Ever wanted to get in your car and take off across the country? Who among us has not sat behind the wheel of the car and contemplated going instead of east into the sunrise instead of west into the office, going on a grand adventure? But what if you had to go on a road trip -- to save your brothers, save your family?
That’s the dilemma facing the Avila family in Patrick Flores-Scott’s latest book, American Road Trip. While life looks good for Teodoro “T," things aren’t so promising for older brother Manny, a soldier just home from Iraq with overwhelming PTSD. To save them all, their sister Xochitl takes the brothers on an epic road trip where the siblings deal with everything from socioeconomic pressures to first love to mental health issues plaguing our veterans.
Flores-Scott, an Ann Arbor native, was inspired to create a character who was a veteran with PTSD after hearing a story on National Public Radio.
Though the title Night and Day initially calls to mind a famous Cole Porter tune, U-M’s new production of the same name -- consisting of a pair of playwright Charles Mee’s myth-inspired “dance/theatre works” -- bears absolutely no relation to the song.
Well, unless director Malcolm Tulip and his artistic collaborators decide it does, that is.
How could a theatrical presentation be so malleable? That’s both the allure and challenge of Mee’s work. Dubbed the “public domain playwright,” Mee draws on old stories, re-tells them with new text, and offers them up freely online by way of his (re)making project. Built on the idea that “there is no such thing as an original play,” (re)making invites artists to use Mee’s plays as the creative starting point more than a blueprint.
“It’s this incredible mixture of working with text, but then devising a whole new piece, too, because of the liberty he gives you to alter it and to remake his work,” said Tulip. “For me, the approach was discovering what all the parts meant, and what the skeleton of what he amassed looks like. Because even he’s bringing together elements from other sources, making a kind of collage. So you end up talking about and determining what you keep, what the thrust of each section is, and how you remake or rewrite them.”
“For Grace, whom I fell in love with then and do again and again …” --Julia Turshen’s dedication in her newest cookbook, "Now & Again"
Had food writer/home chef Julia Turshen and creative-community blogger Grace Bonney never fallen in love, I may not have been introduced to the cookbook author’s work. I had loosely followed Bonney’s work at Design*Sponge for years. While I’m not in the habit of following the personal milestones of strangers, the moment I found out Bonney was married to Turshen, I thought, “Well, she’s gotta be cool,” and promptly followed her on Instagram. I’ve been intrigued ever since.
On Monday, September 24, Turshen visited Literati to talk about her latest cookbook, Now & Again: Go-To Recipes Inspired Menus + Endless Ideas for Reinventing Leftovers. She was in conversation with chef Kate Williams from Lady of the House restaurant in Detroit and journalist Ashley Woods.
After the audience settled in the space, reinitiating us to fall time in Michigan as we figured out where best to lay our umbrellas, Woods began the talk by asking Turshen and Williams how food and community became entwined for each them.
It’s not easy to say goodbye to an old friend. Maybe that’s why the great Joan Baez is calling her final tour, which came to the Michigan Theater on Tuesday, “Fare Thee Well.”
If indeed that’s the last time Ann Arbor gets to see Baez in person, she left us with an evening full of terrific memories. She set a relaxed, friendly tone from the very start, when she strolled out on stage alone, with no introduction at all, drawing the first of several standing ovations.
Any apprehension about how she might sound at age 77 disappeared as soon as she began to sing. If her voice doesn’t quite have the crystalline edge it once did, it’s still a gorgeous, powerful force, full of warmth and depth. Accompanying herself on guitar, she fleshed out the sound with various combinations of a backup singer, a multi-instrumentalist, and a percussionist (who happens to be her son, Gabe).
Baez has a fine new album out, Whistle Down the Wind, and she played several songs from it Tuesday. The bulk of the show, however, leaned toward old favorites, to the delight of the sellout crowd.
The third annual A2 Jazz Fest wrapped up on Sunday and -- as often happens soon after Southeast Michigan music fests or concerts end -- Jeff Dunn uploaded dozens of great photos of the performers and shared them on his SmugMug page and the Facebook group Lifting Up A2 Jazz.
Dunn hasn't always been a concert photographer -- he only started snapping shows in 2012 or so -- but he's loved jazz for nearly 50 years.
"I've been a huge jazz fan and supporter since the early '70s," he says. "The first time I went to [Detroit's] Baker's Keyboard Lounge in 1973, I was hooked! I've been addicted to live jazz performances ever since."
