Featuring Iggy Pop: A compilation of James Osterberg Jr.'s duets & collaborations

MUSIC

Iggy Pop at his wedding at the home of Jimmy Silver, manager of The Stooges, 1969. Photo by Peter Yates.

Iggy Pop at his wedding at the home of Jimmy Silver, manager of The Stooges, 1969. Photo by Peter Yates.
 

Iggy Pop is known for his outrageous stage antics, groundbreaking music, and massive influence on punk rock.

The Ypsi-Arbor native who was born James Newell Osterberg Jr. should also be known as a man who doesn't say no.

Ever.

Need someone to croon on your single? Tell Iggy the time and place and if he needs to wear a shirt.

Need a deep voice to sing-speak words over your music? Mr. Pop will suddenly appear in the studio, tap you on the shoulder, and say, "May I?"

Iggy even performed "Silent Night" with William Shatner—the. man never. says. nah.

I started thinking about Pop's predilection for partnerships after his latest collaboration hit my inbox.

Hammond B3 player Dr. Lonnie Smith is a master of soul jazz, which is not the first genre you would associate with Pop. Probably not even the last genre. But "Move Your Hand" is a single from Smith's latest Blue Note album, Breathe, and it features Pop riding the funky groove by sing-talking through a simple set of lyrics. 

This song follows two other 2021 Pop collaborations: He provided vocals on an alternate version of "I Wanna Be Your Slave" by Italian rock band Måneskin and repeats one word on the garage-rock single "I, Moron" by English duo The Lovely Eggs. (Iggy: "You need me to say 'moron' in 16 different ways? I got you.")

And as I was writing the above paragraphs, I discovered yet another new collaborative Pop effort came out: "European Son" with Matt Sweeney as featured on the new album I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico.

No is not a word Ig knows.

Aside from his work with fellow Ann Arborites the Ashton brothers in The Stooges, Pop's most famous collaboration was with David Bowie, who produced his 1977 albums The Idiot and Lust for Life. Pop also had a big hit in 1990 with "Candy" featuring The B-52s' Kate Pierson from his album Brick by Brick

In 1989, he joined the charity-single bandwagon many years after that was a thing by singing on "Spirit of the Forest," with the likes of Brian Wilson, Ringo Starr, Joni Mitchell, and ... Olivia Newton-John, among many others ... to benefit the Earth Love Fund foundation. Then followed that up by participating in a truly awful, Lenny Kravitz-produced, superstar-soaked cover of "Give Peace a Chance" in 1991. (Somehow never single achieved the same cultural saturation as "We Are the World" and "Do They Know It's Christmas?")

But there are numerous other collaborations in Pop's career that feature him working with lesser-known or more esoteric artists, some of whom just sample his voice from interviews. I'm sure Iggy doesn't mind. He says yes to everything.

Below you'll find a selection of those recordings—oui, there are a lot of tunes in French—starting with the most recent.

Michigan Marching Band puts on impressive display memorializing 9/11

MUSIC

I spent a lot of time in downtime Ann Arbor on Friday and Saturday, and the town was buzzing with energy for the second Michigan Wolverines home football game of the 2021 season.

The streets were full of students clad in maize-and-blue casual wear as countless khaki-shorted, running-shoe-wearing Michigan Dads carried M Den bags.

I was excited to watch the game, too, but not necessarily for the football. It was because I read a story on September 8 titled "Michigan Marching Band commemorates 20th anniversary of 9/11 with ‘most spectacular halftime show to date.'"

I wanted to see the band, which has only performed twice at a football game since 2019 due to the pandemic, put on a huge show, full of pagentry and making full use of this being one of the few U-M football games to happen at night.

But instead of showing the halftime tribute at the stadium, the TV broadcast featured commercials plus highlights of games by, like, Southeastern Northern Alabama State College vs. Eastern Christian Southern Methodist Commonwealth University as loud men talked loudly over the video clips.

Thankfully, the marching band's spectacular presentation—which included remarkable choreography accompanied by lasers, glowing orbs, and high-powered flashlights—is now on YouTube.

Friday Five: Big Vic, Ma Baker, Stormy Chromer, Jeremiah Mack & the Shark Attack, David Matthew

MUSIC FRIDAY FIVE

Friday Five 09-10-2021

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features punky shoegaze from Big Vic, live jams from Ma Baker and Stormy Chromer, grungy rock from Jeremiah Mack & the Shark Attack, and meditative percussion by David Matthew.

 

U-M Professor David Potter looks at history and politics to understand radical change in his new book, "Disruption"

WRITTEN WORD INTERVIEW

David Potter and his book Disruption

“How do things change?” asks David Potter, a University of Michigan professor, in his new book, Disruption

This question is the basis for his in-depth examination of five groundbreaking periods in history: Christianity’s growth, the rise of Islam, the Protestant Reformation, popular sovereignty, and the political theorists Karl Marx and Herbert Spencer. The five chapters collectively span thousands of years and Potter sews together history, biography, and political thought to illustrate how ideas disrupt existing beliefs and structures. 

