Mirror Monster’s latest EP, Pretty Things Made With All Our Love, extracts the hidden emotional beauty from the bleakest of times. The seven-song collection by the Ann Arbor electronic-experimental duo of David Minnix and Michael Skibis is a cathartic, reflective journey that thoughtfully processes internal growth amidst a turbulent external landscape.

Mirror Monster’s enchanting folk-electronica odyssey glides through contemplative tracks about personal losses, the swift passage of time, ethereal encounters, and vivid memories. 

“In my view, if you can grow as a human being through the act of creating music, even if nobody buys or listens to it, you’ve still gained something incredibly valuable," said Skib, who formed the project with Minnix in 2019 and named it after a Deerhoof track. "In that sense, I feel a tremendous amount of this success from this project.”

For Ann Arbor singer-songwriter Rod Johnson, a rusty, rattling Ford Econoline van serves as the ideal road-trip companion.

The tank-like vehicle represents carefree, youthful jaunts of the past and promising, independent cross-country journeys of the future on “Telephone Company Surplus Econoline Van" from his latest wanderlust-fueled album, Looking for a Perfect Trip. 

“I had a friend in high school that had a telephone company surplus Econoline van, and it was just a Michigan Bell van with a logo painted on it," said Johnson, a retired University of Michigan College of Engineering professor. "We spent a lot of time in that van listening to Alice Cooper, and that’s the van that I was thinking of specifically."

“When I do that song, people always laugh when I say the title. They think it’s going to be this jokey song, but it’s not. It’s always fun to watch their expressions change as you go through it.”

Ann Arbor indie rock singer-songwriter and multi-instrumentalist Tim Everett opened the doors to his Lotus Hotel project more than a year ago and began booking a local following with four hypnotic, stirring singles filled with poetic lyrics, soulful vocals, and a sound that strives to transport people away from their everyday lives.

“I love the idea of playing with time and the idea of inviting listeners into a space where it’s completely removed from reality," Everett said. "It’s like a different dimension where you can leave yourself at the door and leave whatever worries you have elsewhere and just kind of be in that nice space with good sounds for a while."

Despite the summery name Beach Daisy, the music by this Ann Arbor alt-pop quartet is anything but sunshine on its debut EP, Something They Can’t Take Away. It features seven haunting tracks about isolation, fractured relationships, and hopeful tomorrows.

“There’s a theme in a lot of them of loneliness and emotional solitude, and the final track on the EP is a response to a lot of those feelings,” said Beach Daisy guitarist-vocalist Zach Moorhaus.

As Beach Daisy, Moorhaus and bandmates Samantha Steinbacher (vocals, keys), Brandon Sams (drums), and Andrew Walsh (bass) tackle a spectrum of challenging emotions ranging from self-doubt to frustration to despair. In a sense, the band’s 30-minute EP eloquently reflects the ongoing struggle people face well into adulthood.

“With this EP, we really honed in and tried to make it cohesive. We tried to make a group of songs that refined our sound a little bit,” Steinbacher said.