Dunn got his jazz-photo start because of a musician friend.
You can’t typecast Jeff Daniels. He’s played someone dumb (and dumber), a highly intelligent newsman, and lots of other characters with assorted traits, interests, and careers.
He’s got roots in the theater, and he’s equally comfortable on the big and little screen. He also writes and performs folk songs. As founder of The Purple Rose Theatre in Chelsea, he’s produced plays.
Jeff Daniels writes plays, too.
Of course, you can’t expect Daniels to limit himself to one style or subject. His 17 plays, all presented at the Rose, include a searing look at friendships between people with different incomes that mixed realism with farcical elements, a political drama that showed the way the tragic situation in Flint has impacted relationships, and a comedy about hunting set in the U.P. He’s written in the style of Samuel Beckett and Neil Simon with equal ease.
And the Daniels play that’s on the boards at the Purple Rose now, Diva Royale, is a lively slapstick comedy that feels very much like a musical comedy. The opening night audience responded to the musicality of the show, clapping after scenes the way spectators at musicals usually clap after musical numbers.
The annual Rasa Festival is a unique India-themed multi-arts festival in Ann Arbor and Ypsilanti, produced by our multi-arts organization, Akshara which I co-founded a few years ago. Now in its second year, I conceived of and started this festival in 2017 as an exciting month-long celebration of the arts in the Ann Arbor and Ypsilanti areas. The Rasa Festival features the arts, from and inspired by the rich cultural heritage of India. Partnering with local arts organizations, it presents several unique and exciting, traditional and innovative programs in performing, visual, literary, films, wellness, and culinary arts.
I feel that more than ever before, it is important for our communities to discover, appreciate, and embrace the richness of cultural diversity, and for us to open ourselves to influences from all over the world. The arts offer a beautiful window to experience and rejoice in the richness of cultures, both far and near.
On Friday, October 5 and Saturday, October 6, the Rasa Festival will conclude the 2018 programming with a grand performing arts event at Washtenaw Community College's Towsley Auditorium in Ypsilanti. This year’s performing arts offering is exciting because it includes dance, music, and theater. In curating the two-day program, I wanted to bring a range of art forms and artists from India and other parts of the US as well as from Michigan.
There are as many stories of how to make it to the Big House as there are players: a 1968 recruitment by a memorable assistant coach, the near misses of some of the biggest names, and all those stories about Bo.
ESPN journalist and Michigan native Tom VanHaaren tells all these tales and more in his new book, The Road to Ann Arbor. VanHaaren has reported on college football and recruitment since 2011, starting his career covering Michigan football.
The catalyst for this book came from an interview with Bobby Morrison, a former recruiting coordinator. VanHaaren says, “[Morrison] still follows recruiting pretty closely and after we finished talking about the story I was working on, he told me that he had some great recruiting stories from his time at Michigan.”
The first story Morrison told VanHaaren was how Tom Brady came very close to ending up in another program.
"I love red!” Elizabeth Schwartz exclaims -- and the artist clearly means what she says. RED, her solo exhibit at WSG Gallery, explores and celebrates a powerful hue freighted with cultural and emotional significance. In her most recent series of 11 abstract acrylic paintings on canvas, she shows herself to be a spontaneous colorist who’s not afraid to tackle the contradictory connotations of a color that can project courage, passion, sexuality, danger, aggression, and love.
Fine art is a second career for Schwartz, whose first profession was the law. “I started as a criminal appellate attorney in Detroit and became the deputy director of that office. Then I worked for the [Michigan] Public Service Commission and then the state Attorney General’s office. [Later] I came to Ann Arbor as City Attorney before being appointed an administrative law judge." She continues, “I started painting while I was [still] lawyering … a friend of mine, Fred Horowitz, taught [art] at Washtenaw [Community College]. He was a longtime friend and I was growing weary of law practice. He just changed my life. He said, ‘Take my class -- I may not teach you how to draw, but I can teach you how to see.’ It was magic."
When the phrase "guitar shredder" is deployed, the general picture that comes to mind is a poodle-haired metal guitarist finger-tapping his way through impossible scales on an electric ax.
Marcus Tardelli will change your mental image of what it means to be a guitar shredder.
The Brazilian plays an acoustic with the same sort of jaw-dropping heroics as his plugged-in brethren, but the music he creates evokes that of a full band, not a solo showcase -- even though he usually plays unaccompanied, as he will at Kerrytown Concert House on Thursday, October 4.