This kind of radical change, according to Potter, arises from fringe ideas that go against the existing state of affairs with a thought leader at the forefront. Many centuries ago, political structures that are foundational to government as we know it now had yet to be defined. For example, amid the rise of Islam when Ali ibn Abi Talib, a relative of the prophet Muhammad, was assassinated in 661, Potter writes:

Kenyatta Rashon explores "The Art of Keeping It Real" on her accomplished debut album

MUSIC INTERVIEW

Kenyatta Rashon in a green hoodie

Photo by Kyla McGrath

Ypsilanti singer and songwriter Kenyatta Rashon showcases a polished R&B sound spiced up with some hip-hop accents on her terrific debut album, The Art of Keeping It Real.

Rashon has a distinctive singing voice, both expressive and powerful. And her songs are uniformly strong, with memorable melodies and vibrant lyrics. “YoFi” and “W.rong” express regrets for lost love, while “I am” and “H4L” are anthems of self-empowerment. The single “Free” establishes a great summer listening vibe over wistful and wise lyrics: “Some things could change and some things could not / But I made peace with the things I got / I’m free”

Rashon answered a few questions about the album for Pulp.

Friday Five: Hannah Baiardi, Druzi Baby, Tom Smith, Bennett / Endahl / Sutherland, Atlas the Kid

MUSIC FRIDAY FIVE

Friday Five 09-03-2021

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features sophisti-pop by Hannah Baiardi, hip-hop from Druzi Baby and Atlas the Kid, comedy-rock from Tom Smith, and a sax-synths-drums improvisation by Bennett / Endahl / Sutherland.

 

UMMA's "Claim Your Space" campaign encourages people to find their place at the museum

VISUAL ART FILM & VIDEO

UMMA's Claim Your Space

Ostensibly, the "Claim Your Space" promo video was made to highlight the University of Michigan Museum of Art's extending its Thursday through Sunday hours starting Sept. 7 and a new effort to attract people to the building.

But the video isn't just an ad for UMMA; it's a work of art that stands by itself and shows off the immense creative talent of the U-M students who made it.

Kool Ade Kam aka Kam Komics aka Kamron Reynolds is a Washtenaw County Creative With Drive, Energy, and a whole lot of multifaceted talent

MUSIC VISUAL ART

Kamron Reynolds

"It's your friendly neighborhood comic book artist and rapper, Kool Ade Kam," wrote Kamron Reynolds in an email that was as breezy and direct as his stylings on the mic.

I knew the Ann Arbor-raised, Ypsi-residing Reynolds' art via his DIY comic-book series Kam Komics and his cover illustration for fellow rapper Nickie P's recent EP, Collective Thought. But I had somehow missed Reynolds' own music until I discovered his new and joyous Strictly for My Homies mini-album on Bandcamp—his ninth release as a solo artist. That led me back to The Gostbustaz, his long-running hip-hop group, whose members include "Bredd Loaf, JU-C Juice, and Grandmaster Kas," Kam said. "Sometimes Ant the Champ is in the group too. I don’t really know what the future of the Gostbustaz is. I think for the Gostbustaz to happen again we’d all have to sit down and talk about it."

The Gostbustaz last released a slew of singles in 2016, including the absolute banger "Banned in Ann Arbor," which is based on a massive guitar riff.

Friday Five: Head Full of Ghosts, EnD, V8 Spellbook, Ma Baker, and Men Wearing Dresses

MUSIC FRIDAY FIVE

Friday Five 08-27-2021

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features folk-grunge by Head Full of Ghosts, industrial electronics from EnD, avant hip-hop by V8 Spellbook, jams from Ma Baker, and I dunno what from Men Wearing Dresses.

 

Bill Edwards made the most of the pandemic era with an ambitious new album, "Whole Cloth"

MUSIC INTERVIEW

Bill Edwards

Where some musicians may have understandably felt limited by the constraints of the COVID-19 pandemic, Ann Arbor singer-songwriter Bill Edwards took it as an opportunity. 

Unable to collaborate with other musicians, Edwards decided to record full-band music all by himself—playing instruments both familiar and new, and learning software packages as well. He wrote, recorded, and started the process again, ultimately finding himself with 30 fully finished songs. 

The resulting album, Whole Cloth, is a major achievement, filled with gems about chasing love, finding love, losing love, and more—and shifting among various musical subgenres that all fit under the broad umbrella of Americana, from old-time country to roots rock to western swing.

While nearly all the songs concern relationships in one way or another, “You’re Still Here” is a touching ode to a friend long gone, while “Ain’t Wet Yet” finds some humor in the politics of trickle-down economics and “Sing Me” praises the power of music itself.

Edwards, who was already skilled on multiple instruments, uses his versatile abilities to great effect throughout the album, such as a warm acoustic guitar solo on “Slow Down the Moon” and wistful fiddle on “Billy’s Lament.” The latter is one of three instrumentals on the album, crafted while Edwards had a paralyzed vocal cord— even that couldn’t slow down his creative process.

He's performing a free-admission album release concert on Aug. 27 with Lauren Crane opening the show.

"I’ll play a short selection of my favorite older songs, and then dig into the new record," Edwards said. "For the latter, since the arrangements rely heavily on drums and a variety of lead instruments, I’ll play acoustic guitar and sing to tracks from the album. I’ve got them recorded in my looper pedal, and it works quite well."

Edwards agreed to answer some questions about the new album.