Telephon9 is from the birthplace of techno, which the Detroit trio blends with pop/EDM and house to create upbeat music that's full of pulsating energy.
Founder Chris Call, Jair Alexander, and Adari “BaseMODE” Perkins count Black Eyed Peas, Daft Punk, Calvin Harris, and Outkast among their influences, and all the members contribute writing, production, and vocals to Telephon9's infectious sound: when their music starts, you’re ready to dance.
Telephon9 will perform at AADL's downtown branch on Friday, February 8 at 7 pm in concert as a part of the library’s Black History Month programming. We spoke with the group about their journey from acting to music, the Ann Arbor music scene, their upcoming studio release, and more.
University of Michigan's Ellen Rowe is the world's first female chair of a major university jazz department, and last year she was one of four faculty members to be honored as an Arthur F. Thurnau Professor. Interim Dean Melody Racine said Rowe engaged in “concrete and repeated steps to build a sense of teamwork, mutual support, and collegiality within the department."
That desire to cross bridges and engage with people extends to Rowe's music, too, and is particularly evident on the pianist's new album, Momentum: Portraits of Women in Motion.
Recorded at the U-M studio in the Duderstadt building, each of Momentum's eight compositions is dedicated to a woman or women who have influenced Rowe.
"What was fun was to pick women that really mattered to me and who had made a difference in my life from the time I was 8 or 9 up til now and write music for them," Rowe said in a video interview about Momentum.
"Some of the readings I was doing about race and social justice, I just came across really incredible women that I had no idea about, who started NAACP chapters, they started schools, they started colleges, they had been at the forefronts of the civil rights marches, and yet we don't hear about them," she said. "Women like Fannie Lou Hamer, Amelia Boynton, Septima Clark, Mary McLeod Bethune, and I just thought, 'Where are these women?' We need to know about these women -- I need to know about these women. And certainly, young women -- and part of this project, of course, involves mentoring -- I want to be able to talk about these women when I go out and play this music."
Great Lakes Soundtrack: Sean Curtis Patrick and Benoît Pioulard team up for an LP that feels like destiny
Ann Arbor musician and video artist Sean Curtis Patrick is teaming up with Haslet, Michigan native Benoît Pioulard (née Thomas Meluch) for a concept album that these prolific ambient musicians were destined to create. Avocationals is about nine shipwrecks on the Great Lakes and Patrick posted a teaser video on Instagram:
Here are a series of articles on Ann Arbor, Michigan culture in the late 1950s and 1960s. It is mostly some history of the time from my view and experience. I could add more to them, but I’m getting older by the day and I feel it is better to get something out there for those few who want to get a sense of Ann Arbor back in those times.
I hope there are some out there who can remember these times too. As for those of were not there, here is a taste as to what Ann Arbor was like back then.
Long before he became a software pioneer who created astrological programs and, later, the All Music franchise and its spinoffs, Erlewine was an integral member of Ann Arbor's 1960s counterculture scene as co-founder of blues band The Prime Movers, which eventually featured Iggy Pop on drums.
A round-up of Washtenaw County arts and culture news.
Ann Arbor musician and Ghostly International co-founder Matthew Dear spent six years crafting his latest solo album, Bunny, which came out Oct. 12, 2018.
But for his contribution to FACTmagazine's "Against the Clock" series, Dear put together a song in 10 minutes.
Check out that Dear video below, plus the promo clip for the album single "Bunny's Dream," along with news on the Ann Arbor Folk Festival, the suddenly thriving Washtenaw County music club scene, and the AADL archives team recall a 1969 theatrical production that was accused of indecency.
The Appalachian Mountains and the German Autobahn are diametrically different creations in myriad ways: Earth-made vs. man-made; steep vs. flat; curvilinearly mysterious vs. linearly hypnotic.
But the duo Land & Buildings bring the sounds of Appalachia and Germany together in a way that is as natural as a mountain range or racing on a European highway.
Dominick Smith and Kendall Babl combine the high-lonesome sound of Highlands-inspired music with the gurgling cosmic drone of Krautrock on their second Land & Buildings album, Huron River Eclipse, which conjures the image of Will Oldham and Neil Young covering Cluster. I legit thought Huron River Eclipse's "Brandywine Harbor" was a Neil Young demo from 1972, while the title track evokes Conny Plank's Berlin studio in 1976.
Smith and Babel met in Chicago during what was supposed to be an MFA year together studying sculpture at School of the Art Institute of Chicago, and they've been playing music on and off ever since. But it wasn't until 2013 that Land & Buildings became a thing, and in that same year the duo released its debut album, Hibiscus.
With Smith in New York state and Babel in Washtenaw County, it took a while for Land & Building to create its second album. Huron River Eclipse consists of mostly improvised jams that were later edited down by the band and Fred Thomas, who released the cassette on his Life Like label. It's a truly unique and gorgeous collection of lo-fi outsider folk and electronics.
I spoke with Smith and Babel about their kosmische Appalachian electronica.
You've got the girl groups, from The Supremes to En Vogue.
And you've got the boy bands, from The Temptations to The Backstreet Boys.
“We are unusual because a lot of gay and lesbian choirs are all men or all women,” says Out Loud Chorus board member Tim Hamann. “We have always been a mixed group, truly a community chorus.”
During the January 18 and 19 performances, expect to hear music from Motown groups, '90s boy bands, Destiny’s Child, The Andrews Sisters, The King’s Singers, and more.
"'Gurl Groups and Boi Bands' will be set up like an episode of The Voice," says Hamann. “But we are calling it The Queer Voice. Then we will have skits peppered throughout the program.”
“I think that it’s very important to play this music, to tell the story of Brazilian music,” he explained. Mehmari -- who appeared at Kerrytown Concert House nearly a year prior -- brought with him an exciting collection of repertoire, music infused with influences of jazz, ragtime, classical, and all manner of Brazilian and Latin American music.
But Mehmari has added another type of music to his repertoire: NPR jingle. The virtuosic pianist put out a 25-minute video of him performing three stunning variations on the well-known NPR theme.
Perhaps Mehmari will perform these creative variations when he returns to Kerrytown with his trio on Saturday, January 19, but you can check out the pianist's NPR jam now as you read the Pulp interview we did before that 2017 show: