This article originally ran March 25, 2020.

We're rerunning the story to highlight the launch of the "Commie High" archive at aadl.org/commiehigh: 

This site serves as a supplement to the independent, feature-length documentary about Community High School in Ann Arbor, MI—produced by 7 Cylinders Studio—providing extensive extra content available for public viewing and research. Additional materials and development are anticipated in future editions.

There are video extras, historical and making-of-the-film photos, a music database documenting the school's numerous bands and musicians, digitized yearbooks, and news articles.

The coronavirus pandemic is forcing teachers and administrators to improvise ways to serve their pupils academically, mostly through virtual learning and online academies. Other imaginative approaches will be introduced as the pandemic drags on, spotlighting the skills of educators and showing how resourceful they can be when not stuck on a treadmill of prepping kids for standardized tests.

But one school in Ann Arbor has been using innovative educational approaches for nearly 50 years.

Ann Arbor's Community High School started in 1972 with a "school without walls" concept. A handful of other schools across the country adopted similar approaches, where structured curricula were abandoned in favor of flexible programs that best fit individual students' needs, with a focus on real-world education.

But the Community model never expanded deeply into the mainstream. 

Until now. (Kinda.)

A heavily modified variation of Community's wall-free education approach is being tested during the coronavirus pandemic, and it seems inevitable that some of these outside-the-box ideas will be incorporated into schools once this over and society deals with our new normal.

Welcome to Commie High, a new documentary by Ypsilanti-based filmmaker Donald Harrison, shows the school's unique approach to education, from its hippie-era beginnings to its place in the modern landscape, talking to students and teachers from the past and present about what makes Community special -- and effective.

The movie was to premiere as part of the 58th Ann Arbor Film Festival (AAFF). But with the entire event being moved to a livestream on Vimeo due to the lockdown, Harrison and the AAFF are are offering Welcome to Commie High as fundraising rental. The movie will be available to rent for $9.99 from 10 am, March 30 to 10 am, April 1; each rental will be active for 48 hours. The rental fee will be split two ways: 50 percent of the proceeds will go to the AAFF to help offset costs and the rest will be put toward the distribution of the documentary. Click here to pre-order the rental.

Harrison answered some questions via email about Welcome to Commie High.

This story originally ran June 12, 2019.

For roughly half a decade, the Roman emperor Hadrian was in love with a man who was not his spouse. Between 125 CE and 130 CE, the Greek youth Antinous became a favorite of Hadrian, and for the final two years of the latter's life they were side by side touring the Roman empire.

After Antinous' surprise death on the Nile, Hadrian was devastated and, in his grief, proclaimed his lover a deity, In turn, priests connected Antinous to the Egyptian god Osiris, lord of the underworld, afterworld, and rebirth.

Et voilà:

Nearly 2,000 years later we have Antinous as Osiris, the latest album by Ann Arbor jazz drummer Jesse Kramer.

If you live in the Ann Arbor school district, you are a recipient of the Ann Arbor Observer. The monthly magazine offers in-depth reporting on local issues and residents, a robust calendar of area events, and two long-running contests that are often the first things to which readers turn: "Fake Ad" and "I Spy."

If you're a superfan of these challenges, you won't have to wait until the next Observer arrives because the magazine is publishing two books of highlights from the contests: I Spy…Architecture: Photo Puzzles From the Ann Arbor Observer, Vol. 1 by Sally Bjork and The Fake Ad Book: 47 of the Best Fake Ads of All Time by Jay Forstner.

Forstner has worked on "Fake Ad" since the early 1990s when he had his “dream job” of being a staff writer for the Observer.

“I came up with the 'Fake Ad' as a way of trying to contribute more to the Observer because I loved the publication and the people I worked with," Forstner says. "The funny thing is that in the first years after I started writing the 'Fake Ad,' I also wrote some of my best articles for the magazine. I think the 'Fake Ad' was my way of connecting with my work.”

Bjork proposed the "I Spy" feature to editor John Hilton in late 1998.

“It originally focused on historic architecture and eventually expanded to include other things," Bjork says. "It began in February of 1999 and, thankfully, it has been going ever since."

Picking favorites from these beloved features proved difficult for both writers. Forstner recalls the fake ad for the Victorious Egret lingerie shop for ornithologists. “It combines three of my passions: wordplay, sexy lingerie, and bird watching," Forstner jokes, "which are very difficult to pursue all at the same time, sadly.”

What you have. What you want. What you hang on to. What you give up. 

Jeans. A house. A spouse. Drawings. Places. Jobs. A fantasy. 

Sara Schaff’s second collection of short stories, The Invention of Love, invests in these questions of possession and ownership, of affiliation and surprising loss. The best way to understand the characters’ distinct circumstances and the fine lines between one version of their life or another that they choose, or that gets chosen for them, is by looking at the plots themselves. For example, two half-sisters lose their mother, and both covet her pair of jeans used for dancing in “Our Lady of Guazá.” In another story called “Noreen O’Malley at the Sunset Pool,” Noreen must let go of the narratives about her friends and lovers that she hoped for as she cares for her new baby. 

Still, a character may make a delightful discovery amidst a seemingly unbearable situation, such as a woman eventually becoming enthralled by Anna Karenina despite the fact that her ex-husband’s new wife (and their family friend) had been the one who recommended the book. These observant views of these women show their realizations and complicated hardships as they navigate life and its turns. 

