Joni Mitchell's "Live at Canterbury House - 1967" gives us a peek into her post-Detroit, pre-superstardom career
Two noteworthy events happened for Joni Mitchell over the past two weeks:
She turned 77 on November 7, and on October 30, the much-anticipated box set Archives - Volume One: The Early Years (1963-1967) came out.
Included in this collection are 24 songs recorded live over three sets on October 27, 1967, the first night of Mitchell's three-night residency at Ann Arbor's Canterbury House. The Ann Arbor portion of Archives is also available as a standalone three-LP set, and the performance features several songs that would later be considered classics after they appeared on Mitchell's studio albums such as her debut, Song to a Seagull (1968), as well as Clouds (1969) and Ladies of the Canyon (1970).
Mitchell's Canterbury House recordings surfaced in July 2018 along with concert tapes of Tim Buckley, Dave Van Ronk, Odetta, and more, but hers are the first from this batch to find a commercial release. The concert was recorded through Canterbury's soundboard, and the audio is clean and clear, giving us a beautiful glimpse into the almost-24-year-old's musical life pre-superstardom.
Frank Uhle's Radio Rama Lama Fa Fa Fa on WCBN 88.3-FM always features a treasure trove of vintage rock 'n' roll and punk, and he's one of the great historians of 1960s and 1970s underground Michigan music. Uhle also re-released the ultra-obscure and totally rippin' lone 7-inch by Ann Arbor 1960s garage rockers The Beau Biens, which we talked about in-depth here.
Because the pandemic has kept DJs from going into the WCBN studio, the station is rebroadcasting a lot of shows, though some hosts are broadcasting live from their homes while others are preparing their programs there and uploading them.
For Radio Rama Lama Fa Fa Fa, which airs 10 pm Mondays, Uhle has been digging into his vast archive of shows, as well as his personal collection of rare recordings (plus photos and other memorabilia), to produce programs that offer a little bit new, a little bit vintage, and a whole lot of fun.
For his October 26 show, Uhle put together a collection of Ramones recordings from December 4, 1979, that includes a WCBN interview as well as a portion of their show that night at Second Change (now known as Necto). Uhle wrote the following on his Facebook page:
Baron Wolman, who became Rolling Stone's first staff photographer in 1967 and captured nearly every major rocker in the Woodstock generation (and at the Woodstock fest), died on November 9 from ALS. He was 83.
But Wolman's connection to our area came from his photographing the inaugural Ann Arbor Jazz and Blues Festival in 1969. Wolman and Getty Images photographers Tom Copi and Dick Waterman are responsible for the most iconic shots from the event.
You can see a few more of Wolman's A2 Jazz and Blues Fest photos here and a collection of interviews with him about his career below.
About a month ago, Shang, the giant metal sculpture by Mark di Suvero, was removed from the entrance area of the University of Michigan Museum of Art (UMMA). It was deinstalled after a 12-year run at UMMA because a private collector bought the on-loan sculpture.
But collectors also giveth, not just taketh away, and J. Ira and Nicki Harris have giventh a sculptureth to UMMAeth to replaceeth Shang.
During the pandemic, music has found its way: making songs in home studios, livestreams, and even socially distanced concerts have been a regular part of the past eight months.
Visual arts have also slowly come back in the form of virtual gallery shows, outdoor murals, and some staggered, limited-capacity crowds entering museums.
But theater, with its heavy reliance on casts and crew working in close proximity, has really struggled since Covid ravaged the world.
Locally, Ann Arbor's Theatre NOVA and Ypsilanti’s Neighborhood Theatre Group did Zoom theater festivals in October, and Ann Arbor Civic Theatre and Dexter Community Players did two days of outdoor performances of original Halloween-themed plays on October 30 and 31 at Dominos' Petting Farm.
But the move to indoor productions on a slightly larger scale is about to swing back into action thanks to University Productions' virtual season, which will run in December on U-M's School of Music, Theatre, and Dance YouTube site and one premiere on SMTD's Facebook page.
All the performances will be available to view online for free, albeit for a limited time, and the six shows will feature four from Departments of Musical Theatre and Theatre & Drama and two from the University Opera Theatre. The season was filmed throughout this semester with numerous safety protocols in place.
With most University of Michigan students being asked to stay home for the winter semester, this might be our last chance for a while to take in some quality theater from the SMTD crews.
Here's the lineup with descriptive text provided by University Productions:
Friday Five: Louis Picasso & The Gallery, Sean Curtis Patrick, Doogatron, Cautious Hearts, Junk Magic
Friday Five is where we celebrate new and recent music by Washtenaw County-associated artists.
This week we feature live hip-hop with a full band from Louis Picasso & The Gallery, ambient guitar excursions from Sean Curtis Patrick, leftfield techno from Doogatron, indie rock from Cautious Hearts, and experimental jazztronica from Junk Magic.
During dark times, some of us turn to dark music. I've pretty much turned into an anarcho-punk goth who listens to heavy metal and gangster rap in my bedroom.
But if you're the type of person who needs music that will bring light to your life right now, Kyler Wilkins offers a luminous intensity that could guide ships in the night.
Recording as Ki5, this Ann Arbor native layers his vocals using BOSS looping and harmonizing pedals to create a one-man a capella group. Since November 2019, Ki5 has released three singles and one EP, and he provided vocals on the title track of Free From All the Walls, the debut release by the new Ann Arbor electronica project Mirror Monster. Ki5's most recent single is the earnest, inspirational, R&B-soaked "Hallelu," but he also just put out a video for his bright summer song "Sunny Days."
I emailed with Wilkins about his musical background, approach to songwriting, and the gear he uses to create his joyous music.
During the past eight months, people have found different ways to cope with the pandemic and politics, from meditation to activism.
Other people, like me, like to punch a heavy bag covered in effigies of my enemies. (I can't remember what the kid looked like who roughed me up in fifth grade, but trust that his crudely drawn face is on there and I made him look like Jabba the Hut, mostly due to my terrible drawing abilities; sorry, dude.)
But the folks in Washtenaw Community College's poetry club turned to writing to process their feelings, and the group recently released its latest anthology.
Going Viral: Pandemic and Protest features work from WCC students, faculty, staff, and alumni, all written between April and September of this year. The 60-page ebook collection, edited by WCC professor Tom Zimmerman, is free and can be acquired as a digital version or as a PDF:
An occasional series highlighting live recordings made in Washtenaw County.
Between those extremes, the jammy funk band regularly played The Blind Pig, and the enthusiastic live-music guy known as DSA was there to document it with five cameras and a multitrack recording direct from the soundboard. The gig sounds and looks great, and Vulfpeck, as ever, has a lot of fun.
Now based in Los Angeles and sundry other locales, Vulfpeck also released a new album, The Joy of Music, the Job of Real Estate, on October 2020.
Check out The Blind Pig concert and stream The Joy of Music, the Job of Real Estate below:
Friday Five is where we celebrate new and recent music by Washtenaw County artists.
This week we feature hip-hop from Athletic Mic League, electronica by Mirror Monster and Kawsaki, fuzz-rock courtesy of Cyrano Jones, and original jams via Stormy Chromer.