(Re)Introducing Djangophonique: Andrew Brown and Co. are putting a modern spin on a jazz tradition

MUSIC INTERVIEW

The four members of Djangophonic sitting on a couch in front of a brick wall.

Introducing rhythm guitarist Zach Croft, lead guitarist Andrew Brown, clarinetist Tyler Rindo, and upright bassist Jorian Olk-Szost, the core musicians in Djangophonique. Photo courtesy of the band.

“When I say ‘modern music,’” says Andrew Brown, “what I mean is, like, anything after 1956.”

Brown is the band leader and lead guitarist for Djangophonique, the crisp Ann Arbor-based quartet that’s made a name for itself reveling in—and updating—the 1930s and 1940s music known as “gypsy jazz,” or jazz manouche. It's a sound primarily associated with the French-Romani guitarist Django Reinhardt, but Djangophonique applies the style to a range of genres, from country music to swing.

In 2020, Djangophonique released a live EP, Jazz Du Jour, some of which was recorded at the Blue Llama Jazz Club, but it came out just before the pandemic began. “That kind of put things on pause for a while,” Brown says.

But the band regrouped and last summer issued its first full-length album, Introducing Djangophonique, which garnered the quartet more and more attention. The group snagged some high-profile gigs, too, including the bluegrass-based Wheatland Music Festival, the Detroit Jazz Festival, and Ann Arbor's Top of the Park. While Djangophonique performs all over the area, its current home base is Ann Arbor's new North Star Lounge, where Brown is the creative director and the group has a residency most Wednesdays.

Harmoniously Happy: Brandi Carlile at the Michigan Theater

MUSIC REVIEW

Brandi Carlile

Nobody sings like Brandi Carlile.

Her voice has so much power and force it’s like something shot out of a cannon -- except that there’s subtlety there, too, and nuance, and many different shades of feeling.

At her June 9 show at the Michigan Theater show, co-hosted by The Ark, Carlile played to an ecstatic, sold-out audience, showcasing the power of her voice and the force of her backing band.

From her first album (Brandi Carlile) to her most recent (By the Way, I Forgive You), Carlile’s songs have reckoned with late nights, stiff drinks, and love affairs gone wrong -- or, occasionally, right. But in Ann Arbor, Carlile explored a different side of herself, a more grown-up side. If there was a theme to the show, it was parenthood.

Culottes, Canes & "Calypso": David Sedaris at Literati

WRITTEN WORD REVIEW

David Sedaris

David Sedaris was his usual charming, generous self when gave a packed reading on Friday at Literati Bookstore in Ann Arbor in support of his new book of essays, Calypso. And, of course, he was hilarious, telling dirty jokes, cursing, and plotting revenge on his West Sussex neighbors.

In Calypso, Sedaris has returned to the humorous essay form with which he’s made his reputation. His siblings, parents, and boyfriend, Hugh -- familiar to long-time readers -- appear once again. But many of these essays are darker in subject and tone than Sedaris’s previous work. They describe aging, illness, and the unexpected death of his sister, among other things. In the book’s first sentence, Sedaris announces, “Though there’s an industry built on telling you otherwise, there are few real joys to middle age.”

Sedaris didn’t read that essay on Friday, but he did read the text of a commencement speech he recently gave at Oberlin College, which touched on similar themes. Encouraging young writers to pursue their vocation (at any cost), he said, “At 22 you are built for poverty and rejection. And you know why? Because you are so good looking.” He also said: “Be yourself. Unless your self is an asshole.”