The natural world and the built environment sometimes seem so enmeshed that the borders between them blur. We walk into the fluorescent lighting of a store and then back out into the day’s weather. We go to the beach and some sand trails, then back inside vehicles and homes.
Poet Alison Swan explores this complexity in the lives that we live both with nature and in our manmade world in her new collection, A Fine Canopy (Wayne State University Press). One poem called “Lake Effect” considers how the environment coexists and contends with human life:
[…] We don’t ask,
where’s the sea? We can walk to it,
and to acres of scrub, pasture, crop,
asphalt draining to it, and the reactor
Signs of human change to the environment appear to be inescapable.
Yet, the splendor of the natural world heartily persists in Swan’s poems, and many lines admire this place where we reside, as the poem “Aubade” declares near the end of the collection:
It is good to […]
look out into
the lemon light of morning and
call it beautiful […]
Swan will read and be in conversation with poet and teaching artist Holly Wren Spaulding in a virtual event Tuesday, October 6, at 7 pm through Literati Bookstore. I interviewed Swan, a teacher at Western Michigan University, about ecopoetry, the Bentley Historical Library, and what she's reading.
What do you do?
It’s what people ask when they first meet as a way to identify each other, yet our jobs do not have to define us.
When I asked Jeff Kass this question, he answered with three jobs: a full-time English teacher at Pioneer High School in Ann Arbor, part-time pizza delivery person, and part-time director of literary programs at the Neutral Zone for a year in 2016-2017. During that time, he also worked on drafting the autobiographical poems about this experience that form his new collection, Teacher/Pizza Guy (Wayne State University Press).
Teacher/Pizza Guy reveals Kass’ experiences in the classroom and pizza place, including issues with service industry jobs, challenges of aging, and relationships with colleagues, youth, and family. Despite the possible mundanity of work, Kass offers poetic insights on the situations. The first poem in the collection, “Oh, Splotch of Blue Paint,” not only addresses the paint on the sidewalk outside of the school where Kass teaches but also ruminates about its origins:
…were you trying to paint the sea? A place
for you to float in? The breeze a lovely, reassuring
friend who brings you cookies and iced tea
and listens to you without judging…?
This speculative question, in turn, raises a question for me: Isn’t that what we’d all like, a pleasant place, a friend who shares treats, and good conversation? Another poem depicts colleagues crossing paths in the night as Kass returns to home from his pizza-slinging job to see a fellow pizza slinger working his other job of delivering newspapers.
Amidst dishwashing, disastrous delivery runs, and the grind of teaching students in class after class how to write essays, Kass pulls out moments of clarity that describe the working life. One poem describes a break during which he makes a pizza for himself, one that’s not on the menu, and writes, “Believe / for a moment / your time / belongs / to you. / Savor. / Chew.”
Within the drudgery of going from job to job, Kass is not all work; he observes and shows parallels between his jobs and life, recognizing and taking ownership of those moments rather than letting work consume him, almost as if he is both living his life and watching it from the outside. Kass finds meaning in those fleeting moments of entering and exiting customers’ lives to bring them pizza and also seeks respect as he makes ends meet.
Kass, who lives in Ann Arbor with his wife, Karen Smyte, and their children, Sam and Julius,
will read from his collection at Literati Bookstore on Tuesday, September 10, at 7 pm. I interviewed him about his poetry and work.
Imagine being dropped off in the wilderness, uninhabited except for 19 people with you and rangers who patrol the land. Modern amenities are nonexistent, but the upside is that the air quality is much better than the polluted city. You live nomadically and hunt, fish, and gather to survive. This is not an extended camping trip. It is your new way of life.
This intense scenario forms the premise of Diane Cook’s new book, The New Wilderness, a speculative novel involving relationships and the environment—and how the latter influences the former. The novel has landed on the long list for the Booker Prize. Cook has taught for the University of Michigan, is a U-M alum, and lives in Brooklyn, New York.
In a joint virtual event, both Cook and Karolina Waclawiak, whose new novel Life Events was just published, will read and discuss their new books through the At Home with Literati series Monday, August 31, at 7 pm.
The characters of The New Wilderness, including Agnes, her mother Bea, and her mother’s husband Glen, go to the wilderness as part of a research experiment to determine whether this lifestyle is sustainable. Bea joined to save Agnes’ life. Agnes was five years old when they arrived and gravely ill from the effects of pollution. Despite learning how to stay alive in the wild and improving Agnes’ health, the characters’ memories of their former life, their love for one another in all its forms, and the burden of subsisting clash and inform their individual choices.
Early on, Bea’s concerns emerge when considering their next journey to a ranger post farther than they’ve had to go before:
Glen hooked his arm around her neck and pulled her close. “Now, now,” he murmured. “This will be fun.”
She knew that a big part of Glen believed this. But no part of Bea did. She pictured the map in her head again and saw all that unknown land, that beige parchment, all that nothing. They would be changed on the other side of it, that much she knew. Not knowing how was only one of the things that scared her.
The New Wilderness calls into question what the natural world is and should be, while also showing how vast the wilderness within and between people can be.
I interviewed Cook about this book and her writing.