Schaff will speak with Greg Schutz, writer and lecturer at the University of Michigan, in an At Home with Literati virtual event on Tuesday, July 21, at 7 pm. Schaff and Schutz are friends and fellow graduates of the MFA program at the University of Michigan. Information to join via Zoom is on the event webpage. We corresponded via email beforehand, and here are my questions and Schaff’s responses. 

Michigan natives Chris Erickson and Hadley Robinson have been friends since birth.

“Before birth, actually," Erickson says. "Our dads grew up together, our grandmothers went to college together and they lived on the same street in Midland.”

The two stayed in touch through adulthood as each became artists in different ways.

Robinson is a video producer based in Brooklyn: “My background is in journalism, I used to be a newspaper writer. I’ve worked in video full time for the past five years while dabbling in audio, which has been helpful with this endeavor.”

Erickson teaches in the IB program at Huron High School where he also serves as the creative activity service coordinator, guiding students to find and pursue their creative interests. 

Ann Arbor singer-songwriter Dani Darling and her bandmates were recording a new EP in a studio when the Covid-19 stay-at-home order began. The Reverie EP is still on track for release this summer, but the first single, "S+M," features Darling solo.

"I found myself with those sessions and more to say, so I went back to doing my bedroom pop, late-night studio sessions," Darling said. "The beat is by a London producer GC Beats. Really just sounded like Dani when I heard it."

"S+M" features jazzy guitar chords over a slow-groove R&B beat with Darling's ethereal voice floating over the mix. She sings playful puns to tell her tale about what it feels like to be a musician in lockdown.

"'S+M' is a snapshot of my experience during the stay-at-home order -- my music career on hold indefinitely, feeling social media shift from a strength to something sinister," Darling said. "If felt like a scramble for the airwaves, like either you shut down and take time for yourself or you dive right in and try to make a wave, make a difference. I wanted to do that because I don't think of my music as purely entertainment -- it's a way to connect and healing is a big theme in this project. So I wanted to make an impact, but it started to feel like an unhealthy relationship. Sometimes you go online and you know you shouldn't; sometimes you go look at someone's [social] media knowing it will hurt and do it anyway. Sometimes people form an unhealthy relationship to you as fans."

Pulp received an email on May 7 from representatives of WSG Gallery, the longstanding Ann Arbor artist collective that had space at 306 S. Main St., saying, "Our landlord notified us that he has already contracted with construction people to dismantle walls and etc from the interior of the gallery on 5/27. He plans to put a 'FOR RENT' sign in the front window."

The email went on to discuss surprise and dismay on behalf of the WSG artists, and I asked some follow-up and clarifying questions in order to write a post. But after saying they would discuss my questions and get back to me, I never heard back from WSG.

But that's not because anything had changed with WSG's sudden eviction; it's because the gallery decided to press ahead with its new life online.

"At this point we are dedicated to moving forward," wrote WSG Gallery president Valerie Mann in a June 18 email. "We are out of our old space and busting our tails with our online gallery.  We are having great success with sales so far and are really pleased!  Our strength is really in our people.  I mean, I have 83 year olds learning how to build web pages!!!"

The woman is in a red shirt, white sneakers, and blue shorts, her outfit unintentionally matching the colors of the American flag. She's on the West Park bandshell in Ann Arbor, painting on a large white sheet taped to the wall between the stage-left doors.

The first thing she writes on the sheet is "Black Lives Matter" in blue.

The time-lapse video she later posted to YouTube shows her fleshing out the mural with protestors presented in a stencil-style, the BLM slogan crafted into pixelated form, and the old rising-sun flag of the Imperial Japanese Army painted behind everything.

Ann Arbor artist T'onna Clemons is the person who created this graffiti-inspired piece and it just about encompasses everything in her style: politics and pop-art mixing with Japanese imagery and the African-American experience.

I hate winter. Especially Michigan winters. Gray, muddy, relentless ugliness.

But in the hands of Jared Van Eck, a recent Michigan winter day was turned into beautiful art.

Actually, it wasn't even winter -- see the word "relentless" up there -- it was on April 15, 2020, when the snow visited us again.

Van Eck, who's the technical director for the Michigan Theater Foundation, grabbed his fiancée's iPhone 11 Pro Max and a gimbal on that day, went to a west-side Ann Arbor nature preserve, and filmed the snow falling on fields, trees, and a pond. He edited the footage together, added some subtle effects, and composed a dreamy score on his iPad using the Cubasis and Korg Gadget apps.

The result is The Motions of Stillness, a lovely black-and-white, 60-minute meditation on nature.

The film is available to view for $3 via the Michigan Theater's virtual screening room or free for members.

I asked Van Eck about the inspiration for the project, his soundtrack, and some of his influences.

Chien-An Yuan's art -- be it music, photography, or design -- immerses your eyes and ears in a world that feels at once orderly and hazy, referential and singular, dark and light. Contrasts are this Ann Arbor artist's forté.

Yuan also runs the 1473 label, which is filled with deep-listening tones that can fill a room with a strange and beautiful ambiance, but most of the music works even better with over-the-ear headphones so you can immerse your brain in mind-expanding sound-art.

1473 has released 15 records so far -- including Yuan's Teeth Marks on the Everett, which features five piano improvisations run through effects and then reassembled in post-production. You can find more of Yuan's music, DJ mixes, photography, design, and his multimedia collaboration IS/LANDS (which was performed at AADL last year) on his website, chienanyuan.com.

We talked to Yuan about his work and his track recommendations for diving into 1473's world of sound.