derrick Benford is a piano wiz who knows a thing or two about jazz. He’s been playing in the Michigan jazz scene for a while now, and this Detroit native has been involved with many groups and artists; lately, he’s been a member of the Gene Dunlap Band.

He’s also a Spirit of Detroit Award winner and has traveled across the U.S., U.K., and Asia working alongside the likes of George Clinton, Marcus Belgrave, and his brother Vassal Benford, among many others in the international jazz scene.

For his latest endeavor, the Derrick Benford Quartet, the pianist meshes jazz, hip-hop, R&B, and gospel into their own funky sound.

The quartet will be performing at AADL’s downtown library on Valentine's Day for a special show dedicated to love in all forms. I spoke to Derrick Benford about many things including his piano background, concerts at the library, his international experiences, and more.

In "The Heart Sutra," one of Buddhism's most famous texts, there's a line that's often translated as "form is emptiness and the very emptiness is form."

I don't know if this particular sutra informed Robert Spalding Newcomb's structured improvisation "Dance of the Heart," but this long-form piece revels in the sort of free-flowing ambiance that feels simultaneously disembodied and corporeal. The music is an ode to freedom and that freedom helps shape the music's form.

Newcomb is a polymath -- computer expert, software developer, yoga teacher, stringed-instrument virtuoso (guitar, sitar) -- who combines all his talents to create modern music that's rooted in ancient traditions. "Dance of the Heart" is a reflection of that unique skillset, combining electronic percussion, synths, and effects-laden guitar.

"Dance of the Heart" premiered March 13, 2018, at the Riverside Arts Center in Ypsilanti -- you can watch the high-quality video here -- with Newcomb (guitar, sitar, laptop), Ken Kozora (electronic and acoustic percussion, iPad, trumpet), and Erik Gottesman (analog synthesizers, bio-sensors with EEG/shortwave/Theremin-style gesture proximity and ribbon controllers). The trio is reuniting at Riverside Arts for another performance of "Dance of the Heart" on Sunday, February 17, at 8 pm.

Newcomb explained the concept behind "Dance of the Heart" in an email interview:

The life of guitar legend Jimi Hendrix has been explored in numerous biographies and documentaries, so you could be forgiven for being skeptical as to why the world needs another book about the man widely considered to be the greatest guitarist of all time and a major influence on the sound of rock music. Jas Obrecht's new offering on the subject, however, takes a much closer look at a specific period in the life of Hendrix.

Stone Free: Jimi Hendrix in London, September 1966-June 1967 is a detailed, day by day look into the guitar great's arrival in England and his rapid rise from obscurity to fame. Obrecht's book puts into perspective just how quickly and completely Hendrix revolutionized pop music. The supporting cast is a who's who of British rock icons including The Beatles, The Rolling Stones, The Who, The Animals, and many others. I had the pleasure of sitting down for an interview with the author, who has written nearly 200 cover stories for Guitar Player and other music magazines as well as a number of books on blues and rock.

Obrecht will be reading from his new book on Thursday, February 14, 7 pm, at Literati Bookstore in Ann Arbor. Below is the conversation we had, slightly edited for flow.

The spirit of the Renaissance's Cabinets of Curiosity is alive and well and on display in the University of Michigan’s NCRC galleries through May, courtesy of a mother-and-son artist duo. Two separate exhibits, Ecological Fiction by Karen Anne Klein and Hidden Ubiquity: Celebrating the Tiny Majority by Barrett Klein, delineate and illustrate nature’s inhabitants and habitats, from the cosmic to the minute.  

Telephon9 is from the birthplace of techno, which the Detroit trio blends with pop/EDM and house to create upbeat music that's full of pulsating energy.

Founder Chris Call, Jair Alexander, and Adari “BaseMODE” Perkins count Black Eyed Peas, Daft Punk, Calvin Harris, and Outkast among their influences, and all the members contribute writing, production, and vocals to Telephon9's infectious sound: when their music starts, you’re ready to dance. 

Telephon9 will perform at AADL's downtown branch on Friday, February 8 at 7 pm in concert as a part of the library’s Black History Month programming. We spoke with the group about their journey from acting to music, the Ann Arbor music scene, their upcoming studio release, and more. 

Can you fully know a place?

This might be a trick question. As a Michigan native, I have an intimate knowledge of the state, but there are still new things to learn about it. There are unexplored towns, myriad events, acres of forest, and miles of shoreline.

Plus, my understanding of Michigan comes from my perspective, which is one reason why I appreciated the original views and varied essays in the recently published Elemental: A Collection of Michigan Creative Nonfiction edited by Anne-Marie Oomen. 

Elemental contains 24 essays, each presenting a unique angle on the state. Some are deeply rooted in Michigan places and characteristics, and others more tenuously tied to the state. All relate to an element -- earth, water, wind, fire -- present in Michigan. Elemental is a 2019 Michigan Notable Book, a Library of Michigan award for books published in the previous year. 

Oomen, a writer with an essay included in Elemental, pens poetry, nonfiction, and plays. Her books include The Lake Michigan Mermaid with Linda Nemec Foster, Pulling Down the Barn, House of Fields, An American Map: Essays, Uncoded Woman, and Love, Sex and 4-H. She has also edited Looking Over My Shoulder: Reflections on the Twentieth Century. Her seven plays include Secrets of Luuce Talk Tavern. In addition to her writing, she is an instructor at the Solstice MFA at Pine Manor College and Interlochen College of Creative Arts. 

Oomen will speak with a panel of authors from Elemental at Literati Bookstore on Monday, February 11, at 7 pm. The panel will include Ari L. Mokdad, Alison Swan, Michael Steinberg, and Keith Taylor. All will read and discuss Michigan literature.

Here, Oomen answers questions about Elemental, Michigan, and her writing. 

You might not know Sam Martin at the moment, but at the rate he's going, you will soon.

This young poet and speaker has a bright future ahead of him and he’s only getting started. I first met the young star during an event at AADL last summer in which he was an attendee. He had an eager spirit and later I was introduced to his speaking videos on YouTube. Most notably, he has done two TEDx Talks through an opportunity at Ann Arbor’s own Skyline High School. Both of these videos have together racked up thousands of views.

These days, Martin attends Washtenaw Community College and is passionate about spoken-word poetry, entrepreneurship, and sharing his thoughts and views on the world at large. He also enjoys writing and performing poetry at Neutral Zone.

Martin and several other young adult performers from Neutral Zone will present a live showcase on February 5 at AADL entitled “I Am Making History” where they will discuss their current contributions to society and black culture for Black History Month. I had an opportunity to speak with Martin regarding his TEDx Talks, his favorite black cultural figure, his inspiration behind speeches, and more.