What you have. What you want. What you hang on to. What you give up.
Jeans. A house. A spouse. Drawings. Places. Jobs. A fantasy.
Sara Schaff’s second collection of short stories, The Invention of Love, invests in these questions of possession and ownership, of affiliation and surprising loss. The best way to understand the characters’ distinct circumstances and the fine lines between one version of their life or another that they choose, or that gets chosen for them, is by looking at the plots themselves. For example, two half-sisters lose their mother, and both covet her pair of jeans used for dancing in “Our Lady of Guazá.” In another story called “Noreen O’Malley at the Sunset Pool,” Noreen must let go of the narratives about her friends and lovers that she hoped for as she cares for her new baby.
Still, a character may make a delightful discovery amidst a seemingly unbearable situation, such as a woman eventually becoming enthralled by Anna Karenina despite the fact that her ex-husband’s new wife (and their family friend) had been the one who recommended the book. These observant views of these women show their realizations and complicated hardships as they navigate life and its turns.
Schaff will speak with Greg Schutz, writer and lecturer at the University of Michigan, in an At Home with Literati virtual event on Tuesday, July 21, at 7 pm. Schaff and Schutz are friends and fellow graduates of the MFA program at the University of Michigan. Information to join via Zoom is on the event webpage. We corresponded via email beforehand, and here are my questions and Schaff’s responses.
This story was originally published on March 29, 2019.
Women who want babies. Women who do not. Women who try hard for a baby, and women who easily become pregnant. Women who lose a baby, and women who have one.
These women populate the stories in Look How Happy I’m Making You, the debut collection by Polly Rosenwaike. Efforts to conceive and be mothers -- and the effects of those efforts on these women -- engage them.
Rosenwaike’s stories, however, do not only center on the processes and acts of conceiving, birthing, and parenting. This collection moreover illustrates the complexities of the feelings and relationships surrounding motherhood and the wish for it.
Rosenwaike draws inspiration from her own experiences as a mother and often works from branches of the Ann Arbor District Library. A resident of Ann Arbor, she is the fiction editor of Michigan Quarterly Review, is widely published in literary magazines, reviews books, teaches at Eastern Michigan University, and has two daughters with her partner, poet Cody Walker.
Rosenwaike will read and discuss Look How Happy I’m Making You at Literati Bookstore Wednesday, April 3, at 7 pm. She answered questions about life in Ann Arbor and her new collection.
Valencia Robin’s poetry collection "Ridiculous Light" spans time, space, and seasons -- from Milwaukee in the 1960s to Ann Arbor in the 1990s
This story originally ran August 12, 2019.
Valencia Robin’s new poetry collection, Ridiculous Light, spans time, space, and seasons -- from Milwaukee in the 1960s to Ann Arbor -- and offers moments of distinct observations. The speaker invites readers into specific recollections and, within them, shares not just what happened but vivid descriptions and sublime reflections on the natural world, people, identity, and experiences.
A poet and painter, Robin is one of the founding members of GalleryDAAS at the University of Michigan. She now lives in Charlottesville, Virginia.
She will return to Ann Arbor to read at Literati Bookstore on Friday, August 16, at 7 pm, and Pulp interviewed her before her visit.
Ander Monson, a native of Michigan who lives in Arizona, has not one but two new books that were published this year.
His book of essays, I Will Take the Answer, begins with an account of exploring storm sewer tunnels underneath Tucson and concludes with a reflection on filming a ceremony with an infrared camera. In between, the essays span gun violence, rivers, mines, the Midwest, the Upper Peninsula, music and mixtapes, a Renaissance festival, a reflection on “I,”, and holiday lawn decorations. There is also a mention of the Sea Shell City Michigan’s Man-Killing Giant Clam.
These essays contemplate our relationship to the past and our memories alongside who we are now, what it all may mean, and what the future may bring. One essay called “Facing the Monolith” reflects on how a palm does not survive when transplanted and determines that:
Removed from our worlds, our histories of self, the things and songs we love, our spectacles or the spectacles we have become, the outlines of our lives -- that constant backward looking, searching for what we might contain or in what we are contained—we might well disappear.
The extent that history and self and the world around us are interconnected shapes our realities, suggests Monson. Yet, despite our reliance on our individual collections of history and memory, they do not guarantee security. Monson writes, “I consider, as if floating above some other northern city, the sprawling of the lit-up interstates as fathers drive their children home through snow on winter nights, thinking themselves safe. What is safety, I wonder, when at any moment our life could be torn apart?”
This idea of upending a life is contextualized by Monson’s discussion of the 2011 Tucson shooting in which US Representative Gabrielle Giffords was injured. At the tragedy’s memorial outside the grocery store where it occurred, one of the essays aptly depicts that, “I find a balled-up piece of lined yellow paper. I do pick it up. I open it. a shopping list with six items: ‘triskets, jello, oranges, mayo, peanut butter, sm. eating apples.’ It’s not a note or prayer. Sometimes it’s not clear what the difference is between these kinds of documents.” While this book just came out this year, I sense these sturdy yet vulnerable essays will hold up over time and that I’ll find myself rereading them or returning to them in thought in the future.
Monson’s other book, The Gnome Stories, is a collection of short stories that are, in some ways, a counterpart to the essays. Reading the two books in quick succession may have influenced me, but the stories do present similar situations examined through the lens of fiction, while also standing alone. They investigate how people will respond to unique circumstances, ranging from shooting a burglar to working in a cryogenic facility or a radical weight-loss clinic. Characters find themselves both at extremes and reaching toward extremes at the same time as wondering what defines them, how they can change, and, “[w]hen will it be enough?” As one character who maps people’s memories reflects, “[m]y father once asked me: What are you willing to wreck to get what you want?” The question moves beyond the hypothetical when this character and others undergo this test. Through clear prose and introspective characters, the stories reveal strengths and weaknesses of these characters, as well as question which is which.
Monson’s reading in Ann Arbor is rescheduled as an At Home with Literati event via Zoom video conferencing on Tuesday, April 14, at 7 pm, when he will speak along with author Deb Olin Unferth.
I interviewed him by email, and we talked about his books, connection to the Midwest, and how the pandemic has affected his plans.
Megan Giddings' debut novel investigates what's really going on in a research study in a small Michigan town
The town of Lakewood, where you don’t know what’s part of a research study and what’s separate or real life, provides the setting for a new book of the same name by Megan Giddings, a University of Michigan graduate. This shifting ground calls into question what is true in the experiences of the main character, Lena Johnson, who moves to Lakewood for the promise of good pay and health insurance (albeit as a subject in the research study). A dystopian novel apt for the times, Lakewood moves quickly and constantly probes what lines people will hold or cross for the sake of science or their family.
Early on, Lena mulls over a foretelling comment by another character:
To make life easier, we have to agree there is no such thing as normal, the doctor had said while typing on her laptop. If you think too much about how things should be, you forget how they are.
As the novel unfolds and Lena joins the study, supposedly on memory and funded by the government, she has to grapple with whether the increasing physical and mental side effects of the tests are worth it. She furthermore undergoes surveillance, notices that the town is predominately white while research subjects are black, and must endure extreme circumstances, including taking unidentified medications. Whether Lena will forge ahead with participating and if the purpose or outcome of the research will be revealed become the questions that propel the novel.
Giddings was scheduled to speak Wednesday, April 1, at Literati Bookstore, and the event was canceled owing to COVID-19. I interviewed her by email as planned prior to the pandemic.
Erin Craig's fantasy-horror YA novel "House of Salt and Sorrows" tells the mysterious story of 12 sisters facing a deathly curse
House of Salt and Sorrows, a fantasy-horror young adult novel, opens with a funeral and a grim question: which of 12 sisters will be the next to fall prey to a supposed curse and die?
This first novel by Erin Craig, a graduate of the University of Michigan, stars a strong female protagonist, Annaleigh Thaumas, who is the sixth of her siblings. As she ponders the latest death -- that of her sister Eulalie, who fell from a cliff -- Annaleigh imagines, "her falling through the air, the look of confusion on her face turning to horror as she realized that there was no escaping this, no way to go back and make it right.”
Annaleigh, however, begins to suspect that foul play is at fault for her sisters’ deaths, instead of a curse. She becomes determined to figure out who is behind the madness before more tragedies overtake her family. Eulalie’s sudden demise prompts Annaleigh to consider that, “Though it was all conjecture, I felt I was on the right path. My sister’s death had not been an accident. It had not been part of some dark curse. She was murdered. And I was going to prove it.”
Following Annaleigh on her search for answers becomes as tempestuous as the seas on which the Thaumas family lives. Along the way, Annaleigh falls in love, dances at balls both magnificent and grotesque, and sees ghosts and gods.
Throughout House of Salt and Sorrows, it becomes increasingly clear that people and places are not what they seem at first glance -- or even at second glance. Whether it all can be righted again is an ongoing question as tragedies continue to befall the Duke of the Salann Islands and his many daughters.
Craig’s novel was published last year. She currently lives in Memphis, Tennessee, and is planning a return to her Michigan roots. I interviewed her by email about her connection to Ann Arbor, opera background, writing process, reading, and upcoming plans.
"Unnecessarily Beautiful Spaces for Young Minds on Fire" chronicles 826's mission to empower school-age writers
A time travel mart. An apothecary for the magical. An alien supermarket. A mid-continent oceanographic institute. A secret agent supply. A place for pirates.
These places are just a few of the many storefronts -- complete with their own imaginative products -- that serve as portals to literary writing spaces for youth around the world.
The one in Ann Arbor is known as the Liberty Street Robot Supply & Repair, and the one in Detroit is called the Detroit Robot Factory.
The inspiration for these quirky businesses and equally creative writing centers comes from the brainchild of Dave Eggers and Nínive Clements Calegari, who together started the first 826 Valencia location -- the pirate supply shop -- in San Francisco, though not with that intent at the beginning. When renting a building in 2002, they’d planned for offices for the nonprofit publishing company, McSweeney’s, along with an area for tutoring local youth.
But the building’s zoning was for retail, and consequently, the pirate supply shop was born to fulfill the criteria.